Davy and Kristin McGuire do some amazing things with cut paper, light and animation that turn these beautifully cut paper dioramas into haunting installations - including an homage to Hitchcock. Via Colossal.
The Eidophusikon, an early form of motion picture, is a theatrical technology developed by fine art painter and theatrical set designer Philip de Loutherbourg using sound, colored filters, mechanical works, light from newly invented Argand lamps, mirrors and more . It was first exhibited at his home in 1781, featuring five scenes of land and seascape. In recent years, recognition of this as an early chapter in cinema history has prompted several institutions to recreate the experience. Among the most successful is the 2005 storm at sea depicted in Eidophusikon Reimagined by the Australian National University.
Why Art? Australian ABC Arts critic, theatre blogger and author, Alison Croggon, looks at public funding of the arts - and argues for more of it. "In a survey that looked at participation in visual arts and crafts, music, dance, theatre and literature – that is, the key art forms supported by the Australia Council – 38 per cent of Australians describe themselves as art lovers, for whom the arts are an integral part of their lives. Only 17 per cent report estrangement, believing that the arts attract pretentious elites, and a tiny 7 per cent feel no connection at all. Overall, 93 per cent of Australians reported engaging with the arts in the previous year. In 2009, more people attended art galleries (11 million) than went to the football (10 million)."
“We did our first show in a bar...all of a sudden, the whole room was quiet. And then we got everyone to sit on the floor cross-legged to watch our crankies.” [more inside]
Ephemeral New York 'chronicles an ever-changing, constantly reinvented city through photos, newspaper archives, and other scraps and artifacts that have been edged into New York’s collective remainder bin.' [more inside]
Who is Joe Wall? Why he's an author and ambient electronic musician who works in a clock tower and loves to sing. But most Mefites know him as sonascope, author of many vast and beloved comments. His touching 2004 show, My Fairy Godmothers Smoke Too Much, is available free and complete online. [more inside]
Welcome to Culturebot, a NYC-based website all about performing arts and culture locally, nationally and around the globe. Culturebot.org is a multidisciplinary, contemporary arts + culture blog, launched in December 2003. Based in NYC we cover contemporary cultural news, events and ideas from NYC and around the world. Culturebot was envisioned and created by founding editor Andy Horwitz. It was initially made possible from a grant to Performance Space 122 by the National Performance Network. [more inside]
The Tale of the Heike (Heike Monogatari) is a medieval Japanese account of the rise and fall of the Taira clan and has inspired many other works of art. Click on the chapters and scroll down to see Heike illustrations (or start here), see more art or figures inspired by the Heike. Would you rather read? [more inside]
Artslynx's theatre resources section is a goldmine of links to research and support sites for every aspect of theatrical production and dramaturgy. Especially useful are the Artslynx timelines. Need to know when cling wrap came into usage? Check out the prop timeline. Lots of additional links to outside timelines and history sites for anyone with a thirst for obscure sociological information, a love of craptacularly designed scrolling pages, and generally and too much time on their hands. For example: food, fashion, ephemera, and people who have died onstage [more inside]
Photographs of the dancers, actresses, cafe-life figures and prostitutes who were the subjects of Toulouse Lautrec's paintings, including such luminaries as Sarah Bernhardt, "La Goulue" (Louise Weber; remember this?), and Jane Avril, who was the model for this last, iconic, Lautrec poster. View pages of the art matched up with photos, here, here, and here, and go to this page to rummage around in even more collections that include photos of Lautrec, his friends and family, street and location scenes, and lots of other tidbits. [Spanish language site; NUDITY]
Electronic Blockade of Mexican Government: Hactivism and Oaxaca; The Electronic Disturbance Theatre, founded by Ricardo Dominguez has organized a virtual sit-in of Mexican embassy and consulate websites. [More Inside]
How are you celebrating Ibsen Year 2006? Reading Henrik Ibsen’s plays? His poems? What about his paintings? There’s always Peer Gynt: The Videogame.
Harold Pinter at 75. In One for the Road, the protagonist is Nicolas, a whisky-sodden interrogator who has brought in a family for questioning (and, it is implied, raping and torturing). In the short, sharp shock of The New World Order, we eavesdrop on a conversation between two torturers, held over the top of their mute, blindfolded victim's head ("We haven't even finished with him. We haven't begun."). In Ashes to Ashes, the interrogation of Rebecca by Devlin takes a sinister turn as we learn that her ex-lover participated in state-sponsored violence. In Mountain Language, a sadistic guard plays power games with a group of mountain dwellers, who are forbidden from speaking in anything but the language of the state. In Party Time, Pinter lampoons the smug security of the middle classes, portraying an insufferably élite party which carries on regardless of the violence and terror on the streets outside. Now, for Pinter's 75th birthday, some of the tormentors and the tormented so potently etched in his later plays are assembled together in a new dramatic work with a musical setting by the composer James Clarke.
"Hi. My name is Tony Kushner, I'm a playwright...Ladies and Gentlemen and Supporters of MoveOn: the first lady of the United States, Laura Welch Bush". About a year and a half ago Kushner, the Pulitzer-prize winning author of Angels in America, published the first act of a new play, Only We Who Guard The Mystery Shall Be Unhappy (full text). In it, Laura Bush reads Dostoyevsky to a classroom full of ghosts of dead Iraqi children. Now, (in Salon, I know, I know) the first lady metacriticizes Kushner's play. (more inside)
Tantalus, one of the longest theatrical experiences ever has finally opened in London, and according to one critic, there is no greater endurance test. Always looking for an angle, The Guardian sent four journalists around London on May Day to see what other culture can be experienced in 12 hours, 40 mins. Merope Mills did film - "9:15pm. Both Dennis and Annette are working at the box office and, on seeing me again, Annette throws me the look of a concerned landlady, as in, "Haven't you had enough yet?" I, drunk on moving images, defy her concern and head straight back in. I might as well not have moved - it's straight back to screen five where I'm feeling rather territorial about the sudden influx of people. Nod off in the epic Traffic (18) for 15 minutes but dream about Michael Douglas so decide this little discrepancy still counts."
Text messaging is inspiring artists to new areas of creativity from theatre to sculpture, says the Guardian.