Frankly, sophisticated audiences are not a problem. Dumb audiences are a problem. But I think audiences are getting more sophisticated — that’s just a product of time. In the ’50s, audiences accepted a level of artifice that the audiences in 1966 would chuckle at. And the audiences of 1978 would chuckle at what the audience of 1966 said was okay, too. The trick is to try to be way ahead of that curve, so they’re not chuckling at your movies 20 years down the line.
ER One Shot (YT): one long opening shot from the Quentin Tarantino-directed episode of the TV series ER. Blog post | less bloggy, more pagey, format. [more inside]
KillBillreference is a YouTube account (apparently defunct) that curates clips of a handful of the movies that Quentin Tarantino has drawn reference from. Primarily these are references from Kill Bill, but other movies like Pulp Fiction sneak in as well. For example, Elle Driver's whistle song as it first appeared in Twisted Nerve, the music from O-Ren Ishii's origin story as it first appeared in I Lunghi Giorni Della Vendetta, an eye plucking scene from Five Fingers of Death, and Mia's square gesture from Pulp Fiction as originally performed by Betty Rubble. [more inside]
“I gave it to three motherf***ing actors. We met in a place, and I put it in their hands. Reggie Hudlin’s agent never had a copy. It’s got to be either the agents of Dern or Madsen. Please name names.” Quentin Tarantino decided he won't make The Hateful Eight, which was slated to be his next big film. The script is now floating around the 'net, and summaries of the plot abound, telling of an ensemble cast in a very bloody Western centered on bounty hunters. If you don't want to track down the 146 page document, here is a summary of the six "most Tarantino" elements in the film, which was to be shot in 70 mm film, and in CinemaScope to boot. [more inside]
"The best way to honor [Nat Turner, Frederick Douglass, and Harriet Tubman] is not with tasteful, funereal reverence but some real attempt to measure the dimensions of the stretch of history they occupied.
In a lengthy back-and-forth discussion about Django Unchained, critics Steven Boone and Odie Henderson discuss the subtleties of Tarantino's racial commentary (as well, as, of course, the more blatant commentaries), their thoughts on Spike Lee's criticism of the film, and Tarantino's vast and nuanced range of inspirations. Elsewhere, Tarantino responds to a critic who called a plot point in Django "harebrained", and what ensues offers an interesting insight into how Tarantino thinks about his characters.
Who do you think you're fooling? A comparison of Quentin Tarantino's Reservoir Dogs and Ringo Lam's City on Fire. (Vimeo) [more inside]
"Tarantino is on record as saying that this movie is his “bunch-of- guys-on-a-mission film”—which would mean that it’s a version of the Dirty Dozen or The Guns of Navaron'e. Like almost everything else that Tarantino says in interviews, I think that sentence is a lie." -- The film within the film that is Inglorious Basterds. [more inside]
Quentin Tarantino is the latest American celebrity to be featured in a TV commercial for SoftBank Mobile Corp, a Japanese telecommunications and media company. Tarantino stars as “Uncle Tara-chan” in the bizarre and very popular “White family” commercial series. The Whites consist of the "Mom", the daughter “Me” (a Softbank shop saleswoman played by popular singer/actress Aya Ueto), the "Older Brother" (played by African American actor Dante Carter), and the father, Otosan, who happens to be a white Hokkaido-ken dog named Kaikun.