ER One Shot (YT): one long opening shot from the Quentin Tarantino-directed episode of the TV series ER. Blog post | less bloggy, more pagey, format. [more inside]
"And yes, I get that sexuality is fluid and all of that, but honestly, can't they just do it and get it over with? Either that, or shut up about it." Are Sherlock and Watson Gonna Bone, or What? [more inside]
From AVClub's TV Club 10, Advanced Introduction To Community (in 10 [representative] episodes) [more inside]
Beware of fans influencing the TV they love. And casual fans are being alienated by shows with devoted fans (spoilers for Sherlock).
"To launch a science-fiction anthology series is to dare comparisons with The Twilight Zone. Happily, Welcome to Paradox is not unworthy to be mentioned in the same sentence as Rod Serling's classic show. The weekly dramas, all based on short stories, are set in Betaville [a nod to Jean-Luc Godard's 1965 dystopian sci-fi/noir film, Alphaville], a future city filled with ultrahigh technology and perennial human unhappiness.... Bottom Line: Makes the future look intriguing." The Sci-Fi channel only produced 13 episodes (archived view of their site; ep list on Wikipedia), letting the series end with one season. The show was only released on DVD in Australia, which now seems to be out of print. But fear not! You can watch the episodes on YouTube in a convenient playlist, or with separate episodes linked below the fold. [more inside]
The Victorian Kitchen Garden is a 13-part TV series that aired in 1987 on BBC2. It follows the month-by-month restoration of the Victorian walled kitchen garden at the Chilton Foliat estate in Wiltshire, England. Almost all the episodes are available to watch online. (via hark, a vagrant) It had three sequels - The Victorian Kitchen, The Victorian Flower Garden, and The Wartime Kitchen and Garden - and inspired more recent historical reconstruction programs: Tales From the Green Valley, A Tudor Feast at Christmas, Victorian Farm, Victorian Farm Christmas, Victorian Pharmacy, and Edwardian Farm. (Victorian Farm and Edwardian Farm previously.) [more inside]
At first glance, the new inside-the-CIA Showtime series Homeland looks like a cynical socio-political potboiler -- an attempt to exploit fears of a terrorist attack on American soil by Muslim extremists. In reality, the critically acclaimed show, about an anti-terrorism agent (Claire Danes) tracking a U.S. Marine war hero (Damian Lewis) who may now be working for what's left of Al Qaeda, is thoughtful and emotionally complex despite its airplane-thriller trappings. That's why showrunners Howard Gordon and his buddy Alex Gansa gave an interview to Mother Jones, a self-described "news organization that specializes in investigative, political, and social justice reporting." Reflecting on lessons they learned in the trenches of 24, they talk about Homeland's self-aware approach to paranoia as entertainment, and how "dangerous and politically incendiary" a TV show can be .
History and mystery wonderfully blended. Although doubtless well-known to UK Mefites, I was only recently directed to this marvelous and engaging TV series featuring Michael Kitchen as Detective Chief Superintendent Christopher Foyle. It's a refreshing change from American fare, entirely adult, with crisp dialogue and meticulous attention to detail and historic accuracy. Speaking as a Yank weary of plasticity, it's also wonderful to see actors with real faces. The series can be seen on Youtube in pieces that can be viewed fairly seamlessly: Series One: The German Woman, The White Feather, Lesson in Murder, Eagle Day. Series Two: Fifty Ships, Among the Few, War Games, The Funk Hole. Series Three: The French Drop, Enemy Fire, They Fought in the Fields, War of Nerves. Series Four: Invasion, Bad Blood. Series Five: Bleak Midwinter, Casualties of War. Series Six: Plan of Attack, Broken Souls, All Clear. [more inside]