Alamo Drafthouse aside, not many movie theater chains have reported increased attendance in the past few years. Large chains have propped up revenues with ticket price hikes, premium concessions and drinks, but the specter of Netflix and other home viewing platforms looms ominously over the industry. Annual ticket sales in the U.S. have declined to 1995 levels from their high in 2002 (although revenues have grown 3.6% annually over the same period, well outpacing inflation). This January, AMC Theaters will begin testing a new business model in partnership with MoviePass, beginning in Denver and Boston. Subscribers can pay $30-45 a month for a membership good for one film per day at any AMC location. The move echoes a 2013 effort to reopen an independent theater in Oakhurst, CA using a member subscription model. Will it be enough to get more film aficionados off their couches and into a theater seat? The jury's still out.
"Thanks to enzymes, humans are solar-powered." 24th First Annual Ig Nobel Prize Ceremony & Lectures. [more inside]
With the all-star Into the Woods movie coming this Christmas, it's good to take a look at some versions with more modest production values.
Tired of movie sequels? Good news, The Sequel Is Dead -- The Universe Is Where It's At [more inside]
In 2008, Outside the Wire, a theater company, began productions of Sophocles' Ajax and Philoctetes to audiences of soldiers and marines returned from Iraq and Afghanistan.
And whither must I go? What end, what purpose Could urge thee to it? I am nothing, lost And dead already. Wherefore- tell me, wherefore?- Am I not still the same detested burthen, Loathsome and lame? Again must Philoctetes Disturb your holy rites? If I am with you How can you make libations? That was once Your vile pretence for inhumanity. Oh! may you perish for the deed! The gods Will grant it sure, if justice be their care And that it is I know. You had not left Your native soil to seek a wretch like me Had not some impulse from the powers above, Spite of yourselves, ordained it. O my country! And you, O gods! who look upon this deed, Punish, in pity to me, punish all The guilty band! Could I behold them perish, My wounds were nothing; that would heal them all.[more inside]
Trifles is a powerful, brief, one-act play written by Susan Glaspell and published in 1916. It is for this play (and a short story version of it entitled "A Jury of Her Peers") that Glaspell is best known today, but she deserves to be better appreciated: "Her plays received better reviews than those of Eugene O’Neill, and in 1931 she was awarded the Pulitzer Prize for her play Alison’s House [pdf summary]. . . . Glaspell was the co-founder with her husband George Cram Cook of the Provincetown Players (1916-1922), the Little Theatre that did most to promote American dramatists, and her diplomacy and energy held the group together for seven years. It was largely thanks to Glaspell’s intervention that O’Neill’s first plays were performed, and she played a major role in stimulating and encouraging his writing in the following years."
Performances of Shakespeare are common enough that various reimaginings are often deemed necessary. One of the latest? King Lear With Sheep.
A Piece of Monologue is a treasure trove of modern, contemporary, and avant-garde expression in literature, philosophy, art, design, painting, music, theater, and more. A smattering of insides: Flannery O'Connor on Ayn Rand. An online guide to the life and work of Samuel Beckett. Twin Peaks Behind the Scenes Photographs. Rare photographs of John Coltrane. And wow.
"Fashionable bigotry (also called "hipster racism" or "ironic racism") is this strange, newish phenomenon that's been popping up all over the arts and entertainment industry. You've got the Flaming Lips, Macklemore, Fallin, Ullman and Silverman to name a few. Count Tarantino in, too, as he's basically the modern godfather of the stuff." -- Minneapolis artist/performer/critic Rob Callahan.
Prison of Oz: Staying Human in an Ohio Prison Dorothy, something of a diva, let the laughter subside. Then she started to sing with a voice of resounding beauty about a land she once heard of in a lullaby, about chimney tops and lemon drops and wanting to fly away. "Why oh, why, can't I?" [more inside]
"Live comedy thrives off an audience, but what if the comics have no idea how the crowd is responding? At 7 Minutes in Purgatory, half a dozen local [Chicago] comics were tasked with doing a set alone in a soundproof room while the crowd watched via live stream elsewhere in the venue." [more inside]
“Putting magic at the center of a play about a magician doesn’t seem like that radical a choice,” explained Teller’s co-director and co-adapter Aaron Posner. "But in the history, at least the modern history of producing 'The Tempest', it is a radical choice."
Neil Patrick Harris is getting glowing reviews for his turn in the title role in Hedwig And The Angry Inch, now playing on Broadway. But wait, why is "internationally ignored song stylist" Hedwig even playing Broadway in the first place? Because the Belasco Theater was suddenly available because Hurt Locker: The Musical opened and closed on the same night. In fact, the floor of the theater is found to be littered with discarded Playbill magazines for the failed production. [more inside]
Written for the dedication of The John F. Kennedy Center For The Performing Arts in 1971, Leonard Bernstein created MASS: A Theatre Piece for Singers, Players, and Dancers as a memoriam for John F Kennedy and as a thoroughly modern theater musical piece to reflect both its current times and universal questions of faith and existence. A recasting of the Tridentine Mass (in Latin), featuring additional lyrics by Stephen Schwartz and a brilliant lyric quatrain from Paul Simon, the full staging requires multiple choruses, a full stage performance company (including ballet cast), a marching band, a rock band, and many others. The 2012 BBC Proms featured a concert performance [1h56m, including introduction sequences]. MASS has had very few full theatrical stagings since its premiere, although now, over 50 years after its creation, it is beginning to find new acclaim and appreciation. [more inside]
Filmmaker IQ offers an extensive variety of free online courses, articles and tutorial videos for aspiring filmmakers. Their image gallery is also fun to browse through. [more inside]
23. On screen, your hero can blow away 500 bad guys, but if he smokes one fucking cigarette, you’re in deep shit. Sam Mendes’s 25 Rules for Directors
"On a sunny day at the very beginning of this millenniums, a crazy frenchman found himself in the desert of Sinai. After some puffs of a magic smoke he wondered - how come that there are no cinemas in the middle of the desert...?"
"Every play in your season should be a premiere—a world premiere, an American premiere, or at least a regional premiere. Everybody has to help. Directors: Find a new play to help develop in the next 12 months. Actors: Ditto. Playwrights: Quit developing your plays into the ground with workshop after workshop after workshop—get them out there. Critics: Reward theaters that risk new work by making a special effort to review them." -Ten Things Theaters Need to Do Right Now to Save Themselves
Toast Of London stars Matt Berry (IT Crowd, Snuff Box, Garth Marenghi’s Dark Place) as troubled theatre actor Steven Toast, an eccentric middle-aged actor with a chequered past who spends more time dealing with his problems off stage than performing on it. With a recent divorce, a highly controversial play to perform every night, a shell shocked army officer for a brother and an audition in a prison - it’s turning into another very busy day for Toast in this, the pilot episode for the Channel 4 series. [SLYT] [NSFW] [more inside]
Y'all, consisting of Steven Cheslik-DeMeyer and James Dean Jay Byrd, first surfaced in New York city in 1992, touting themselves as the first openly gay country music act. That same year, they preformed Y'all's First Xmas Xtravagaza: 1 2 3 4 5 6 7 8. [more inside]
Perhaps you watched the documentary Room 237 and were intrigued by the version screened by Brooklyn's Spectacle Theater simultaneously superimposing The Shining played forwards and backwards. Here's a 13-minute excerpt from the middle and a tumblr with numerous screenshots throughout the film. [more inside]
Fun Home: Is America Ready for a Musical About a Butch Lesbian?
Q&A from Alison Bechdel
Watching Sondheim Watch Fun Home
Q&A from Alison Bechdel
Watching Sondheim Watch Fun Home
Warning! The following article is from The Great Soviet Encyclopedia (1979). It might be outdated or ideologically biased, entry for the United States of America
Paper Matrix is a blog that gives instructions for cool papercraft objects, "reinterpreting the Danish tradition of woven paper hearts and ornaments." Cut paper in the prescribed ways and weave it together carefully to make a mobile of colorful hot air balloons, gorgeous and complex boxes; simple but satisfying pennants and much more... including a full theater for performances by paper dolls.
Elaine Stritch Is Really Not Thrilled About Her Golden Years (June 2013), but she's making it work (September 2013). A documentary about her life will premiere this fall. In the meantime, perhaps you'd be interested in the Elaine Stritch Alarm Clock?
Disney has announced plans to rerelease The Little Mermaid to theaters on September 20. However, the rereleased film has been synced with an iPad app that gives users the ability to play games, sing-a-long to the movie and interact with the characters. While in the movie theatre.
Buffalo News theater critic reviews a recent school board meeting.
Tom Stoppard's "Arcadia," Twenty Years Later. Novelist Brad Leithauser muses on "the finest play written in my lifetime": One sign of "Arcadia"'s greatness is how assuredly it blends its disparate chemicals, creating a compound of most peculiar properties. The play’s ingredients include sexual jealousy and poetasters and the gothic school of landscape gardening and duelling and chaos theory and botany and the perennial war between Classical and Romantic aesthetics and the maturing of mathematical prodigies. [more inside]
Nolan Bushnell was a co-creator of Pong and Atari, and he also sold Atari arcade machines. When he noticed that he sold the arcade machines for $1,500 to $2,000 but the new owners would earn twice that much in the life of the machines, he started thinking of how to make an arcade destination that wouldn't compete with his arcade machine clients. His solution: a pizza parlor, with an arcade for the kids and an pneumatic-powered animatronic coyote mascot to fool the parents it was restaurant with free entertainment. The coyote became a rat named Chuck, and what was code-named Coyote Pizza was briefly renamed Rick Rat's Pizza, but the marketing department thought the name wasn't such a great idea, and instead we got Chuck E. Cheese's Pizza Time Theater. [more inside]
What happens when the executive director of your lobbyist organization is hosting the national conference with a technical theater degree burning a hole in his pocket? A bewildering and Christopher Guestian piece of musical theater called "I'm In Payroll."
Wallace Shawn reads his monologue The Fever, at The Lannan Foundation, in Two Parts. (Wallace Shawn previously, previouslier.)
Den of Geek looks at the MPAA rule that a PG-13 movie can contain only one utterance of the word "fuck".
Last week a debate erupted in the US comedy community between stand-up comedians (like Kurt Metzger and Mike Lawrence) and the Upright Citizens Brigade Theater about the fact that at none of their three theaters pay any of their performers (including UCBEast in New York, which often has Saturday Night Stand-up shows). Other comics such as Chris Gethard eloquently came to their defense. This week two of the founders Matt Besser and Matt Walsh released an episode of Besser's pocast Improv for Humans that goes into details about the club's philosophy, including why they have never taken any money from founding and running the theater. [more inside]
In 1994, Tony Randall and Mandy Patinkin's car broke down outside David Letterman's studio and they needed a place to rehearse. Did Dave mind if they used the stage? Great take it away Mandy! [more inside]
Shakespeare: Globe to Globe was a series of 37 Shakespeare plays performed in 37 different languages presented at the reconstructed Shakespeare Globe theatre in London this summer. [more inside]
Ephemeral New York 'chronicles an ever-changing, constantly reinvented city through photos, newspaper archives, and other scraps and artifacts that have been edged into New York’s collective remainder bin.' [more inside]
Highlights from Snow White Live, filmed in 1980 at Radio City Music Hall: "I'm Wishing/One Song" - "Heigh-Ho" - The Queen hires a huntsman - Snow White and the huntsman - "Someday My Prince Will Come" - The Queen becomes the hag - Poisoned apple - The Queen's death - The Prince's kiss
"Meet Your Creator" is a stage show involving mirrors and light and quadrotors.
In the year 1612 John Webster began what would be his greatest work, The Tragedy of the Dutchesse of Malfy. A shocking work of madness, brutally corrupt power struggle and incest, it continues to challenge audiences. YouTube has the 1972 BBC production in full.             
Three years ago, Phil Jablon (aka The Projectionist) started a concerted effort to start documenting the rapidly-vanishing stand-alone movie theaters and former theaters in Southeast Asia. Today his website, The Southeast Asia Movie Theater Project is a historian and movie-theater lover's dream. Jablon has captured the faded, the lost, the torched, the almost lost, the repurposed, the reborn, and the unbounded. [more inside]
Dave Chappelle, still facing pressure from audiences who want him to do bits from "Chappelle's Show", did not amuse an audience in Austin. Which begs the question: Do we expect too much from entertainers?
The revival of Death of a Salesman starring Phillip Seymour Hoffman is taking Broadway by storm. It's directed by Mike Nichols and also stars Andrew Garfield. It's one of the theater's most respected works. But there's a bittersweet irony with this revival. "Tickets for the original run, in 1949, cost between $1.80 and $4.80; tickets for the 2012 run range from $111 to $840. After adjusting for inflation, that’s a 10-fold increase, well beyond the reach of today’s putative Willy Lomans." "Certainly few middle-class people, or at least anyone from any “middle class” that Loman would recognize, are among the audiences attending this production."
We Japanese Americans must not forget our wartime internment - George Takei on the the treatment of Japanese-Americans during WWII and Allegiance, his new musical. Previously.
Standing in the wings and hoping someone on stage will get injured was never part of my big Broadway dreams. I had been working professionally long enough to know that many actors considered swings to be the second-class citizens of Broadway, the spares whose talent wasn’t distinctive enough to merit their being seen on stage every night. I knew those generalizations to be false, and though they stung, I had reasons beyond my pride for wanting my own track in Chicago. [more inside]
The American Repertory Theater presents a musical by The Lisps about the Civil War, Ada Lovelace, and the Singularity, including such songs as Singularity, which is breathtakingly terrible but ever so catchy. [more inside]
In our continuing series on pin-up girls of the past (previously and previously previously), this lady's costume was a source of some puzzlement. Welcome to the wonderful world of Poses Plastiques. [more inside]
Why this lady is wearing a horse costume. previously.
"For the drama and the way it may happen to be played, and the plot or moral or meaning of it, nobody seems particularly to care. The point of interest is, first, the dancing; next, the dancers, and last, the scenery."[more inside]