What happens when an English reporter live blogs from a German press conference. The Telegraph newspaper sends reporter Ben Bloom to Germany to live blog the resignation of Jurgen Klopp as the manager of Borussia Dortmund football club. Reading from the bottom of the page upwards, at 12:37 it dawns on Bloom that the press conference is in German, which he doesn't understand. Panic and embarrassment levels rise rapidly. Luckily, he becomes an internet phenomenon.
In an essay reflecting on translation, Yoko Tawada reads the poems of Paul Celan as if he had written in Japanese. The essay's translator, Susan Bernofsky, offers context, and in an earlier piece, Rivka Galchen considers "Yoko Tawada's Magnificent Strangeness." More conventional introductions to Celan are available via the Poetry Foundation page on Celan, 14 poems from Breathturn, and a video of Celan reading "Allerseelen" (English sub.; alt. trans.). Tawada's own poetry includes "The Flight of the Moon" (video in Japanese). [more inside]
Over the past 13 years, Berlin resident Klaus Beyer has translated the Beatles' entire oeuvre into German, recording the translated songs in his home studio and releasing them on CDs with titles like Gummi Seele, Kloster strasse and Das Gelbe Underwasserboot, even recreating the cover artwork of the originals. [more inside]
Dr. Fuchs’s Donald was no ordinary comic creation. He was a bird of arts and letters, and many Germans credit him with having initiated them into the language of the literary classics. The German comics are peppered with fancy quotations. In one story Donald’s nephews steal famous lines from Friedrich Schiller’s play “William Tell”; Donald garbles a classic Schiller poem, “The Bell,” in another. Other lines are straight out of Goethe, Hölderlin and even Wagner (whose words are put in the mouth of a singing cat). The great books later sounded like old friends when readers encountered them at school. As the German Donald points out, “Reading is educational! We learn so much from the works of our poets and thinkers.” [more inside]
Unlike many cinematic exports, the Disney canon of films distinguishes itself with an impressive dedication to dubbing. Through an in-house service called Disney Character Voices International, not just dialogue but songs, too, are skillfully re-recorded, echoing the voice acting, rhythm, and rhyme scheme of the original work to an uncanny degree (while still leaving plenty of room for lyrical reinvention). The breadth of the effort is surprising, as well -- everything from Arabic to Icelandic to Zulu gets its own dub, and their latest project, The Princess and the Frog, debuted in more than forty tongues. Luckily for polyglots everywhere, the exhaustiveness of Disney's translations is thoroughly documented online in multilanguage mixes and one-line comparisons, linguistic kaleidoscopes that cast new light on old standards. Highlights: "One Jump Ahead," "Prince Ali," and "A Whole New World" (Aladdin) - "Circle of Life," "Hakuna Matata," and "Luau!" (The Lion King) - "Under the Sea" and "Poor Unfortunate Souls" (The Little Mermaid) - "Belle" and "Be Our Guest" (Beauty and the Beast) - "Just Around the Riverbend" (Pocahontas) - "One Song" and "Heigh-Ho" (Snow White) - "Bibbidi-Bobbidi-Boo" (Cinderella) - Medley (Pinocchio) - "When She Loved Me" (Toy Story 2) - Intro (Monsters, Inc.)
The Mistake on Page 1,032: On Translating Infinite Jest into German. "'The limits of my language are the limits of my world,' Ulrich Blumenbach quotes Wittgenstein as saying in a Frankfurter Allgemeine Zeitung article to describe the challenges and inducements of the six years he spent translating David Foster Wallace’s Infinite Jest (Unendlicher Spass) into German — something he did without input from the author, who refused to speak to him." [more inside]
The Aesthetics of Resistance. The first part of Peter Weiss's 3-volume novel Die Ästhetik des Widerstands (1975-81) has, after many delays, finally been published in a Joachim Neugroschel’s English translation: a major, though largely-unheralded literary event. The book ‘stands as the most significant German novel published after The Tin Drum.’ [more inside]