2 posts tagged with unitedstates by thomas j wise.
Displaying 1 through 2 of 2.
Although the sculptor Hiram Powers (1805-73) enjoyed considerable success with his portraits and more allegorical works, he is now almost entirely remembered for one of nineteenth-century America's most hotly-debated sculptures: The Greek Slave. Powers was a little vague about the inspiration for the statue--longstanding dream, or response to the Greek War of Independence (see previously)? Understood at the time as a major leap forward in establishing America as a serious force in the art world, the statue was an international hit (appearing at the Great Exhibition of 1851), and was endlessly copied and daguerrotyped. (Some of the copies turn the statue into a much more ambiguous bust, or hark back to one of its major influences, the Venus de Milo.) However, some observers, including Elizabeth Barrett Browning and, much more pointedly, the illustrator and caricaturist John Tenniel, suggested that an American sculptor might wish to think about other slaves.
America on Stone: 19th Century American Lithographs is a browsable collection of lithographs on topics from advertising to uniforms. The viewer includes pan and zoom functions. (Harry T. Peters, who amassed this collection, was particularly interested in Currier & Ives.) Lithography became popular very quickly after its discovery at the end of the eighteenth century, rapidly finding its way into such commercial uses as sheet music covers. Needless to say, it also came in handy for far more exalted applications. (For previous MeFi adventures in lithography, try these posts.)