“I‘ve realized that the perfect length for what I do is 100 pages. In my brevity there may be an element of insecurity. I wouldn‘t dare give a 1,000-page novel to a reader […] My novels became shorter as I became more renowned. People now allow me to do whatever I want. At any rate, publishers prefer thick books. But with books, the thicker they are, the less literature they have.””—César Aira [more inside]
Deep Chords: Haruki Murakami’s ‘Colorless Tsukuru Tazaki and His Years of Pilgrimage’ [New York Times] Patti Smith reviews Haruki Murakami's latest novel. Book Trailer
If you truly would like to hear this story, first of all you will probably want to find out where I was born, how I spent my stupid childhood, what my parents did before my birth—in a word, all that David Copperfield rot. But truthfully speaking, I don’t have any urge to delve into that. "If Holden Caulfield Spoke Russian" (SLNYer)
Highlighting forgotten, neglected, abandoned, forsaken, unrecognized, unacknowledged, overshadowed, out-of-fashion, under-translated writers.
Elfinspell is a garishly painted trunk stuffed with rare old books. You can browse the collection by timeline or by Muse.
The Mistake on Page 1,032: On Translating Infinite Jest into German. "'The limits of my language are the limits of my world,' Ulrich Blumenbach quotes Wittgenstein as saying in a Frankfurter Allgemeine Zeitung article to describe the challenges and inducements of the six years he spent translating David Foster Wallace’s Infinite Jest (Unendlicher Spass) into German — something he did without input from the author, who refused to speak to him." [more inside]
What's the Korean for thanatophany or the Icelandic for snoek? J M Coetzee writes about the problems and delights of translation. [via languagehat]
The Aesthetics of Resistance. The first part of Peter Weiss's 3-volume novel Die Ästhetik des Widerstands (1975-81) has, after many delays, finally been published in a Joachim Neugroschel’s English translation: a major, though largely-unheralded literary event. The book ‘stands as the most significant German novel published after The Tin Drum.’ [more inside]