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18 posts tagged with traditional and music. (View popular tags)
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I Dreamed I Held You In My Arms

Jenny and Lottie sing "You Are My Sunshine" in minor key
posted by The Whelk on Jun 3, 2014 - 43 comments

Genre-Bending Covers

From the music website, Cover Me, Five Good Covers: five cross-genre reinterpretations of an oft-covered song. Why not enjoy all new versions of Cars, Milkshake, Can't Help Falling In Love, The Sound Of Silence, Life In A Northern Town, Modern Love, You Shook Me All Night Long, Age Of Consent, Don't Fear The Reaper, Be My Baby, and much, much more. ( Cover Me previously)
posted by The Whelk on Aug 23, 2013 - 41 comments

bonne écoute

Les disques africains collects, rips, and uploads out-of-print records (and their sleeves!) from the golden age of vinyl in francophone Africa. Don't miss la belle chanteuse Sali Sidibé, psychedelic grooves from Benin, or this incredible 35-minute oral-musical history of Bobo-Dioulasso. New posts appear, as if by some rare magic, every three to four days.
posted by theodolite on Aug 5, 2013 - 15 comments

Sounds with an "eternal essence"

Sometimes called the "Alan Lomaxes of India," the founders of Amarrass Records are on a mission to record and revitalize interest in traditional music from India, Turkey, and beyond. Over 100 videos on their YouTube channel chronicle their field recordings and festivals featuring artists like Lakha Khan, the Barmer Boys, Bombino, and many others. [more inside]
posted by Miko on Apr 12, 2013 - 10 comments

Hugh Tracey's African music recordings

Like folk enthusiasts and field recordists John and Alan Lomax did in the US, Englishman Hugh Tracey documented an astonishing amount of traditional music. Tracey's love was the music of central and southern Africa, and his recording work came at a crucial time in the history of the region, when, due to repression from Christian missionaries as well as great social change and migration, traditional music of various kinds was fast disappearing. The hour-long audio documentary Discover and Record: The Field Recordings of Hugh Tracey is an excellent introduction to the man and his work, and is chock full of some absolutely fantastic music. [more inside]
posted by flapjax at midnite on Oct 22, 2012 - 6 comments

Tsugaru sounds

You might find this an agreeable way to spend six minutes and twelve seconds: a two part introduction to the traditional music of Tsugaru, Aomori prefecture, in the far north of the main Japanese island of Honshu. The first piece is a starkly beautiful song, just voice and flute, and the second a solo piece performed on the shamisen, by the late Takahashi Chikuzan, a master of the Tsugaru style. And here you can see Chikuzan in action, rocking the three strings.
posted by flapjax at midnite on Oct 19, 2012 - 12 comments

Gimme that old-time music

Folk America: Excellent BBC 3-part documentary tracing folk music from the '20s to the folk revival of the '60s, encompassing the depression and the civil rights era. part 1: Birth of a Nation (59.21) part 2: This Land is Your Land (59:30) part 3: Blowin' in the Wind (58:49) [more inside]
posted by madamjujujive on Feb 21, 2010 - 13 comments

Técső Banda tear it up.

Fiddle, accordion, and a singing drummer. Seven minutes and fifty seven seconds of Gypsy music from Ukraine, live in Budapest. The real thing. Totally wailing. Kickass. Técső Banda at Kertem.
posted by flapjax at midnite on Oct 10, 2009 - 23 comments

GEST Songs of Newfoundland and Labrador

Over 2,500 songs from Newfoundland (and also from away) [more inside]
posted by goingonit on Jun 15, 2009 - 14 comments

Joyful Noise

Pilgrim Productions Presents: Voices Across America, an archive of gospel music in a variety of genres, submitted for free play and download by church groups and folk and traditional groups across the country and beyond. Style, age, and quality vary greatly, but fans of noncommercial music will enjoy hunting for the gems of blues, Cajun, bluegrass, choral, shapenote, country, vintage, and mountain gospel and more.
posted by Miko on May 24, 2009 - 15 comments

The Bothy Band

The Bothy Band - Ireland's finest traditional folk ensemble - rip it up in 1977. (SLYT) [more inside]
posted by carter on Apr 23, 2009 - 20 comments

Abdurehim Heyit: now that's some STRUMMING, right there...

Who has the longest necks (on their duttars, that is) and the tallest hats in the music biz? Why the Uighurs, of course. [more inside]
posted by flapjax at midnite on Apr 2, 2009 - 25 comments

Penny for your Thoughts

1. Make a penny whistle from pvc or copper pipe. 2. Learn how to play it. 3. Away ye go! 1 2 3 4 5 6 7 8
posted by bokeh on Mar 17, 2009 - 8 comments

Mountain Bluegrass

Music in the Digital Library of Appalachia provides an unprecedented resource for study of repertoire, technique, lore, and the musical interchanges among the region's traditional musicians. Once you know what you like, it's easy to find the music live with Blue Ridge Music Trails. Meet musicians who have grown up with that music, visit settings in which Blue Ridge folk music thrives, see traditional dancing, and in many cases, take part in the festivities. The Crooked Road, Virginia’s Heritage Music Trail, winds through the mountains of Southwest Virginia. Along the trail, the Bluegrass, Old Time, and Traditional Country music is as beautiful and rugged as the landscape itself. [previous 1, 2]
posted by netbros on Mar 8, 2009 - 12 comments

It's what it says on the tin.

Smoke on the Water and We Will Rock You -- the traditional Japanese versions.
posted by flatluigi on Mar 26, 2008 - 22 comments

A futuristic instrumental classic rock fusion look at life.

Mr. Frank J. Stola (flash): a self-described professional musician who mangles any and all genres he attempts. Don't miss his take on instrumental fusion rock classical jazz, revolutionary country n western traditional, or heavy metal instrumental on CD Baby. Equally marvelous are his strange, minimal videos. And don't forget to pick up Mr. Stola's myriad products at his Cafepress store. Is he serious?
posted by zonkout on Dec 11, 2006 - 10 comments

i was standing by the window

Made most popular to many Americans as the closing song for the Grand Ole Opry programs, Will The Circle Be Unbroken was written in 1907 by Ada Habershon, an intensely religious young woman and acquaintance of Dwight Moody and Ira David Sankey. The music was "composed" by Charles Gabriel, a popular songwriter and composer of the era who is often solely credited with the song, but while he may have put the notes down on paper, the tune itself already existed as the African-American spiritual Glory Glory / Since I Laid My Burden Down. [lots more inside]
posted by luriete on May 26, 2006 - 18 comments

the saddest song I've ever heard

The Streets of Laredo: The Cowboy's Lament was originally written as the Irish drover balled Bard of Armaugh (or Armagh), which later mutated into A Handful of Laurel, about a young man dying of syphilis in a London hospital, musing back on his days in the alehouses and whorehouses. Immigrants settling in the Appalachians brought their own version, The Unfortunate Rake, sung as early as 1790, about a young soldier dying of mercury poisoning, a result of treatment for venereal disease, who requests a military funeral - a slight but important evolution from the previous version. The current lyrics are most popularly attributed to cowboy Frances Henry "Frank" Maynard, who copyrighted them in 1879. While various versions of the song were popular in the US before Maynard took pen to paper and needle to wax cylinder (under such titles as Locke Hospital, St. James Infirmary Blues, Tom Sherman's Bar and Way Down in Lodorra), his version is the one with which we are most familiar today.

beat the drum slowly, play the fife lowly / sound the death march as you carry me along / cover my body in sweet-smelling posies / for I'm the young (rake, soldier, man, girl, lass, etc) cut down in (his/her) prime (or and I know I've done wrong)

The song has been recorded by pretty much every country, western and folk-identified musical artist since recording music became practical, although the most popular versions must be those by Arlo Guthrie (who once said it was "the saddest song I know," and who sings it on his album Son of the Wind) and Johnny Cash (who added a few verses to his 1965 version, improving the song a bit and making it more emotionally complex). Roger McGuinn's creative commons-licensed version is one of my personal favorites, as is Bobby Sutliff's version.
posted by luriete on Aug 3, 2005 - 26 comments

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