The Boston Symphony Orchestra is one of the handful of orchestras for which musicians the world over will drop everything to scramble for a job, and the audition ranks among the world’s toughest job interviews. Mike Tetreault has spent an entire year preparing obsessively for this moment. He's put in 20-hour workdays, practiced endlessly and shut down his personal life. Now the percussionist has 10 minutes to impress a selection committee and stand out among a lineup of other world-class musicians. A single mistake and it's over. A flawless performance and he could join one of the world's most renowned and financially well-endowed orchestras at a salary of more than $100,000 a year.
The Audition.
[more inside]
posted by zarq
on Jul 5, 2012 -
90 comments
Imagine this: 'This evening we are going to hear the 2nd Symphony by Claude Debussy, the Austrian première of Insect Life by the Finnish opera composer Kalevi Aho, and the 2nd Symphony by Bela Bartók.’ What is a symphony? What does the concept mean nowadays? And what does it mean, to compose symphonically?
posted by Wolfdog
on Jun 29, 2010 -
45 comments
Music! - A 1968 documentary by the National Music Council of Great Britain, featuring folk singing, The Beatles, and even early electronic music produced by tape splicing.
Part 1,
part 2,
part 3,
part 4,
part 5.
posted by Artw
on Mar 7, 2010 -
8 comments
Carl Sagan, Richard Feynman, Neil deGrasse Tyson and Bill Nye, sing to us (auto-tuned in a way that I actually
don't hate), in
We Are All Connected*.
*Possibly NSFW owing to sidebar video links.
Something similar was mentioned here
previously.
posted by bwg
on Oct 28, 2009 -
38 comments
Ruttmann vs. MilantAlexis Milant has composed scores for three experimental animations realised by Walter Ruttmann.
The pleasure in watching and [listening to] this come from the reactivity in the same temporality between sound and picture. [more inside]
posted by carsonb
on Sep 9, 2007 -
8 comments
San Carlo of the Symphony. Il Maestro
Carlo Maria Giulini, orchestra conductor who passed away Tuesday at 91 "had an almost uncanny ability to transform the sound of an orchestra, any orchestra, into a dark and intense glow, which became his trademark over the years". "We have lost one of the greatest musicians of our time," says
Esa-Pekka Salonen (.pdf), music director of the LA Philharmonic. Giulini has been called "the last humanist", a gentle man beloved by his orchestras, so humble in his approach to music that, always feeling the necessity to "fathom" each new work, it wasn't until the 1960s that he finally felt ready to conduct Bach, or the symphonies of Mozart and Beethoven. This from a man who, at the beginning of his career (as a viola player) had played under Richard Strauss. "I had the great privilege to be a member of an orchestra," Giulini said in 1982. "
I still belong to the body of the orchestra. When I hear the phrase, 'The orchestra is an instrument,' I get mad. It's a group of human beings who play instruments." More inside.
posted by matteo
on Jun 16, 2005 -
11 comments