Well, someone's gone and made a feature-length biopic on Bob Dylan. It was bound to happen, right? Didn't necessarily expect Cate Blanchett (along with 5 others) to be cast in the role of Bob, but, hey, she looks great with the flyaway hair and the cigarette. Here's a clip, wherein Cate as Bob meets Ginsberg in a golfcart. Here's a trailer and an IMDB page. Here director Todd Haynes talks about the film. He discusses his casting of Blanchett, and offers observations on other aspects of the movie here and here. And if you want to read reviews, there's plenty of 'em.
posted on Nov 21, 2007 - View this thread

Drama is impossible today. I don't know of any. Drama used to be the belief in guilt, and in a higher order. This absolutely cruel didactic is impossible, unacceptable for us moderns. But melodrama has kept it. You are caged. In melodrama you have human, earthly prisons rather than godly creations. Every Greek tragedy ends with the chorus — "those are strange happenings. Those are the ways of the gods". And so it always is in melodrama.
His career as a film director lasted more than 40 years, but Douglas Sirk (1900-1987) is remembered for the melodramas he made for Universal in Hollywood between 1954 and 1959, his "divine wallow": Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956), The Tarnished Angels (1958, William Faulkner considered it the best screen adaptation of one of his novels), Imitation of Life (1959) -- all considered for decades little more than a camp oddity. Now audiences are beginning to look deeper at the films of Douglas Sirk, at how, in megafan Todd Haynes' words, they are "almost spookily accurate about the emotional truths". Now, lucky Chicagoans can enjoy "Douglas Sirk at Universal", matinees at the Music Box. More inside.
posted on Apr 29, 2006 - View this thread