“I think sometimes that being overly type-sensitive is like an allergy,” : The New York Times on the perils of being a font nerd.
posted by The Whelk on Nov 15, 2009 - 99 comments

So you think you can tell Arial from Helvetica? Take 20 logos that were originally designed in Helvetica, and redo them in Arial. Some people would call that blasphemy. Instead, call it a challenge: can you tell which is the original and which is the remake?
posted by netbros on Sep 30, 2009 - 168 comments

Love Helvetica and modernist typographic design? Seen the film? Now, with the power of browser userscripts, you can have the 20th-century high-modernist experience in your favourite web applications. Scripts exist to Helveticise Gmail, Twitter and Google Reader, and work with a variety of modern browsers. [more inside]
posted by acb on Sep 15, 2009 - 69 comments

The (Mostly) True Story of Helvetica and the New York City Subway. Why is Helvetica used now, and when did the changeover occur? To answer those questions this essay explores several important histories: of the New York City subway system, transportation signage in the 1960s, Unimark International and, of course, Helvetica.
posted by Combustible Edison Lighthouse on Nov 19, 2008 - 16 comments

Massimo Vignelli’s 1972 NYC subway map is back Yours for the low, low price of 299 bucks for one copy of the limited edition of 500. (Previous MeFi comments on the famed design, which the New York MTA eventually shitcanned. [Via.])
posted by joeclark on Apr 24, 2008 - 30 comments

Fonts at the movies. [more inside]
posted by Terminal Verbosity on Dec 14, 2007 - 21 comments

The Scourge of Arial. It has spread like a virus through the typographic landscape and illustrates the pervasiveness of Microsoft's influence in the world. Arial, however, has a rather dubious history and not much character. In fact, Arial is little more than a shameless impostor...
posted by Robot Johnny on Aug 9, 2005 - 97 comments