Ex-Pulp frontman Jarvis Cocker performs I'm Still Here from Stephen Sondheim's Follies in a brilliantly subtle and effective video by Todd Haynes. [more inside]
Enlightened is TV’s best show right now—and it needs more viewers. Written by Mike White (School of Rock and Freaks and Geeks, among others) and starring Laura Dern (also the show's co-creator, Luke Wilson, Diane Ladd, and Timm Sharp (aka Marshall from Undeclared), the show has also seen an impressive line-up of guest directors, including Jonathan Demme (The Silence of the Lambs), Phil Morrison (Junebug), James Bobin (Flight of the Conchords), and Todd Haynes (I'm Not There). The show's range is astonishing – it depicts its main character as cringeworthily oblivious, yet also lets her deliver monologues which are unusually sincere for a comedy; some of its characters are ridiculous and absurd, while others are capable of deep melancholy. Mike White talks to Interview Magazine about creating Enlightened before its premiere; a year later, he talks to Indiewire about why people have such a hard time sympathizing with Amy.
Well, someone's gone and made a feature-length biopic on Bob Dylan. It was bound to happen, right? Didn't necessarily expect Cate Blanchett (along with 5 others) to be cast in the role of Bob, but, hey, she looks great with the flyaway hair and the cigarette. Here's a clip, wherein Cate as Bob meets Ginsberg in a golfcart. Here's a trailer and an IMDB page. Here director Todd Haynes talks about the film. He discusses his casting of Blanchett, and offers observations on other aspects of the movie here and here. And if you want to read reviews, there's plenty of 'em.
Drama is impossible today. I don't know of any. Drama used to be the belief in guilt, and in a higher order. This absolutely cruel didactic is impossible, unacceptable for us moderns. But melodrama has kept it. You are caged. In melodrama you have human, earthly prisons rather than godly creations. Every Greek tragedy ends with the chorus — "those are strange happenings. Those are the ways of the gods". And so it always is in melodrama. His career as a film director lasted more than 40 years, but Douglas Sirk (1900-1987) is remembered for the melodramas he made for Universal in Hollywood between 1954 and 1959, his "divine wallow": Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956), The Tarnished Angels (1958, William Faulkner considered it the best screen adaptation of one of his novels), Imitation of Life (1959) -- all considered for decades little more than a camp oddity. Now audiences are beginning to look deeper at the films of Douglas Sirk, at how, in megafan Todd Haynes' words, they are "almost spookily accurate about the emotional truths". Now, lucky Chicagoans can enjoy "Douglas Sirk at Universal", matinees at the Music Box. More inside.