Tuning '77 - a seamless audio supercut of an entire year of the Grateful Dead tuning their instruments, live on stage. Chronologically sequenced, this remix incorporates every publicly available recording from 1977, examining the divide between audience expectation and performance anxiety. [more inside]
These demos represent the final writings and music of Gene Ween, before he departed and the inner FREEMAN emerged. On that note, we have received a two word personal statement from Aaron: "stay tuned." [more inside]
Pitch Battles: How a paranoid fringe group made musical tuning an international issue.
The petition had its origins in one of the strangest conflicts to have overtaken classical music in the past thirty years, and many of these luminaries were completely unaware of what they’d gotten themselves into. The sponsor of both the petition and the conference that featured Tebaldi was an organization called the Schiller Institute, dedicated to, among other things, lowering standard musical pitch. ... But behind this respectable front lurks a strange mélange of conspiracy, demagoguery, and cultish behavior. At its founding in 1984, its chairman Helga Zepp-LaRouche laid out the Institute’s role in surprisingly apocalyptic termsOriginally published at The Believer.
Wendy Carlos is best known for Switched-On Bach, the best-selling album that popularized the Moog synthesizer, and the soundtracks for A Clockwork Orange and Tron. But what she calls her "most important album" is the 1986 recording Beauty in the Beast, whose experiments with instrumentation, tonality, and scaling are described in these two PDF reproductions of contemporary articles from Keyboard magazine. [more inside]
Marlon Brando. Yeah, sure, he could act. Very talented guy. But, hey, he also invented a radically innovative tuning system for conga drums. Played the congas, too. Yup. That's right.
The Wolf At Our Heels. The centuries-old struggle to play in tune, and the battle between equal temperaments and historical tunings.
Western musical intervals are derived from speech tendencies, according to Duke scientists. Specifically, "most of the 12 chromatic scale intervals correspond to peaks of relative power in the normalized spectrum of human vocalizations." A somewhat more layperson-friendly summary of the study is here. [more inside]
It's not political. But it's rather useful. Free (accurate!) tuning software for the guitarists out there.