Shakespeare was not a full-time writer without other responsibilities, like O’Neill or Williams. But what might look like a distraction for such authors—acting in his own and other people’s plays, coaching fellow players, helping manage the ownership of the troupe’s resources (including its two theaters, the Globe and Blackfriars)—was a strength for Shakespeare, since it made him a day-by-day observer of what the troupe could accomplish, actor by actor. [...]
'According to Pacini,' Julian Budden writes in The Operas of Verdi, 'it was the custom at the San Carlo theatre, Naples, for the composer to turn the pages for the leading cello and double bass players on opening nights.' The composer had to change his score to fit new voices if there were substitutions caused by illness or some other accident. In subsequent performances, he was expected to take out or put in arias for the different houses, transposing keys, changing orchestration. He was not a man of the study but of the theater.
Shakespeare and Verdi in the Theater.
posted by shakespeherian
on Nov 18, 2011 -
48 comments
Glengarry Glen Ross endures mainly as a spectacular display of verbal warfare and alpha-male gamesmanship. There’s a musical quality to it, with a great composer and a great chorus hitting the complicated runs of broken dialogue and solos that weave into profane poetry and nuggets of philosophical wisdom. Perhaps the greatest sign of the movie’s success, owed equally to Mamet’s script and this cast, is that it does a great sales job in itself, convincing us that there’s nobility to men who lie for a living — a bill of goods we’re all too happy to buy. [more inside]
posted by Trurl
on Sep 29, 2011 -
67 comments
Original Pronunciation (OP) "...performance brings us as close as possible to how old texts would have sounded. It enables us to hear effects lost when old texts are read in a modern way. It avoids the modern social connotations that arise when we hear old texts read in a present-day accent." The site includes
transcripts of Shakespeare plays and other writings with
IPA notations, indicating how to pronounce them in OP. It also includes some audio
recordings.
[more inside]
posted by grumblebee
on Sep 11, 2011 -
38 comments
R.M. Berry on Samuel Beckett's peculiar writing style: "It's as though the narrator's words were almost thoughtless, accidental, written by someone paying no attention to what he or she says." Beckett is best known for his play
Waiting For Godot, in which "nothing happens, twice", but he was also an accomplished writer of prose, ranging from the relatively simple
Three Novels to the extremely minimal
Imagination Dead Imagine. Some of Beckett's more challenging short plays are available on YouTube:
Play (
pt. 2),
Not I (the famous "mouth" play), and
Come and Go, one of the shortest plays in the English language (ranging between 121 and 127 words, depending on translation).
Once he interviewed John Lennon and found out who the eggman really was. Beckett's final creative work was his poem
What Is the Word.
posted by Rory Marinich
on Jun 25, 2011 -
41 comments
This week, the world will finally get its first look at Spider-Man: Turn Off the Dark
. But the most expensive musical in Broadway history has already had an epic run—battling bankruptcy, broken wrists, unruly technology, and one comic villain disguised as a Post columnist. And at the center of it all, perched over her “God mike,” is the relentless and inventive Julie Taymor. (previously)
posted by Joe Beese
on Nov 23, 2010 -
49 comments
Defamation by Twitter Broadway actor Marty Thomas has filed papers in court asking that the identify of the "bwayanonymous" Twitter account (
cache) be revealed, after the account made a post alleging Thomas has crabs.
posted by ThePinkSuperhero
on Oct 14, 2010 -
37 comments
RecycledMovieCostumes.com A site of screencaps and photos tracking outfits that show up in different movies. So sometimes you're watching a movie and you say "that actor looks familiar." This is a collection of photos and comparisons for the times you've thought "that
outfit looks familiar."
[more inside]
posted by SaharaRose
on Oct 9, 2010 -
15 comments
"Theatre," says Professor Lorraine Moller, Artistic Director of
Rehabilitation Through the Arts at Sing Sing Correctional Facility, in her foreword to
Laurence Tocci's The Proscenium Cage [pdf], "may well be one of the few antidotes to the de-humanizing climate of prisons." The use of theater in prisons has many forms: from projects designed to let prisoners tell their own stories as shown in the Austrian film "
Gangster Girls" (
trailer in German), to the
elaborate, high-concept costume dramas of Italy's
Compagnia della Fortezza. Some base their work on Boal's
Theatre of the Oppressed, others on Moreno's
Psychodrama, but many programs use a more direct approach: put on classic plays, and let the play do the illuminating. That's the approach of
Shakespeare Behind Bars, the troupe at Luther Luckett Correctional Complex in LaGrange, Kentucky.
Watch the entirety of Shakespeare Behind Bars,
a compelling 2005 documentary that follows the troupe for a season as they produce a production of
The Tempest.
[more inside]
posted by ocherdraco
on Aug 4, 2009 -
8 comments
Every movie has a few scenes in there somewhere that aren't crucial to the plot. Every movie has a few minutes you can miss and not be lost when you sit back down. Now you can go see a movie and get that extra large soda without worrying about missing anything important.
No more guessing when to run and pee!
posted by rhapsodie
on May 21, 2009 -
64 comments
Been to your local cineplex lately and seen
IMAX Digital on the menu? Been tempted to pay the extra $5 or so for the expected 7-story screen and mammoth sound?
[more inside]
posted by hippybear
on May 12, 2009 -
85 comments
