8 posts tagged with thomaspynchon by chavenet.
Displaying 1 through 8 of 8.
While Pynchon has been placed firmly into the masculine canon of the previous century, Oedipa is his breakout character: a woman who, against all odds, strives to remake the world into a place of meaning and structure. It is the men in Pynchon’s California who are secondary: they are duplicitous, flighty, and weak .... In our present moment, it is necessary, rather than radical, to be paranoid. Paranoia is now the result of being aware and observant. We are being watched, tracked, traced, and catalogued. Oedipa’s nightmare has become our reality. Therefore, 50 years later, we should allow her to become our guide. Nick Ripatriazone on Thomas Pynchon's The Crying of Lot 49
Internet artist Darius Kazemi has created a Twitter feed that tweets out sentences from an episode of Thomas Pynchon’s acclaimed novel Gravity’s Rainbow.
The wayward greatness of the towers — resolutely local and eccentrically universal — and the scale of Rodia’s achievement were attested to by admirers such as Buckminster Fuller and Jacob Bronowski. Whether or not Rodia created a work of art is another question. Or at least the question “Is it a work of art?” brings with it another: what kind of work of art might it be? Geoff Dyer visits the Watts Towers for Harper's [more inside]
There’s a dirty secret tucked away in Thomas Pynchon’s novels, and it’s this: beyond all the postmodernism and paranoia, the anarchism and socialism, the investigations into global power, the forays into labor politics and feminism and critical race theory, the rocket science, the fourth-dimensional mathematics, the philatelic conspiracies, the ’60s radicalism and everything else that has spawned 70 or 80 monographs, probably twice as many dissertations, and hundreds if not thousands of scholarly essays, his novels are full of cheesy love stories. [SLTM]
The Free Information movement as seen through Thomas Pynchon’s ‘Byron the Bulb’ story. In one sense, Byron is a tangent—a rogue sketch that found its way into [Gravity's Rainbow] perhaps because Pynchon liked it. In another sense, Byron is GR condensed to a general thesis. On what? Hell, any number of interpretations could be derived from Byron, but I like to think that it reads as revelation. And the revelation is this: from the moment homo sapiens fashioned the first tool to the moment we are finally and completely extinguished, we are fated to be governed by those who control technology. An essay from Death And Taxes mag.
For years, rumors have swirled about a picture of Richard Fariña and Thomas Pynchon dueling in a cemetery. We heard about this rumor, dug around, and found that the picture is hidden in plain site on the Internet.