Terry Gilliam's deleted animations from "Monty Python & The Holy Grail" (SLYT - from the 40th Anniversary video gift set via the Official Monty Python Channel)
Everyone knows that “Wuthering Heights”, Kate Bush’s debut single of 1978, was inspired by Emily Brontë’s gothic tale of unfulfilled passion and madness on the moors. But how many people know how one boy’s relationship with his father, a disciple of Freud who fled Nazi-occupied Austria to pursue his studies on the orgasm in America, came to inspire another, similarly cherished piece of pop-culture history? The story behind Kate Bush’s Cloudbusting video from Dazed [Article is SFW, Dazed website is NSFW]
When British daytime TV and geek heroes collide... a collection of youtube interviews with various sf, horror, fantasy people such as Terry Pratchett, several Dr Whos and William Shatner on various lightweight UK tv chatshows from years past
Joel Silver: Terry Gilliam would have radically changed the ending to Watchmen. Zack Snyder: "I made (Watchmen) to save it from the Terry Gilliams of this world."
Celebrities naked with fish. Photography done for the Fishlove campaign which raises awareness about the destruction of the seas and the unsustainable practices that lead to over fishing. Founded by the restaurant, Moshimo and the actresss, Greta Saatchi it gathers celebrity, professional photography and fish to ask the question, "Are you a fish lover?" [more inside]
Terry Gilliam fans are patiently waiting for the release of "The Zero Theorem", his first film in four years. In the meantime, let's go back thirty years ago to the moment that Gilliam really found his footing as a director in between the filming of "Time Bandits" and "Brazil". It all concerns a bunch of elderly accountants... [more inside]
How, against all odds, Time Bandits got made. Somehow in the face of a universe that seems dead set against it Terry Gilliam continues making movies today, the latest being Zero Theorem.
The AV Club's diaspora, The Dissolve, has spent a week analyzing Terry Gilliam's dystopian masterpiece Brazil. The keynote essay. Brazil Forum: style, gallows humor, the past as future, and more. Duct to the future: The nightmare of Brazil never arrived, but it’s still resonant
All of Terry Gilliam's animation bits from Monty Python's Flying Circus: Part 1 Part 2 Part 3 Part 4 (SLYT, NSFW)
(minor Spoilers should be assumed for most of the post) Fringe, which many have called a cult show, has a pension for playfully populating its episodes with pop culture references and has continued to do so into its fifth and final season. [more inside]
"Discovering Dad" aka delving into Terry Gilliam's personal archive. Terry Gilliam's daugher Holly uncovers the gems of Terry Gilliam's personal archive - from pre-Python days through Python to his feature films and beyond.
Kevin J. Weir is an artist, making ads (1, 2, 3, 4, 5), and more interestingly, not ads. In the latter category, he has made 3 stand-alone sites: the Flux Machine, a tumblr of public domain images turned into animated GIFs, ranging from amusing to surreal (with an extra dash of Lovecraft), which Cartoon Brew likened to Terry Gilliam and Stan VanDerBeek; Nyan Waits, another spin-off of the Nyan Cat meme/theme, now with more Tom Waits; and Loud Portraits, an interactive portrait gallery. [more inside]
Terry Gilliam - The Christmas Card. Gilliam made this in 1968 for the children's TV series Do Not Adjust Your Set. [Via]
A few sketches aired during the original run of Monty Python were subsequently lost. Half an episode, the tenth of the third series, was censored by the BBC. All that survives is the script. Also, never shot, but written, was the King Brian the Wild scene from Holy Grail. Additionally, a few sketches were either slightly censored post-broadcast or erased for other reasons. A couple of those sketches have have been found on tape [Warning: Autoplaying video]. The two sketches are Political Choreographer (here with a short bit exhorting you to support Channel 11 in Chicago), and an interstitial animation by Terry Gilliam. Also, the uncensored Summarize Proust sketch.
"I believe in the things I make. The fact that God doesn’t want me to make them is beside the point."
"The thing is, some really good scripts come my way, but there’s nothing in them for me to come to grips with, they are complete in themselves ... There’s no uncertainty. I don’t look for answers; I look for questions. I like when people leave the cinema and feel like the world has been altered for them somewhat." Terry Gilliam: The Heir of Fellini and the Enemy of God. (Also, recently on the blue.) [more inside]
Monty Python's Terry Gilliam explains his cutout animation technique. The technique itself doesn't really matter -- whatever works is the thing to use. And that's why I use cutout. It's the quickest and easiest form of animation that I know. (SLYT)
1884: Yesterday's Future. A story of outstanding heroism in the face of deception, subterfuge and treachery. Conjuring up the belief that it was made forty years before film was even invented, 1884: Yesterdays Future tells of a future that might have been but never was. Directed by Tim Ollive, the film is a mix of animation, puppetry and two dimensional and three dimensional computer generated imagery (CGI) set against backgrounds created using stunning artwork, model sets and period photographs from the Hulton Picture Library division of Getty Images. [more inside]
R Crumb talks to the Paris Review about his adaptation of The Book of Genesis, cartoons, LSD, Winnie the Pooh, Terry Gilliam, and some other things.
The Prepaid Healthcare Visa® Gift Card, for that special someone without insurance on your holiday list. Rejoice! Terry Gilliam's dystopian future is now! [via]
Storytime is a 1968 animated short film which marks the directorial debut of Terry Gilliam. It is not to be confused with Storytime, a famous sketch from Monty Python's Flying Circus (aka Monty Python's Fliegender Zirkus) — the British TV show for which Gilliam created surreal animations that segued between sketches (or not). In 1974, he followed that up with another animated short film called The Miracle of Flight. The next year, he set off in a different direction, leading Monty Python's quest for The Holy Grail [LEGO]. That path eventually led to Brazil, which brings us to where we are today.
What Brazil tells us about torture today. A thoughtful discussion by Clive James of torture in the context of the movies in general and Terry Gilliam's Brazil in particular. Warning: occasional descriptions of awful behavior, and the reader may have his opinion of humanity lowered. "The historical evidence suggests that on the rare occasions when a state begins again in what a fond humanitarian might think of as a condition of innocence, a supply of young torturers is the first thing it produces... In the Nazi and Soviet cellars and camps, people were regularly tortured for information they did not possess: i.e., they were tortured just for the hell of it."
"Filmmakers like Gilliam keep coming to the Canadian talent trough for child actors because our kids, by all accounts, tend to be easy to direct, manage, and mould.
Sarah Polley, the little girl in The Adventures of Baron Munchausen, finds out that another little Canadian girl is about to star in another Terry Gilliam film, and writes--and warns--about her experiences. Gilliam responds.
Why grammar is the first casualty of war... "It's hard for abstract nouns to surrender. In fact it's very hard for abstract nouns to do anything at all of their own volition - even trained philologists can't negotiate with them."