At Profiles Theatre in Chicago the drama—and abuse—is real. For more than 20 years, actors and crew members stayed silent about mistreatment they suffered at the acclaimed storefront theater. Now they’re speaking up, hoping to protect workers in non-Equity theaters across the country.
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“We shall have a man in the White House who will feel as responsible for American civilization as he does for American power and prosperity.”
"It was no accident that arts funding was once again brought to national attention with the exhibit Hide/Seek: Difference and Desire in American Portraiture. Since the 80s, the enemies of the NEA have not been those with differences of opinion about what art should be supported or how. Instead they oppose any support at all for art of any kind." Hide/Seek, Culture Wars and the History of the NEA (NSFW, art)
The recession has hit the theatre world (and the arts scene in general) very hard - but some argue that theatre practitioners aren't doing themselves any favours when seeking funding. The main question insufficiently addressed is "who is the funding for?" - hint: it's not about you. Approaching theatre as a product isn't working, not when MFA acting programs don't often allow its graduates to earn enough to earn back their debt. So now the question is: how can the economics of theatre be changed?
Found in translation: Much more than / Hip hop Chaucer, and it don't stop / Hip hop Aeschylus, and it don't stop / Hip hop Shakespeare, and it don't stop / Yeah [3.4MB .wmv], and it don't stop, and it don't quit.