Ephemeral New York 'chronicles an ever-changing, constantly reinvented city through photos, newspaper archives, and other scraps and artifacts that have been edged into New York’s collective remainder bin.' [more inside]
“We shall have a man in the White House who will feel as responsible for American civilization as he does for American power and prosperity.”
"It was no accident that arts funding was once again brought to national attention with the exhibit Hide/Seek: Difference and Desire in American Portraiture. Since the 80s, the enemies of the NEA have not been those with differences of opinion about what art should be supported or how. Instead they oppose any support at all for art of any kind." Hide/Seek, Culture Wars and the History of the NEA (NSFW, art)
Found in translation: Much more than / Hip hop Chaucer, and it don't stop / Hip hop Aeschylus, and it don't stop / Hip hop Shakespeare, and it don't stop / Yeah [3.4MB .wmv], and it don't stop, and it don't quit.
The Vagina Monologues is, to the outrage of many, being staged at a cultural center in Kampala, Uganda, East Africa. For the past few weeks, the play has been a key topic of debate, with many radio stations even refusing to utter the name of the play out loud, and shaming call-in listeners that do. Today, the local media council announced that “to the extent that the play promotes illegal, unnatural sexual acts, homosexuality and prostitution, it should be and is hereby banned, citing the play as "a smokescreen for graphic lesbian pornography" and that the play's "graphic descriptions of masturbation, rape, and genital mutilation in a manner that is “abhorrent, outrageous and disgusting." Local NGOs are even refusing to accept funds generated by the sale of tickets.
Tantalus, one of the longest theatrical experiences ever has finally opened in London, and according to one critic, there is no greater endurance test. Always looking for an angle, The Guardian sent four journalists around London on May Day to see what other culture can be experienced in 12 hours, 40 mins. Merope Mills did film - "9:15pm. Both Dennis and Annette are working at the box office and, on seeing me again, Annette throws me the look of a concerned landlady, as in, "Haven't you had enough yet?" I, drunk on moving images, defy her concern and head straight back in. I might as well not have moved - it's straight back to screen five where I'm feeling rather territorial about the sudden influx of people. Nod off in the epic Traffic (18) for 15 minutes but dream about Michael Douglas so decide this little discrepancy still counts."