Queer Theatre at La MaMa (1962-1980): This exhibit, which was created by Pooja Desai, a student in NYU’s Program in Archives/Public history, looks at theatrical experiments from La MaMa’s early years (1962-1980) through a queer lens. Using objects from La MaMa’s Archives, Desai reconstructs a history of the plays, production companies, playwrights, and directors who presented work on La MaMa’s stages that either reflected a “queer sensibility” or were relevant to queer/trans/LGBTQA audiences.
"The du Maurier sisters had, from their volatile, crowded childhood onward, formed this private country they could slip in and out of, where "menaces" and "Venetian tendencies" could be freely discussed. In other words, they found a way to use games of pretend to tell the absolute truth." - Carrie Frye on author Daphne du Maurier and her seminal gothic novel, Rebecca.
Bloodletters and Bad Actors Mefi's Own Max Sparber looks at the early days of Omaha theater, back when it was a frontier town, its amusements were questionable, and vice was rampant, with occasional forays into more recent performing arts misbehavior. [via mefi projects]
Filmmaker IQ offers an extensive variety of free online courses, articles and tutorial videos for aspiring filmmakers. Their image gallery is also fun to browse through. [more inside]
The Eidophusikon, an early form of motion picture, is a theatrical technology developed by fine art painter and theatrical set designer Philip de Loutherbourg using sound, colored filters, mechanical works, light from newly invented Argand lamps, mirrors and more . It was first exhibited at his home in 1781, featuring five scenes of land and seascape. In recent years, recognition of this as an early chapter in cinema history has prompted several institutions to recreate the experience. Among the most successful is the 2005 storm at sea depicted in Eidophusikon Reimagined by the Australian National University.
“Movie theaters wanted nothing to do with popcorn,” Smith says, “because they were trying to duplicate what was done in real theaters. They had beautiful carpets and rugs and didn’t want popcorn being ground into it.” Movie theaters were trying to appeal to a highbrow clientele, and didn’t want to deal with the distracting trash of concessions–or the distracting noise that snacking during a film would create. - So Why Do We Eat Popcorn At The Movies Anyway? (Smithsonian Mag)
“We did our first show in a bar...all of a sudden, the whole room was quiet. And then we got everyone to sit on the floor cross-legged to watch our crankies.” [more inside]
Ephemeral New York 'chronicles an ever-changing, constantly reinvented city through photos, newspaper archives, and other scraps and artifacts that have been edged into New York’s collective remainder bin.' [more inside]
Three years ago, Phil Jablon (aka The Projectionist) started a concerted effort to start documenting the rapidly-vanishing stand-alone movie theaters and former theaters in Southeast Asia. Today his website, The Southeast Asia Movie Theater Project is a historian and movie-theater lover's dream. Jablon has captured the faded, the lost, the torched, the almost lost, the repurposed, the reborn, and the unbounded. [more inside]
Original Pronunciation (OP) "...performance brings us as close as possible to how old texts would have sounded. It enables us to hear effects lost when old texts are read in a modern way. It avoids the modern social connotations that arise when we hear old texts read in a present-day accent." The site includes transcripts of Shakespeare plays and other writings with IPA notations, indicating how to pronounce them in OP. It also includes some audio recordings. [more inside]
Somewhere, over the rainbow, way up high, There's a land that I heard of once in a lullaby. The MGM musical version of L. Frank Baum's 1900 children's book The Wonderful Wizard of Oz turned 70 this week. It wasn't the first time it was a movie, nor the last time it was a movie or a movie musical. [more inside]
OPAL Libri Antichi from the University of Turin offers over 3,000 books as free, open PDF files. Most of these date between AD 1500 and 1850 and most are in Italian, with many in French. They tend to be plain books with few illustrations. A few English titles are present, including David Hume's 1800 Essays on Suicide and the Immortality of the Soul; several texts by William Wycherley such as Love in a wood: or St. James's-Park (1735); and Richard Lassels 1686 work The voyage of Italy: or, a compleat journey through Italy with the characters of the peaple, and the description of the chief towns ... (volume 2) - an early travel guide. The PDFs are unsearchable plain scans. via this thread in the W4RF forum which contains hundreds of links to free online historical documents
Artslynx's theatre resources section is a goldmine of links to research and support sites for every aspect of theatrical production and dramaturgy. Especially useful are the Artslynx timelines. Need to know when cling wrap came into usage? Check out the prop timeline. Lots of additional links to outside timelines and history sites for anyone with a thirst for obscure sociological information, a love of craptacularly designed scrolling pages, and generally and too much time on their hands. For example: food, fashion, ephemera, and people who have died onstage [more inside]
Northeast Historic Film is the best of quirky Maine. They archive home movies, collect postcards of New England movie houses, and study depictions of New England in major films. Browsing the list of collections is tantalizing; if only some of these were available as clips or on YouTube. They're one of many archives preserving home movies. Also.
The Nickel Under The Foot is one of the most important songs in the history of the American theatre. The back story.
America's First Superstar. He was the highest paid actor in the world, beloved by fans so passionate about his performances that a riot (23 people killed, more than a hundred wounded) ensued when a rival dared to perform the role that had made him famous. He enjoyed all the trappings of a superstar's life: portraits taken by America's most famous photographer, a large mansion (now a historic landmark), and of course a scandalous divorce trial (he lost). He was also one of the most prominent book collectors in the country. Edwin Forrest was born 200 years ago.
Theatre History is the Theatre Museum of London's vast online collection of ephemera, containing more than 1500 objects that record the history of the performing arts in Britain since the 1600s. There's lots of goodies, but don't miss the goldmine of fabulous photos, posters, and prints.
Buying Rare Race Records in the South. Music That Americans Loved 100 Years Ago. The Cheney Talking Machine. Just three among dozens of amazing articles about early recording machines and American popular music at the astonishingly detailed site of Tim Gracyk, author of Popular American Recording Pioneers: 1895-1925. Scroll down for bios of forgotten stars, including Nora Bayes - who performed in the Follies of 1907, before Flo Ziegfeld's name became part of the title, George W. Johnson - "the most important African-American recording artist of the 1890s," and piano player Zez Confrey, whose sheet music for the 1921 hit "Kitten on the Keys" sold over a million copies and became "the third most-frequently recorded rag in history."