26 posts tagged with streamingmusic by filthy light thief.
26 posts tagged with streamingmusic by filthy light thief.
Displaying 1 through 26 of 26.
Eskmo took a few Tom Waits songs that he love and mashed them with Computer Controlled Acoustic Instruments pt2 by Aphex Twin, and created Aphex Waits (Soundcloud with free DL; YouTube). If you'd like more weird electronic music from Eskmo, Dazed has a preview stream of his new album along with an interview about it. Then there's Eskmo's self-titled album on Grooveshark, which he released on Ninja Tune back in 2010, which lead to videos for Cloudlight [previously], We Got More [previously], and Color Dropping. He has also shared more music on Soundcloud.
Lorn has never been one to shy away from the darkness in his music. However, where as his previous release, Ask the Dust (Grooveshark) was bleak and mechanical in it's struggle with its demons, The Maze to Nowhere (Bandcamp) is melodic, fuzzy and at times even warm. If you've listened to Lorn's previous releases, 'warm' is generally not a word associated with his tunes. Whereas his previous effort worked with the bleakness of empty space, we find him filling in those cracks on this album with static, fuzz and ambient effects. The resulting product is a much more organic sounding beast, and man, does it sound great.From the Sputnik Music review of Lorn's first of ? parts in The Maze to Nowhere series of pay-what-you-want EPs on Bandcamp, which now includes Part 2 and Part 3, still with no end in sight. [more inside]
Snakes! Bullets! Super secret agents! Bandits! Monkeys and tigers! Espionage and romance! Are you excited yet? Are you on the edge of your seat? Does this sound like a movie to you? Ah, these are the recurring themes in some of classic Bollywood’s greatest cinematic extravaganzas, where acting and plot took a backseat to some of the craziest, over-the-top song and dance scenes ever committed to celluloid. Enter The Bombay Royale, a local 11-piece musical powerhouse who have taken the themes and soundtracks from these films and have infused them with all the colour, production and energy one would expect from a four-plus hour Bollywood movie. The Bombay Royale had first set down to do strictly covers from the gilded ‘60s era of Bollywood, but soon evolved into writing their own material.Sit down with Parvyn Kaur Singh AKA "The Mysterious Lady," one of the singers of the band, for an introduction to the cast of characters behind the albums You Me Bullets Love (Soundcloud; track-by-track description with musical director and saxophonist Andy Williamson, AKA "The Skipper") and The Island of Dr. Electrico (Soundcloud; a review of the Bollywood inspired surf / disco / funk album). [more inside]
If a band opened their set saying they were going to wake people up with techno music, you would probably not expect the musicians to be a BAFTA-award winning modern classical composer and a member from an electronic pop/dance group, but that's how Kiasmos introduced their music during Iceland Airwaves/KEXPort in Reykjavík. If you like what you hear there, here are a few more tracks on Grooveshark, and read on for more on the members of Kiasmos, Ólafur Arnalds and Janus Rasmussen. [more inside]
Rid yourself of those winter blues with Ursula 1000's Winter (Mega)Mixes, which are not focused on winter music, but rather an upbeat mix of deep, funky, sleazy, acid tinged delights, as Alex Gimeno, the Brooklyn-based retro-futuristic producer/DJ/multi-instrumentalist labeled his latest mix. Read on for more sampladelic easy listening breakbeat tracks in a style similar to continental popsters from Pizzicato Five to Dimitri from Paris, plus some fuzzy garage rock-influenced tunes! [more inside]
Whether you're welcoming a new day or a new year, you might enjoy some music to welcome the sun. For your enjoyment, 80 minutes of upbeat dance music set to abstract visuals in a live sunrise set from DSK CHK, a slightly more downbeat live mix from Mija & Skrillex at Bonaroo, and bliss out as the sun rises with Tycho at Burning Man, one of a handful of sets available to stream and download from this summer's burn. [more inside]
The Killer at Peace: Jerry Lee Lewis's Golden Years
In the living room, directly above Lewis' chair, is a framed photo from the day in December 1956 when Lewis, Cash, Carl Perkins and Presley – a.k.a. "the Million-Dollar Quartet" – hung out and recorded at Sun. Elvis is at the piano, looking upward, eyes fixed on Lewis. Above the bar is a photo from the sessions for the Class of '55 LP, a 1985 reunion of Lewis, Perkins, Cash and Roy Orbison. "All of them, really good friends," he says quietly. "All gone." Lewis took his survival as a point of pride by naming his 2006 comeback LP Last Man Standing. "A lot of people didn't like it when I said that. But they had to accept it."Jerry Lee Lewis is still alive and rocking, having just released his third album in the 2000s, titled Rock & Roll Time, though his most raucous days are behind him.
If you enjoy dark electronic/dance-type music, and you're interested in "dry, haunted synthpop jam(s)" that "sound like what might've happened to Joy Division if Ian Curtis had bought a Casio and a four-track and fired the rest of the band," you might enjoy Former Ghosts, who consist of Freddy Ruppert (This Song Is A Mess But So Am I) with Xiu Xiu’s Jamie Stewart, plus Nika Danilova (Zola Jesus), and Yasmine Kittles of Tearist. Former Ghosts only have two albums to their name, Fleurs (2009 - official video: Hold On; fan vid - Mother) and New Love (2010 - official videos: Taurean Nature, New Orleans). [more inside]
From the rather common "skate punk into alternative music" origins to a bedroom producer who signed with Ninja Tune, Bonobo, the stage name for Simon Green, has continued to change musically. From the lone musician who made sample-based music, he has expanded into working with field recordings, studio musicians, and live shows where the band took a four bar drum break transformed it into a seven minute epic drum-sax solo battle, to which the crowd tried to clap along. You can see him live tomorrow at the Alexandra Palace in London in a special Boiler Room session, but until then, there's plenty more to see, hear and read. [more inside]
In 2011, Diplo's Mad Decent label spun off a web-focused sub-label, Jeffree's, focusing on trap, tropical bass, moombahton, and associated distorted club-type sounds. As label honcho Paul Devro explained, the plan was simple: collect what producers had already made, post a new single or EP every two weeks, at first for free, then offer it for sale. The freebie window is closed, but you can still stream the lot, and read about the twelve tracks below the break. [more inside]
"If you want to hear music, you know what you do - you turn on the radio, put on a CD, or even go to a concert. But as the age of the info superhighway inches forward, you can even get music from your own home computer." That's the intro to a short CNN segment on IUMA, the Internet Underground Music Archive, which opened in 1992 as an effort for unsigned bands to share their music on the world-wide web, for free. Unfortunately, it fell the way of many early 1990s online entities: it was bought out, then the new owners couldn't keep up with changing times, and the site went dark. Except before IUMA disappeared, John Gilmore grabbed much of the material and backed it up on tapes, and turned to (MeFi's Own) Jason Scott and Archive.org to bring back IUMA. They did, and you can now browse through over 45,000 bands and artists, and more than 680,000 tracks of music.
Here's a look back at sounds of summers past, with a review of EMI's series of Balearic compilations, and for a bit more mystery and diversity, mixes that focus and include Balearic styles from Test Pressing. If the whole "Balearic" thing is confusing, Boiler Room TV has a nice write-up with photos from the period to set the mood, where the music was a mix of mixture of soul, reggae, rock, pop, and Latin, mixed with chill out, lounge and dance music. [more inside]
Looking for some instrumental, funky, downtempo and slightly sinister soundtrack music? Klint, who as worked on soundtracks before, including Snatch, has released his own soundtrack album, Nothing Left Of Us (stream and download for a limited time from Soundcloud). News of this new album comes from Cheap Thrills Music, a label run by Joshua 'Hervé' Harvey. Both Cheap Thrills and Hervé have more tracks and mixes up on Soundcloud, including plenty of streaming sounds a few free downloads from each, though that's more of deep and dirty house, as heard in Hervé's Hate On Me mixtape (stream/dl), and from the "Tear The House Up" from Hervé x Zebra Katz (Official Music Video, NSFW lyrics).
According to the Daptone Gold compilation liner notes (auto-playing music, click on "Biography"to read the notes), written by Pitchfork contributor Douglas Wolk, "the world capital of soul" has moved from the US ("between Memphis and Detroit, with occasional stopovers in New Orleans, Cincinnati and elsewhere") in the 1960, to Lagos in the 1970s, then it went into hiding, finally reappearing in Brooklyn, with Daptone Records. Let's go back - why Lagos in the 1970s? [more inside]
808 State is an English electronic group that formed in 1987, and take their name from the Roland TR-808 drum machine and their shared state of mind. As a trio, they produced their iconic track, Pacific, which fused influences of house music, jazz fusion and exotica. The group changed membership a bit over the years, but one way or another 808 State have released six albums* to date, and a number of singles, EPs, and promotional discs. 808state.com has a ton of information, including an extensive visual discography, a list of other productions and remixes, and over a gig of demos, live tracks, and other non-album audio to download. Given the group's 27 year-long history, there's a lot more to see and hear. [more inside]
The Case for CDs -- as CD sales continue to plummet, Grantland's Steven Hyden takes a "glass-half-full perspective" on those numbers, discusses format nostalgia, and the five types of albums that justify the continued existence of CDs. [more inside]
There are numerous ways that bands reach out to potential and current fans, and you can add a few more to the list with Noisetrade, Stageit and Concert Window. Noisetrade allows artists and bands to give away music, like a few tracks and covers from Dr. Dog and Saint Rich, to the whole First Album Live from They Might Be Giants, and now e/audio books, too, in trade for an email address and zip code. If you prefer live music, Stageit and Concert Window allow fans to watch unrecorded, streaming shows from bands anywhere in the world, for whatever price fans see fit. [more inside]
While the name Michael “House Shoes” Buchanan remains unknown to most, he's been involved with the Detroit hip-hop community since '94, producing some beats for an (unreleased) EP by Elzhi in 1998, plus a few other projects in the 1990s, but he really started making noise in the 2000s, finally releasing his own album, Let It Go, in 2012, which he then offered as a free download in 2013. All the while, he's continued to act as "Detroit's Hip-Hop Ambassador to the World," promoting other up-and-coming acts through various channels, including his on-going series, "The Gift," in which he promotes new artists. [NOTE: NSFW lyrics throughout the music] [more inside]
Animator Adam Brown took two Calvin and Hobbes comics as keyframes and animated the pair in motion, with some sound: dancing in the forest (Vimeo; YouTube; GIF without the background) and a fireside tiger attack (Vimeo; GIF). [more inside]
Five years ago, Alfred Weisberg-Roberts, aka Alfred Darlington (more widely known as Daedelus) finally released an album with his wife, Laura Darlington, under the group name The Long Lost. And it's beautiful, light and airy orchestral pop that owes a greater debt to Caetano Veloso than Coldcut, the style of music that might not out of place being played live in a knitting shop, which could seem a bit strange for a group releasing their music on Ninja Tune. For further fond words, The Gaslamp Killer considered their album one of his top picks for 2009, and here's a nice interview with Alfred and Laura. But we're really here for the music, so here's their self-titled album, streaming on Grooveshark. [more inside]
"s/s/s started to sound like the Nazi Schutzstaffel with a lisp so we had to change it. We wanted a word with three S’s and Sisyphus felt like a capable anti-hero—endless struggle, the human plague, the existential condition. We are all working towards nothing. Also, the apparent futility of this collaboration—a black rapper from Chicago, a white singer-songwriter from Detroit, and an arty producer with cool glasses, though I dunno where Ryan’s from, Cleveland? We have so little in common but we have deep love for each other and we are pushing that stone together." That's Sufjan Stevens, talking about his collaboration with the rapper Serengeti (David Cohn), and singer/producer Son Lux (Ryan Lott), who released their Beak & Claw EP last year as s/s/s (Bandcamp), and have recently released their debut album as Sisyphus (Bandcamp). [more inside]
Six Degrees Records is a record label based in San Francisco that represents a range of "world music" sounds. You can dig into their discography through official mixes from the label or the usual array of samplers on Soundcloud, or listen to a ton of complete albums from 17 artists and groups on Bandcamp, from Malian guitarist and singer Vieux Farka Touré to the man who made the label, Karsh Kale, who is considered one of the pioneering figures in defining the Asian Underground genre, to the Brazilian singer/songwriter, Céu and the Iranian singer and musician, Azam Ali. If this is all too overwhelming, just grab the free 10-track sampler.
Here's a little something old to bring in the new year: Jacco Gardner and his debut solo album, Cabinet of Curiosities (Grooveshark streaming tracks; full album on YouTube). Why? Because it's a delicious platter of ornate, lushly orchestrated, psych-inflected "soft rock" or "baroque pop" and if you didn't know better, you might guess it was made in the 1960s, not in 2012. The album was created almost solely by Gardner, who played all the instruments except the drums. For live shows, the 25 year old multi-instrumentalist had to enlist more help, as you can see in this live set from Lowlands, and two more, from Ancienne Belgique and at International Film Festival Rotterdam (IFFR). [more inside]
Dear music lover and inquisitive individual, have you wondered what the funk of the future might sound like? You have (not)? Well, you're in luck! The good people at Keats//Collective show you a glimpse of what could possibly be future funk, available in a handful of solo albums and four compilations of what they classify as electronic / chillwave / disco / future funk / glo-fi / spacebop. But you really should stop reading and just take a listen to ... [more inside]
William Benjamin Bensussen is a DJ and producer who started DJing in San Diego's Gaslamp Quarter, where his weird, heavy sound was generally a dancefloor killer, earning him the name The Gaslamp Killer But he kept at it, and found a home in Los Angeles, performing with the Low End Theory crew. On December 1, 2012, Gaslamp Killer joined an ever-growing list of notable DJs and appeared on BBC Radio 1 with an Essential Mix "This runs the gamut, freak flag and spliff waving in the air. 2 brutal and beautiful hours of raw beats, boom bap, and Birdman. There is psych-rock, there is juke, there is Spaghetti Western. Exclusives from Lotus, HudMo, and Dilla." If you like what you hear, there's even more below the break. [more inside]
There is a universe of recorded DJ mixes to sort through, enough to keep you entertained and dancing for years. Souncloud user R_co fills a pocket of this cosmos with thousands of mixes and some live shows to stream and download, spanning styles and decades, from Bob Marley and the Wailers live in 1975, to a Shep Pettibone Mastermix Danceparty from 1983, Mark Farina live in Los Angeles, 1996, or Masters at Work live in Miami at WMC, 2003, and Carl Craig in Ibiza, 2012. [more inside]