Geeky women's clothing company Her Universe teamed up with Hot Topic and Nerdist to present a fandom couture competition and fashion show. Here are some highlights. [more inside]
A Textual Analysis of The Hunger Games (and Twilight, and Harry Potter)
The Trouble with "Carrie": Strong Female Characters and Onscreen Violence.
Whether she's volunteering to take her sister's place in the arena or grooming her son to lead the resistance; gunning down the gangsters who sell drugs to the kids in her neighborhood or swinging swords to avenge her daughter, the "strong female character" is often stirred by a maternal concern, a quintessential desire to preserve her community, to protect the weak and vulnerable. Her bad-assery must be in the service of a greater good. Even when she's more ethically complex (like the Bride, who begrudgingly admits that all the people she killed to get to her daughter, "felt good"), she never takes a place at the table of Walter White's grand epiphany: "I did it for me."
Carrie does what Beatrix Kiddo and Ellen Ripley and Katniss Everdeen don't: She does it for herself. Her vengeance, her violence, is in service to no one, no noble good. She doesn't kill because her family and friends have been threatened. There are no friends, no fellow outcasts, to protect from the bullies. No little sister to shield from Mama's wrath. Only her. And she is enough. Carrie kills because she was wronged.
"So far, 2012 is shaping up to be a great year for archery, what with The Hunger Games coming in March, then Brave, followed by Hawkeye in The Avengers." An archery coach analyzes the technique in three upcoming movies.
Welcome to the Hunger Games. Some call this trilogy the next Twilight, though others beg to differ. Either way, Stephenie Meyer is a fan (as is Stephen King) and the upcoming movie is generating all kinds of buzz, even two-plus years before its scheduled debut. [more inside]