It's debatable whether the troubled World War Z
signals the end of the ongoing zombie craze, but the film that started it all is much more clear: Danny Boyle's
bleak, artful cult horror-drama 28 Days Later
, which saw its US premiere ten years ago this weekend.
From its iconic opening shots of an eerily abandoned London
(set to Godspeed You! Black Emperor's
brooding post-rock epic "East Hastings"
) to the frenzied chaos of its climax
, Boyle's film -- a dark yet humanist tale
of a world eviscerated by a frighteningly contagious epidemic of murderous rage -- reinvented and reinvigorated the genre that Romero built (though many insist its rabid, sprinting berserkers don't really count
And while sequel 28 Weeks Later
with its heavyhanded Iraq War allusions
failed to live up to the original (despite boasting one of the most viscerally terrifying opening sequences
in modern horror), and 28 Months
looks increasingly unlikely
, there remains a small universe of side content from the film, including music, short films, comics, and inspired-by games. [more inside]
posted by Rhaomi
on Jun 28, 2013 -
"You're going nowhere, son. Just you, me ad the walls. So wipe that bloody grin off before it's shot off, and don't slouch. You toe rag. You
bin. Pay attention when I break you. And break you I will, boy. You're in my manor, now."
Buck up! It's Terry Finch's THE REPRISALIZER!
Follow Bob Shuter
, whose mission of reprisal against his brother's killers, their families, associates, progeny and property takes him across the desolate wasteland of 70s Britain, primarily Kent AKA FINCHLAND
. Finch, writer of The Reprisalizer and DRAW!
, the cowboy whose name means death, is soon to be the subject of a major motion picture
from Matthew Holness, creator of Garth Marenghi's Darkplace
posted by Artw
on Dec 13, 2011 -
The Reel History of Britain, a BFI/BBC co-production, brings archive film into the nation’s living rooms. The footage shown in the series has been selected from the hundreds of thousands of films and programmes preserved in Britain’s film and television archives. We are complementing the series by making many of the films featured in The Reel History of Britain available online in their entirety, alongside expert commentary from the nation’s archive curators.
posted by Trurl
on Oct 17, 2011 -
is a new independent film (trailer
, briefly NSFW) by London-based directors Ramin Goudarzi Nejad
& Mahshad Torkan. It tells the story of Kiana Firouz, a filmmaker, actress, and lesbian activist who fled Iran after authorities learned of her attempt to make an underground documentary about the lives of Iranian gays and lesbians
. According to this interview
, Firouz didn't write the film, but plays herself. Earlier this month, her asylum petition was allegedly denied
. The denial shouldn't have been surprising according to statistics in a report
(pdf) by the UK Lesbian and Gay Immigration Group
, which states that the refusal rate for lesbians and gay men is as high as 98-99%. Although the Home Office claims it takes the sexual orientation of asylum seekers into consideration, laws which permit deportation of gay and lesbian asylum seekers have recently been challenged
in the supreme court.
posted by treepour
on May 13, 2010 -
Music! - A 1968 documentary by the National Music Council of Great Britain, featuring folk singing, The Beatles, and even early electronic music produced by tape splicing. Part 1
, part 2
, part 3
, part 4
, part 5
posted by Artw
on Mar 7, 2010 -
For quite some time, I’d wanted to make a screwball comedy. A fast-talking, wildly acclerating ensemble comedy that gets stupider and stupider. I never imagined it would be about a war, and inspired by a very recent war at that. But Simon, Jesse, Tony and I all felt that the more we found out about the dysfunction in Washington and the naivety in London leading up to the Iraq invasion, the more obvious it was that the only way to deal accurately and fairly with this topic was as a screwball comedy.
- The Oscar nominated script for In The Loop
, with an introduction by writer Armando Iannucci.
posted by Artw
on Feb 13, 2010 -
Colour on the Thames
is a 7 minute film shot in 1935 using Gasparcolor
, one of the many early forms of tinting black and white film. Beside Colour on the Thames
, which provides a wonderful view of 1930's England, the only film made in Gasparcolor I could find online was Colour Flight
by New Zealand artist Len Lye, an abstract cartoon set to instrumental 1930's pop music. The story of Gasparcolor
is in itself interesting, for instance touching on Nazis, Hungary between the wars and early color animation.
posted by Kattullus
on Jan 27, 2009 -
'Ten years ago, while working on The South Bank Show, Melvyn Bragg and I had a heated discussion on the pros and cons of film censorship. Broadly speaking, Melvyn was against it, while I, much to his surprise, was absolutely for it. He then dared me to write a script that I thought should be banned. I accepted the challenge and a month or so later sent him a short subject entitled A Kitten for Hitler. “Ken,” he said, “if ever you make this film and it is shown, you will be lynched.'
That film has been made
. The story behind it
posted by fearfulsymmetry
on Jan 25, 2009 -
"The German invasion of Britain took place in July 1940, after the British retreat from Dunkirk".
We see, documentary-style, members of the Wehrmacht trooping past Big Ben and St Paul's Cathedral, lounging in the parks, having their jackboots shined by old cockneys, and appreciatively visiting the shrine of that good German, Prince Albert
, in Kensington Gardens. Kevin Brownlow
and Andrew Mollo
's film "It Happened Here
", with its cast of hundreds (.pdf)
, imagines what a Nazi occupation might have been like — complete with underground resistance, civilian massacres, civil strife, torch-lit rallies, Jewish ghettos, and organized euthanasia. Shot on weekends, eight years in production, made for about $20,000 with nonactors and borrowed equipment and Stanley Kubrick's help, "It Happened Here" was originally envisioned by Brownlow
as a sort of Hammer horror flick about a Nazi Britain
. Thanks in part to Mollo's fanatical concern with historical accuracy
, however, it became something else
. The most remarkable thing about this account of everyday fascism is that it has no period footage. Brownlow's 1968 book
about the film's production, "How It Happened Here
", has recently been republished
. More inside.
posted by matteo
on Feb 12, 2006 -
BFI presents screenonline
| The British Film Institute
announces the launch of screenonline
: "This new site features an unrivalled collection of archive film and television footage from the bfi
National Film and Television Archive.... [It] is the first time the bfi
has given the public access online to its comprehensive collection of film and television material, giving teachers, students and film enthusiasts an exceptional opportunity to investigate British history, culture and society through cinema. "
posted by jacknose
on Dec 1, 2003 -
The British Empire in Colour
-- a three-part documentary series from the producers of the BAFTA (British Academy of Film and Television Arts) award-winning Britain at War in Colour
will air this month. The series is supposed to include "a treasure-trove of early colour movies filmed before 'technicolour' transformed film making in the 1930s. Unique colour footage of the Edwardian splendour of 1906 British India, soldiers of the First World War and class divided Britain in 1926 as seen for the first time by a modern visually sophisticated audience."
Apparently, it also includes Horrifying footage of last days of Raj
posted by Bixby23
on Sep 2, 2002 -