It all started with a mirror in the Casbah
. Well, it re-started with that mirror, when Safinez Bousbia, who is of Algerian descent but had never visited the country, went to visit with a friend from Ireland. Bousbia commented on the artistry of a mirror. Mohamed Ferkioui, the shopkeeper and artist, told her that he also made music, but had lost contact with his former friends and band-mates, but he had so many memories and items from that past period of his life. As he showed them to Bousbia, she decided she wanted to get the band back together. Her short stay extended into a few years, and she documented the reunion of friends and the playing of a traditional Algerian music style
, which is a mix of North African polyrhythms, Andalusian classical music, jazz, flamenco and French cabaret. The result was El Gusto
(auto-playing music). [more inside]
posted by filthy light thief
on Aug 11, 2013 -
"They come in and, they may bring their instruments in, lay it in the back room, come out and eat some peanuts, talk with us, get some coffee, trade knives, tell a few jokes, settle the world's problems, and eventually, play music if and when they want to."
The Barber Shop, Drexel NC
posted by timsteil
on Apr 11, 2013 -
The website of ethnomusicologist Robert Garfias
is a treasure trove of mp3 sound recordings
and short realplayer film clips
of traditional music from all over the world, including Japan, India, Mexico, Turkey, Albania, Okinawa, Spain, Burma, Alaska, Sudan, Venezuela, Spain and many more. Garfias' field recordings
are illustrated with his photographs.
posted by Kattullus
on Nov 17, 2007 -
Streaming video documentary films about American traditional music.
Great American roots music films for free! Click and watch full length documentaries about the Popovich Brothers Tamburitza band of South Bend Indiana, Louisiana creole fiddler Canray Fontenot, the last Black medicine-show performer, sacred harp singing and much more. An amazing collaboration between folklorists and indie film makers.
posted by zaelic
on Mar 8, 2004 -
Demythologizing The Blues.
Blues reseacher and scholar David Evans breaks it down. Country blues as a living tradition tied to a rural black culture - there is something of that culture left - I think it's essentially over.
--that's from this interview
with David Evans--scroll past the autobiographical details for the meat and potatos. Paul Garon, of Race Traitor
and Living Blues
, has strong feelings about White Blues
. Similarly, black writer Jesse Douglas Allen-Taylor feels a chill amidst a white blues audience and asks
Whose Blues Are They?
Also, n a related and timely topic, here's Elvis Presley and the Impulse Towards Transculturation
. (Hint: Elvis didn't sound black. Well, duh...)
Originally in the NYT--no password needed now
!--The Blues Dying In The Land Where It Was Born
, and as a bonus, the New Yorker profile on an outfit I love to loathe, Fat Possum
. Is is this guy's
And if you want to make the pilgrimage, let Junior's Juke Joint
be your guide! (don't forget to make that unannounced drop in on raysmj!) Added bonus: R. Crumb's Charley Patton
posted by y2karl
on Aug 22, 2002 -
, the legendary collector of folk music who was the first to record towering figures like Leadbelly, Muddy Waters and Woody Guthrie, died yesterday at a nursing home in Sarasota, Fla. He was 87.
Mr. Lomax was a musicologist, author, disc jockey, singer, photographer, talent scout, filmmaker, concert and recording producer and television host. He did whatever was necessary to preserve traditional music and take it to a wider audience. (NY Times- Registraion Required) And
... And this
posted by y2karl
on Jul 20, 2002 -