Director and/or star of many of the greatest films ever made including The Great Dictator (2:05:16) [Globe scene and the eternally goosebump providing Final speech], The Immigrant (20:01), The Gold Rush (1:11:49), City Lights (1:22:40), Modern Times (1:27:01), and Monsieur Verdoux (1:59:03), Charlie Chaplin's movies have entered the public domain in most countries. Below the fold is an annotated list of all 82 of his official short and feature films in chronological order, as well as several more, with links to where you can watch them; it's not like you had work to do right? [more inside]
"Here, in my final post on the ending, I present the case that its final hour was the worst ending in the history of science fiction on the screen. This is a condemnation of course, but also praise, because my message is not simply that the ending was poor, but that the show rose so high that it was able to fall so very far." -Brad Templeton's dissection of the modern version of Battlestar Galatica and where it went wrong
“Highbrow critics talk in ornate polysyllables about the ingenuity and art of the German filmmakers. If they condescended to witness the nonsensical genius of a Charley Bowers comedy they could drool dictionaries.” Educational Pictures Press Book for THERE IT IS, January 23, 1928Charley Bowers is a genius of silent film and animation that never got the level of attention of his peers Buster Keaton or the Fleischer Brothers. You'll have to search hard to find him in film literature. But watching his work—as a bird lays a Ford Model T or a scruffy ghost tortures a Scotsman and his insect sidekick—you can see the inspiration for the later sight gags of Ernie Kovacs, the visual non sequiturs of Looney Toons, the cut paper trickery of Terry Gilliam and surrealist Andre Breton citing one of Bowers' shorts as the most influential film of 1937. [more inside]
Let's pay a little visit, shall we, to everyone's favorite lasso twirlin', geetar strummin' stars of the Vaudeville stage, Otto Gray's Oklahoma Cowboys Then let's head for the South Pacific, for the "Hawaiian" sounds of Witt and Berg. And from the early days of the "talkie", Max Fleischer explains the new-fangled technology for us in the 1929 cartoon, Finding His Voice.