Broadway's Patrick Page Shares His Personal Struggle with Depression The night I heard that Robin Williams died, I slept very little. And it wasn't just grief keeping me awake. It was fear. I know my depression is lurking just around the corner-waiting. As Harvey Fierstein says, "All it wants to do is get you alone in a room and kill you."
The Actors School is a (fake) docu-soap about an acting school, featuring an interesting interpretation of a scene from Friends.
The Hollywood Reporter Roundtable video: Comedy Actresses. Stacey Wilson sits down with The Big Bang Theory's Kaley Cuoco-Sweeting, New Girl's Zooey Deschanel, Nurse Jackie's Edie Falco,The Mindy Project's Mindy Kaling, Shameless' Emmy Rossum, and Orange Is the New Black's Taylor Schilling, to talk about stupid questions from the media, disastrous auditions, odd fan interactions, the crazy stuff people tell them, and the state of American TV. (1:03:14, highlight transcription available)
SF/F legend Connie Willis pours a preview of a near-future version of the story of backstage back-stabbing, " All About Eve" with "All About Emily" for Asimov's Science Fiction Magazine.
The BBC put together a series of television commentaries from Orson Welles, "Orson Wells' Sketchbook" none of which need more than his then slightly unfamiliar face (without, he underscores, the usual false nose he wears for roles), his unmistakable voice, and his illustrations — taken, literally, from his sketchbook. In these six fifteen-minute broadcasts, which originally aired in 1955, Welles talks about not just the inauspicious beginnings of his illustrious working life but his experiences with the critics, the police, John Barrymore and Harry Houdini, the infamous radio production of War of the Worlds , and bullfighting Playlist here.
Ian McKellen: Acting Shakespeare (SLVimeo) a one-man show of Shakespearean monologues from 1982
AV Club Interview with Nick Offerman Articulate and often profound, this excellent AV Club interview with MeFi favorite Nick Offerman (previously 1, 2, 3) discusses his role as Parks and Recreation's Ron Swanson, the modern concept of masculinity portrayed by Hollywood, the importance of being yourself, and prosthetic penises. Second page of interview NSFW. [more inside]
The recession has hit the theatre world (and the arts scene in general) very hard - but some argue that theatre practitioners aren't doing themselves any favours when seeking funding. The main question insufficiently addressed is "who is the funding for?" - hint: it's not about you. Approaching theatre as a product isn't working, not when MFA acting programs don't often allow its graduates to earn enough to earn back their debt. So now the question is: how can the economics of theatre be changed?
The Room: The Movie. Triple-threat (actor/writer/director) Tommy Wiseau made his cinematic debut in 2003 with the The Room (see trailer and various scenes), "a blend between a softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual looking and sounding-with an unidentifiable Eastern European accent-leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem the apotheosis of cinematic self-restraint...may be something of a first: A movie that prompts most of its viewers to ask for their money back-before even 30 minutes have passed." - Variety), allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals). Audience members, including comedian David Cross, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit sex scenes and, of course, the enigma of Wiseau himself" as the film played monthly for years in Los Angeles. Available on DVD, diehard "roomies" swear by the theatrical experience, shout out their own commentary, hurl spoons at the screen and singalong to the soundtrack. Some call it "The Rocky Horror of the New Millenium" and stage "Room" parties. If you look at the marketing campaign or survived a screening you might see The Room as "a seminar on how NOT to make a movie." [Inspired by Boing Boing]
America's First Superstar. He was the highest paid actor in the world, beloved by fans so passionate about his performances that a riot (23 people killed, more than a hundred wounded) ensued when a rival dared to perform the role that had made him famous. He enjoyed all the trappings of a superstar's life: portraits taken by America's most famous photographer, a large mansion (now a historic landmark), and of course a scandalous divorce trial (he lost). He was also one of the most prominent book collectors in the country. Edwin Forrest was born 200 years ago.
Cleveland Press Shakespeare Photographs Er, no, not photographs of Shakespeare--that would be difficult--but of Shakespeare's plays in performance, 1870-1982. Covers productions in all media; photographs can be browsed by dramatic genre (tragedy, comedy, etc.). On a related note, see also Harry Rusche's Shakespeare Illustrated (outstanding and extensive site devoted to nineteenth-century paintings of scenes from Shakespeare's plays).