annotating Rachel Kaadzi Ghansah's profile of Dave Chappelle, "If He Hollers Let Him Go" [more inside]
Meghan McCarron interviews Kelly Link for Gigantic magazine. They talk about The Vampire Diaries, fanfic, patterns in stories and the craving for distortion, among other topics. Great news for Link fans: she has a new short story collection, Get in Trouble, coming out in 2015 and is working on a novel!
Every film Pixar has produced has landed in the top fifty highest-grossing animated films of all time. What's their secret? Mathematics. Oh, and 22 Rules of Storytelling. [more inside]
With cities, it is as with dreams: everything imaginable can be dreamed, but even the most unexpected dream is a rebus that conceals a desire or, its reverse, a fear. Cities, like dreams, are made of desires and fears, even if the thread of their discourse is secret, their rules are absurd, their perspectives deceitful, and everything conceals something else. December 2012 marks the 40th anniversary of Invisible Cities -- the sublime metaphysical travelogue by author-journalist Italo Calvino. In a series of pensive dialogues with jaded emperor Kublai Khan, the explorer Marco Polo describes a meandering litany of visionary and impossible places, dozens of surreal, fantastical cities, each poetically reifying ideas vital to language, philosophy, and the human spirit. This gracefully written love letter to urban life has inspired countless tributes, but it's just the most accessible of Calvino's fascinating literary catalogue. Look inside for a closer look at his most remarkable works, links to English translations of his magical prose, and collections of artistic interpretations from around the web -- including this treasure trove of essays, excerpts, articles, and recommended reading. [more inside]
Cowbird.com is a simple tool for telling stories, and a public library of human experience, incorporating text, photos, sound, subtitles, roles, relationships, maps, tags, timelines, dedications, and characters. These are the Sagas so far.
Ficlets are extremely short stories (a maximum of 1024 characters). Other writers swoop in and write prequels and sequels to your ficlet, making interesting branching narratives a la Create Your Own Adventure.
At what point did the muse disappear and become replaced by the dramaturg? "Scripts aren't written, they're rewritten", goes the cry from all the script gurus - all the literary managers, editors, producers, dramaturgs - not just in theatre but film, too. Why do they say this? Because their jobs depend on it. If scripts were left alone, what would they do? Dominic Dromgoole writes about playwriting in the UK.