The Oxford Symposium on Food and Cookery is an annual weekend conference discussing food, its history, and culture. Since 1981 the papers presented at the Symposium have been collected into a conference volume called the Proceedings of the Oxford Symposium on Food and Cookery, most of which have been made available for free in their entirety via Google Books. Each volume consists of about 25-40 papers surrounding the theme of that year's Symposium (e.g. Eggs, Authenticity, or The Meal). [more inside]
In 2010, Judea Pearl was honored with a symposium on his work. He gave a talk on how to use causal models to evaluate counterfactuals. (He takes the first 14 minutes to thank people and reflect on his intellectual debts. Skip it if you really want to get to the meat of the talk, but it is well worth watching.) [more inside]
Symposium Magazine bills itself as "where academia meets public life". Its promotes long-form, accessible articles about a variety of topics.
Le Corbusier: An Atlas of Modern Landscapes runs from 15 June - 23 September 2013 at the Museum of Modern Art (MoMA) in New York City. It is the museum's first comprehensive exhibition on Le Corbusier (Charles-Édouard Jeanneret, 1887-1965), and is billed as "the largest exhibition ever produced in New York of [his] protean and influential oeuvre"; in 2014 it will travel to Madrid and Barcelona. Exhibition curator Jean-Louis Cohen, an architectural historian at New York University, gave a tour of the exhibition as part of the "Le Corbusier/New York" symposium at the Center for Architecture on June 8. World-Architects was in attendance, so here we present some insight into the exhibition, accompanied by highlights from the symposium at right.
He doesn't do metaphors. He doesn't make Postmodern references to other art. He doesn't even know what his own work 'means.' Richard Kovitch on the failure of the Tate Modern's recent symposium on David Lynch, which featured Gregory Crewdson, Louise Wilson, Chris Rodley, Parveen Adams, Simon Critchley, Roger Luckhurst, Tom McCarthy (edited remarks here), and Sarah Churchwell and Jamieson Webster (transcription here), among others. Write-up on Paris retrospective of Lynch's painting here, which was collected into the book The Air is On Fire.
I have been called a voluptuary, a sybarite, a hedonist, a creep. .. George Meyer's silly rhapsody on conferences, symposia, seminars, etc.: "The OFF-SITE is a born provocateur. She blends the dirty fun of a PowerPoint presentation with the raw danger of a Kaffeeklatsch. One minute she’s showing you charts and graphs, then up pops a “Far Side” cartoon. It’s high-stakes poker, and everything’s wild." from the New Yorker , May 2007.