Take a stroll through French artist Vincent Fournier‘s
] gallery of animal photographs, and you’re likely to come across some creatures you’ve never seen before. Like, for instance, a jellyfish that is capable of electronically transmitting data across the Abyssal depths of the ocean. Or, perhaps, a scorpion that can perform semi-automated surgery on humans.
“These creatures come from the future—an imagined future, based loosely on current research on synthetic biology and genetic engineering,” says Fournier, of his project Post-Natural History, a series of digitally-altered photos of animals that do not yet exist. “The idea is that these are living species, reprogrammed by mankind to better fit our environment as well as to adapt to new human desires.”
posted by byanyothername
on Jan 8, 2014 -
In Praise of Leisure
- "Imagine a world in which most people worked only 15 hours a week. They would be paid as much as, or even more than, they now are, because the fruits of their labor would be distributed more evenly across society. Leisure would occupy far more of their waking hours than work. It was exactly this prospect that John Maynard Keynes conjured up in a little essay published in 1930 called 'Economic Possibilities for Our Grandchildren
.' Its thesis was simple. As technological progress made possible an increase in the output of goods per hour worked, people would have to work less and less to satisfy their needs, until in the end they would have to work hardly at all... He thought this condition might be reached in about 100 years — that is, by 2030." (via
) [more inside]
posted by kliuless
on Jun 22, 2012 -
In the wake of their grunge-y breakout hit "Creep"
and the success of sophomore record The Bends
, Thom Yorke and the rest of Radiohead
were under pressure to deliver once more.
So they shut themselves away inside the echoing halls of a secluded 16th century manor
and got to work.
What emerged from that crumbling Elizabethan castle fifteen years ago today was a shockingly ambitious masterpiece of progressive rock, a visionary concept album that explored the "fridge buzz" of modernity
-- alienation, social disconnection, existential dread, the impersonal hum of technology
-- through a mosaic of challenging
, eerily beautiful
music unlike anything else at the time.
Tentatively called Ones and Zeroes
, then Your Home May Be at Risk If You Do Not Keep Up Payments
, the band finally settled on OK Computer
, an appropriately enigmatic title for this acclaimed
harbinger of millennial angst. For more, you can watch the retrospective OK Computer: A Classic Album Under Review
for a track-by-track rundown, or the unsettling documentary Meeting People is Easy
for a look at how the album's whirlwind tour nearly gave Yorke a nervous breakdown
. Or look inside for more details and cool interpretations of all the tracks -- including an upcoming MeFi Music Challenge! [more inside]
posted by Rhaomi
on Jun 16, 2012 -
When the machines take over, how will people make a living?
Paul Allen: Futurists like Vernor Vinge and Ray Kurzweil have argued that the world is rapidly approaching a tipping point, where the accelerating pace of smarter and smarter machines will soon outrun all human capabilities. They call this tipping point the singularity, because they believe it is impossible to predict how the human future might unfold after this point. Once these machines exist, Kurzweil and Vinge claim, they'll possess a superhuman intelligence that is so incomprehensible to us that we cannot even rationally guess how our life experiences would be altered. Vinge asks us to ponder the role of humans in a world where machines are as much smarter than us as we are smarter than our pet dogs and cats. Kurzweil, who is a bit more optimistic, envisions a future in which developments in medical nanotechnology will allow us to download a copy of our individual brains into these superhuman machines, leave our bodies behind, and, in a sense, live forever. It's heady stuff. [more inside]
posted by kgasmart
on Oct 26, 2011 -
"I began to realize that "robots"-- in all their various forms-- can really be seen as a symbol of a larger relationship between people and technology." In 1988, Frederick Schodt
wrote about the Japanese fascination and use of robots in his book Inside the Robot Kingdom
, curious by the disparities between American and Japanese manufacturing processes . In 1988, the American public wasn't ready for the book, or for robots.
Today, Japan still has embraced robotic automation
in a way that arguably no other country has. For more similar topics, Mangobot
is a column that reports on Asian futurism.
posted by artifarce
on Jun 22, 2008 -