Dakh Daughters are a band/theatrical performance art group from the Dakh Theatre in Ukraine, based around "rapid merging of styles and unexpected sound collages". A handful of songs on youtube: Rozy/Donbass, Gannusya, Papirosy, Блудница, Доля (a performance at/in support of the Euromaidan protests in Kiev).
“We did our first show in a bar...all of a sudden, the whole room was quiet. And then we got everyone to sit on the floor cross-legged to watch our crankies.” [more inside]
Ephemeral New York 'chronicles an ever-changing, constantly reinvented city through photos, newspaper archives, and other scraps and artifacts that have been edged into New York’s collective remainder bin.' [more inside]
Andy Ihnatko writes a charmingly enthusiastic post about listening to the same aria, from the same production, sung in two very different ways: by the star, and by the understudy: Rachele Gilmore’s 100 MPH Fastball [more inside]
Cabaret's Don't Tell Momma performed by a young Judi Dench, or by Molly Ringwald, or Chris Moore, but what would she want with me?
Who is Joe Wall? Why he's an author and ambient electronic musician who works in a clock tower and loves to sing. But most Mefites know him as sonascope, author of many vast and beloved comments. His touching 2004 show, My Fairy Godmothers Smoke Too Much, is available free and complete online. [more inside]
a semi-staged production of Shakespere's A Midsummer Night's Dream with Mendelsohn's incidental music
Last night, BBC Radio 3 broadcast a semi-staged production of Shakespere's A Midsummer Night's Dream with Mendelsohn's incidental music. Now they've put a video of the performance up on their website. [more inside]
The Nickel Under The Foot is one of the most important songs in the history of the American theatre. The back story.
Sometimes You Can't Fix You On Your Own. (Quicktime and Windows Media.) If there has ever been doubt about Coldplay's burning ambition to be U2, let it be put to rest.
Buying Rare Race Records in the South. Music That Americans Loved 100 Years Ago. The Cheney Talking Machine. Just three among dozens of amazing articles about early recording machines and American popular music at the astonishingly detailed site of Tim Gracyk, author of Popular American Recording Pioneers: 1895-1925. Scroll down for bios of forgotten stars, including Nora Bayes - who performed in the Follies of 1907, before Flo Ziegfeld's name became part of the title, George W. Johnson - "the most important African-American recording artist of the 1890s," and piano player Zez Confrey, whose sheet music for the 1921 hit "Kitten on the Keys" sold over a million copies and became "the third most-frequently recorded rag in history."