So Tara Tiger Brown of Forbes.com wrote an article begging fake geek girls to go away. Leigh Alexander of Sexy Videogameland responds with "This is the worst kind of thing to me, because not only is it sad for her, but it sucks for all of us. Women in our space, having once been something of a scarcity, face particular challenges. We lack for companions and mentors. " Followed by The Mary Sue's Susana Polo "So yes, I understand the desire to weed the “posers” out of your personal life and interactions. But I have never, actually, in the flesh, met a “fake” geek girl. Or guy. "
posted by The Whelk on Mar 27, 2012 - 207 comments

The Great Shift in Japanese Pop Culture: Part 1, Part 2, Part 3, Part 4. [more inside]
posted by subdee on Nov 30, 2011 - 36 comments

The Congolese Sape is a photoessay by Héctor Mediaville on Sapeurs, a male subculture in the Democratic Republic of the Congo which is defined by its haute couture clothes. Blogger Eccentric Yoruba wrote a post for steampunk blog Beyond Victoriana on Sapeurs which was crossposted to Racialicious detailing the history of the movement and linking it to dandyism in general and explaining its political significance in the 70s, when it was championed by music legend Papa Wemba (live footage from the 90s and 70s).
posted by Kattullus on Nov 14, 2010 - 24 comments

The Isleños are said to be a dying traditional American subculture. Descendants of Canary Island immigrants of Louisiana, the name Isleños was given to them to distinguish them from Spanish mainlanders, known as "peninsulares." But in Louisiana, the name evolved from a category to an identity. For a long time they were one of those rare subcultures that found a way to maintain a living tradition as the world around them modernised by carving out a livelihood as crabbers and 'shrimpers'. Then Katrina hit and the wetlands, which were central to the Isleños identity, essentially dissapeared. Despite the blow to their economy, they still have their songs and annual fiestas, evidence of a strong culture which binds their community together, and their rebuilding following Katrina demonstrated how strong that sense of identity and culture can be. So perhaps the Isleños shouldn't be written off just yet, then. After all, as Isleño Irvan Perez says, "This is home. Where else would we go?"
posted by Effigy2000 on Dec 7, 2008 - 7 comments

For Westerners, the index case of subculture has to be the 1960s UK conflict between the razor-sharp, tailored mods and their mortal enemies, the greasy rockers.

Difference was critical to these first self-identified youth subcultures: difference in dress, in music, in drug of choice, in the favored mode of transport...everything. This obsessive focus on not just standing out, but standing out just so - on showing the world precisely the right angle of a hat, length of a coat, shortness of hair - has defined many a subculture since. We recognize b-boys, ganguro girls, and straightedge punks by such deployments, among many, many other identifiable groups. (It's not just a youth thing, either: leathermen and the delightfully recrudescent roller derby culture are largely adult phenomena.)

To a devotee of a given subculture, such matters, far from being a "narcissism of small differences," are a matter of pivotal import in framing how one presents oneself to the world: how we want to be seen, how we want others to understand us. But I'm getting older now, and further out of the loop, and I realize that just maybe I'm losing the ability to discern these differences in the people I pass walking down the street. I find myself asking, who and where are the new subcultures? And how do they choose to present themselves to us?
posted by adamgreenfield on Sep 25, 2004 - 17 comments