Artslynx's theatre resources section is a goldmine of links to research and support sites for every aspect of theatrical production and dramaturgy. Especially useful are the Artslynx timelines. Need to know when cling wrap came into usage? Check out the prop timeline. Lots of additional links to outside timelines and history sites for anyone with a thirst for obscure sociological information, a love of craptacularly designed scrolling pages, and generally and too much time on their hands. For example: food, fashion, ephemera, and people who have died onstage
posted on Dec 7, 2007 - View this thread

Forty-nine published plays. Four Pulitzer Prizes. Three marriages. A suicide attempt. A celebrity for a father. A drug-addicted mother who blamed her habit on her son. A daughter estranged, a son who committed suicide. A Nobel Prize, the only ever awarded to an American playwright.
Eugene O'Neill from inside out: a documentary film for American Experience. More inside.
posted on Mar 30, 2006 - View this thread

Harold Pinter at 75. In One for the Road, the protagonist is Nicolas, a whisky-sodden interrogator who has brought in a family for questioning (and, it is implied, raping and torturing). In the short, sharp shock of The New World Order, we eavesdrop on a conversation between two torturers, held over the top of their mute, blindfolded victim's head ("We haven't even finished with him. We haven't begun."). In Ashes to Ashes, the interrogation of Rebecca by Devlin takes a sinister turn as we learn that her ex-lover participated in state-sponsored violence. In Mountain Language, a sadistic guard plays power games with a group of mountain dwellers, who are forbidden from speaking in anything but the language of the state. In Party Time, Pinter lampoons the smug security of the middle classes, portraying an insufferably élite party which carries on regardless of the violence and terror on the streets outside.
Now, for Pinter's 75th birthday, some of the tormentors and the tormented so potently etched in his later plays are assembled together in a new dramatic work with a musical setting by the composer James Clarke.
posted on Oct 7, 2005 - View this thread

I have been thinking about masks lately. Masks are ancient and universal, our ancestors put on masks to become an other, to become a god, even unto this day. Greek tragedy and comedy began in the worship of Dionysos, the god of wine, intoxication, and creative ecstasy, in rituals where worshipers often wore or worshipped masks. Indeed, the word for mask in Greek drama was persona, now commonly used to describe constructed online identities. And so we understand ourselves as wearing masks, whole series of masks--behind which we find only emptiness, for we can never see ourselves truly.
posted on Feb 24, 2005 - View this thread

The play's the thing... From a flyer at a demonstration, earlier today: On March 3, 2003. Groups all over the world will perform readings of Aristophanes' anti-war play Lysistrata to show Bush and the world that war is not the only option. The list of performances is quite impressive. Pro-peace? Get involved!
posted on Feb 7, 2003 - View this thread

The Animated William Blake "embraces both the freak and the genius, illuminating the artist's visionary poetry with juggling and physical theater." Earthly delights include t-shirts and fortune cookies.
posted on Mar 29, 2002 - View this thread

Beware the Ides of March! Take a little time today to think about Crazy Old Bill. There's a ton of Shakespearian stuff out there from the silly to the scary. (Even if you do think he's a phoney). Party Anon, dude.
posted on Mar 15, 2002 - View this thread