"Or don’t. But please. Detox. Throw your phone in the fucking East River. DELETE YOUR TWITTER." The Concessionist, an advice column for the Awl written by Choire Sicha, fields "the letter that encapsulates the millennial age": I Hate Myself Because I Don't Work For BuzzFeed. [more inside]
While Australian public TV channels ABC2 and SBS2 contemplate a possible merger, on their official Twitter accounts sparks fly.
Requiem for a Twitter Bot - Bixby Snyder bot is no more.
"agree that a business or other entity may pay us to display your username, likeness, photos (along with any associated metadata), and/or actions you take, in connection with paid or sponsored content or promotions, without any compensation to you."In response, Wired has posted How to Download Your Instagram Photos and Kill Your Account. Previously.
Fungible: A treatise on fungibility, or, a framework for understanding the mess the news industry is in and the opportunities that lie ahead. The younger the person you ask, the less likely it is you’ll find that link between wanting to know what’s going on and grabbing a paper or opening up a news website. They use Pinterest to figure out what’s fashionable and Facebook to see if there’s anything fun going on next weekend. They use Facebook just the same to figure out whether there’s anything they need to be upset about and need to protest against.
As the school day draws to a close, the children in Ms. Aaron’s class sit down to compose a message about what they have been doing all day, and send it out on Twitter. A kindergarten teacher in TriBeCa who closes each day with a tweet she composes with the class. “To me, Twitter is like the ideal thing for 5-year-olds because it is so short,” she said. “It makes them think about their day and kind of summarize what they’ve done during the day; whereas a lot of times kids will go home and Mom and Dad will say, ‘What did you do today?’ And they’re like, ‘I don’t know.’” Explaining what Twitter is was a little tricky, she said. But there was a handy analogy. Every weekend, one student takes home a stuffed animal frog and a journal. They take pictures and write about what they’re doing to share with the rest of the class. “So when I introduced Twitter, I said you guys are doing this with Froggie on the weekend, and so we’re going to let your parents know what we’re doing in class a few times a week,” she said. [Via @jasonoke]
On the Media's Bob Garfield demonstrates How to Turn a Fan into an Enemy in Under 140 Characters.
I will not Tweet indiscriminately. I will not Tweet indiscriminately. I will not Tweet indiscriminately. I will not...
Malaysian performer and social activist Fahmi Fadzil was sued for defamation by media company Blu Inc after a Tweet in January alleging that the company maltreated a pregnant friend who was an employee. His punishment? To tweet 100 times over 3 days:
I've DEFAMED Blu Inc Media & Female Magazine. My tweets on their HR Policies are untrue. I retract those words & hereby apologize.Responses from other Malaysian Twitter users, mostly on Fahmi's side, have been interesting.
"Or don't you like to write letters. I do because it's such a swell way to keep from working and yet feel you've done something." ~Ernest Hemingway
An Open Letter to Writers of Open Letters: To those who feel compelled to address the world from Facebook, Twitter, and email chains, TEDDY WAYNE has a message: No one is listening, least of all Luther Vandross. [TheMorningNews.org]
Just your classic corporation-meets-social-good, corporation-funds-social-good, corporation-dumps-social-good story. Cable giant Comcast meets ReelGrrls, a Seattle-based nonprofit dedicated to supporting young women in becoming filmmakers. Comcast funds ReelGrrls. Comcast buys NBC, giving their cable network (presumably cheaper) access to NBC's vast back catalog of content. FCC approves the union. FCC head Meredith Attwell Baker leaves and becomes head of Comcast. ReelGrrls tweets about her career move. Comcast yanks funding for ReelGrrls. ReelGrrls says, "OMG, you broke up with me over a tweet?" (SLYT) [more inside]
Andy Carvin hasn't slept much for the last 19 days. Curation of news, social media, and rumor: is this the future of journalism? The story of @acarvin. [more inside]
How (crowd) curation is making a comeback in search and how Facebook is using it to "remake whole industries."
Misreading Tehran: Leading Iranian-American writers revisit a year of dreams and discouragement. "With a full 12 months now between us and the election, the time is ripe to start revisiting the hype and hope in a year of writing: which stories were overblown, what stories were missed entirely, and what can be gleaned about Iran's annus horribilis from a more thorough understanding. FP asked seven prominent Iranian-Americans, deeply immersed in both the English- and Persian-language media, to look through the fog of journalism at what actually happened in Tehran -- and why so many of us got it so wrong." [Via]
Michael Surtees latest photo experiment is called #walkingtoworktoday. The rules are simple and open to anyone—while walking to work take a photo. From there the photo needs to be pushed to Twitter via Flickr while containing the hashtag #walkingtoworktoday somewhere in the tile. But there wasn’t one dedicated space outside of Flickr to see the photos, and even then it was only seeing it through one medium—you didn’t get to see the tweets. So that’s why he decided there needed to be a site. Surtees created #walkingtoworktoday using Daylife tools that contained Flickr and Twitter moduals. The main modual streams photos from Flickr while the right rail shows the tweets. It’s an interesting redundancy that works.
Crap Detection 101 Howard Rheingold offers a fairly in-depth primer on media and internet BS detection. Lots of links to resources for enabling critical analysis of various information sources included.
Writer Dan Baum is twittering the epic saga of being hired at the New Yorker, after 17 years of trying, and then let go. It's an eye-opening and engaging tale for any writer. Baum, who wrote on a myriad of subjects, is perhaps best known for his post-Katrina New Orleans coverage. Told (annoyingly, if innovatively) in 140-character spurts, his tale takes you into the New Yorker offices ("like being in a hospital room where somebody is dying,") reveals that writers at the august mag get $70k and no benefits, and outlines the cumbersome process of story pitches to mercurial editors. In a rare inside look at the biz, he links to the pitches that worked, and those that didn't, on his website.