The International Science & Engineering Visualization Challenge 2010 - "Researchers are generating mind-boggling volumes of data at exponentially increasing rates. The ability to process that information and display it in ways that enhance understanding is an increasingly important aspect of the way scientists communicate with each other and—especially—with students and the general public. That's why, for the past 8 years, Science and the U.S. National Science Foundation (NSF) have co-sponsored annual challenges to promote cutting-edge efforts to visualize scientific data, principles, and ideas. This year's awardees span scales from nanoparticles to colliding galaxies, and from microseconds to millennia."
posted by Blazecock Pileon on Feb 19, 2011 - 9 comments

The SF Dump's Artist in Residence Program currently features Sudhu Tewari and Nome Edonna but will be welcoming Ellen Babcock and Nathaniel Tookey shortly. Its an idea that's been around for a little while. "Many artists find and recycle materials in their art, but no one else has this much material to pick from," says Program Director Paul Fresina. The 2,000-square-foot art studio is located at SF Recycling & Disposal, Inc.'s Solid Waste Transfer and Recycling Center. The 44-acre site is where most of San Francisco's garbage and recyclables are temporarily dumped before going to a landfill or recycling plant. Throughout a residency, each artist talks to young students and adult tour groups about the experience of turning trash into treasures. Previously and via.
posted by fenriq on Jan 30, 2007 - 7 comments

Drama is impossible today. I don't know of any. Drama used to be the belief in guilt, and in a higher order. This absolutely cruel didactic is impossible, unacceptable for us moderns. But melodrama has kept it. You are caged. In melodrama you have human, earthly prisons rather than godly creations. Every Greek tragedy ends with the chorus — "those are strange happenings. Those are the ways of the gods". And so it always is in melodrama.
His career as a film director lasted more than 40 years, but Douglas Sirk (1900-1987) is remembered for the melodramas he made for Universal in Hollywood between 1954 and 1959, his "divine wallow": Magnificent Obsession (1954), All That Heaven Allows (1955), Written on the Wind (1956), The Tarnished Angels (1958, William Faulkner considered it the best screen adaptation of one of his novels), Imitation of Life (1959) -- all considered for decades little more than a camp oddity. Now audiences are beginning to look deeper at the films of Douglas Sirk, at how, in megafan Todd Haynes' words, they are "almost spookily accurate about the emotional truths". Now, lucky Chicagoans can enjoy "Douglas Sirk at Universal", matinees at the Music Box. More inside.
posted by matteo on Apr 29, 2006 - 14 comments

TRASHLOG — or — arresting and acute observation of ordinary offal.
posted by pedantic on Jan 23, 2004 - 5 comments

Cleaner dumps £5k art -- Mistook rubbish for... well, rubbish.
posted by frednorman on Oct 19, 2001 - 11 comments