November 29th marks the 25th anniversary of the US H1-B visa, a highly-coveted three-year employer-sponsored visa for skilled workers that can eventually lead to a Green Card - eventually. SmithsonianAPA presents a collection of art about the H1-B experience, primarily from people that have held or are holding H1-B visas (mostly South Asians, since Indians make up the majority of H1B applications), as well as some H-4 dependent spouses. H1-B visa holders are also sharing their experiences on Twitter. (previously)
I've looked at the US Census Bureau data, and the numbers don't lie. They paint a dire picture. On top of all that they closed one of my favorite mac & cheese joints. Look, I still love this place. Sometimes. But I'm done with wherever I am. Best of luck to those who stay wherever they are.
American art as the production of widely circulating likenesses—to be traced by limners, peddled to clients, collected by the bushel, featured in Home Decorating, tallied at auction, and absorbed by image banks.
Longtime veteran courtroom sketch artist Gary Myrick gives us a look inside his profession.
How Americans Die - a visual tour through surprising trends in mortality among Americans in the last several decades
The Tumblr blog People of Color in European Art History, or medievalpoc for short, has a simple mission: to showcase works of art from European history that feature People of Color. All too often, these works go unseen in museums, Art History classes, online galleries, and other venues because of retroactive whitewashing of Medieval Europe, Scandinavia, and Asia. [more inside]
The Trans 100 is a list curated by We Happy Trans based on nominations of 100 key trans people breaking ground in American culture, arts, social justice, and politics. [more inside]
Ephemeral New York 'chronicles an ever-changing, constantly reinvented city through photos, newspaper archives, and other scraps and artifacts that have been edged into New York’s collective remainder bin.' [more inside]
"During the proceedings, the prosecutor took the time to mention that no other printer in the world could do what Kuhl had done."
Hans-Jurgen Kuhl was able to create "shockingly perfect" copies of the American $100 bill by using his artistic talents to conquer the various security features present in the bill.
These Americans is an historical photo narrative with such gems as "Photobooth", "Last Prisoners Leave Alcatraz", Dorothea Lange:"Internment", and the very sexy "Tally Ho". *Nudity and other possibly offensive photos for some*
In 1976, American students put their Tricentennial imaginings to paper. Some larger versions of the drawings are available over at Buzzfeed.
You may not know who the Costacos Brothers are. But if you were a sports fan in the US during the 1980's, chances are that you had one of their posters up in your room.
Make your Franklin is a site which accepts submissions of recreated 100 USD banknotes.
The National Endowment for the Arts' new Arts in Media Guidelines now include video games as an art form eligible for federal grants. [more inside]
In his project A More Perfect Union, artist R. Luke Dubois aggregated language used in the profiles of 19 million single Americans on 21 dating sites. He then organized the data to create "dozens of insanely detailed city and state maps which tell a wonderfully rich story about who we are, or at least, who we claim to be." A Video about the project. (R. Luke Dubois, previously on MeFi.)
Cartoonist Tim Kreider (previously, previously) of The Pain talks about the last decade, our "disastrous decline" and his latest book of cartoons and essays, Twilight Of The Assholes. Part 1 - 2 - 3 - 4
Richard Amsel was a Philadelphian artist who created original and iconic illustrations and paintings found on posters for several popular 1970s and 80s American movies, including Mad Max: Beyond the Thunderdome, The Dark Crystal, Raiders of the Lost Ark, and The Sting. He also created unique artwork for TV Guide covers, as well as album cover art for Bette Midler and others. His Time cover featuring Lily Tomlin was added to the permanent collection of the Smithsonian Institution.
Beautiful banknote vignettes which were used in the 19th century by the United States to combat counterfeiters. Brought to you by MeFi's peacay.
"This may truly be the most important new painting of the twenty first century." The McNaughton Fine Art Company presents "One Nation Under God" [cache], an... interesting take on American history in a nifty zoom interface. Artist John McNaughton, who calls himself "the only living artist in the world today" to practice the Barbizon School of French Impressionism, has an extensive body of less opinionated work for you to admire. Interview. Character list.
Top Events USA lists their top 20 events across the USA, the top 10 events and festivals for each of the United States, and lists of the best annual events and festivals by category or theme. [more inside]
Ahmad Nadalian's work can be found all over the world. He is an artist that carves symbols on rocks and then leaves them at the site where they were created (sometimes burying them).
"One could go on, and one will -- praising (...) the National Center for Jewish Film for releasing all four of Edgar Ulmer's Yiddish films in restored editions. But the DVD player is beckoning, and I think it is time for me to get back to the couch". The National Center for Jewish Film (NCJF) is a unique nonprofit motion picture archive, distributor and resource center housing the largest, most comprehensive collection of Jewish-theme film and video in the world. In their archives you can discover the works of Leo Fuchs, the "Yiddish Fred Astaire", restored gems (scroll down) like "Motl the Operator" and re-releases like "The Life and Times of Hank Greenberg". (More on Greenberg, the Jewish kid who challenged Babe Ruth’s homerun record here, more on the NCJF inside).
9/11 in comics, including the black-covered The Amazing Spider-Man #36 in its entirety.
17 Minutes is a performance and video blog project by new media artist Chris Barr. It's about suicide. [MI]
"I am at war with the obvious", photographer William Eggleston once said, explaining his attraction to a ceiling lightbulb engulfed in a shock of red or an old Gulf gasoline sign sprouting like a giant weed against a rural skyline. Attempting to understand that battle, filmmaker Michael Almereyda trailed the photographer in action and in repose over a period of five years. The resulting film is "William Eggleston in the Real World". More inside.,
Fazal Sheikh's photographs have documented the plight of refugees in camps across Central and East Africa and the Middle East. However, his photographs are distinctly different from the images of refugees we commonly see in printed news articles. Sheikh's photographs implicitly assert that the individual refugees share humanity with their oppressive rulers. He does so by depicting the individuals in portraits rather than as victims of a social and political drama. Sheikh, an American citizen, was just awarded the Grand Prix International Henri Cartier-Bresson.
Little visual miracles. For more than forty years that most American of photographers, Chevalier in the Order of Arts and Letters Lee Friedlander, has recorded modern American urban life -- with its jumble of people, signs, buildings, and cars, and television sets. He likes to turn a common blunder of amateurs -- photographing something nearby with one's back to the sun -- into a leitmotif. His shadow plays the role of alter ego, sticking to the back of a woman's fur collar, clinging to a lamppost as a parade of drum majorettes passes by, reclining like a stuffed doll on a chair. Clever jigsaw puzzles, his pictures frequently reveal themselves to be laconic, austere poems to what Friedlander has termed "the American social landscape',' meaning mostly ordinary places and affairs. "Friedlander," an exhibition of more than 480 photographs and 25 books covering decades of work, runs at MoMA through Aug. 29, before traveling to Europe until 2007. More inside.
What Was True. From the mid 1950s through the early 1980s, William Gedney (1932-1989) photographed throughout the United States, in India, and in Europe, and filling notebook after notebook with his observations. From the commerce of the street outside his Brooklyn apartment to the daily chores of unemployed coal miners, from the lifestyle of hippies in Haight-Ashbury to the sacred rituals of Hindu worshippers, Gedney was able to record the lives of others with clarity and poignancy. Gedney's America is a nation of averted eyes, and broken automobiles, and restlessness, a place Edward Hopper would recognize, but so, also, Walt Whitman.
Aparicioñes. Somewhere along the back roads of small towns dotting the Louisiana and Mississippi and Mexico landscape is Jack Spencer, a self-taught photographer, searching for beauty. More inside.
In search of lost time It was Jack Kerouac who first defined Robert Frank's genius, who found in it some echo of his own vision of a vast, broken-down, but still epic, America, peopled with restless and lonely dreamers. 'Robert Frank, Swiss, unobtrusive, nice,' wrote Kerouac in his now famous introduction to Frank's collection The Americans , 'with that little camera that he raises and snaps with one hand he sucked a sad poem right out of America on to film, taking rank among the tragic poets of the world'. Frank's exhibition, Storylines, opens this week at the Tate Modern in London.
Simon Robson is an animator, and his friend Barry McNamara has political views. Simon made an animation to broadcast them. What Barry Says [QuickTime, political, via madamjujujive]
"Hubert Selby died often. But he always came back, smiling that beautiful smile of his, and those blue eyes of his... This time he will not be back. My saints have always come from hell, and now, with his passing, there are no more saints". Selby is the author of Last Exit to Brooklyn, (tried for obscenity in England and supported by, among many others, Samuel Beckett and Anthony Burgess), Requiem For a Dream, Song of the Silent Snow. He is being eulogized in the USA and UK, but also, massively (I've just watched a fantastic TV special) in France, where he is much more popular than in his native land (Selby's death was the cover story -- plus pages 2, 3 and 4 -- in the daily Libération today -- .pdf file): Dernière sortie vers la rédemption, L'extase de la dévastation. What makes all this kind of ironic -- in a very Selbyesque way -- is that Selby himself used to say, "I started to die 36 hours before I was born..." (more inside)
Black ships and samurai In 1853 four ships under Commodore Perry anchored off the coast of Japan against the wishes of the Japanese. According to historian John Dower, "This initial encounter between the United States and Japan was eye-opening for all concerned, involving a dramatic confrontation between peoples of different racial, cultural, and historical backgrounds. We can literally see this encounter of "East" and "West" unfold through the splendid, yet little known, artwork produced by each side at the time." This beautiful exhibition includes many examples of this artwork, juxtaposing scenes of the encounter from Japanese and American artists' points of view. (Part of MIT's open courseware initiative.)
Images of the Southwest. The American southwest, that is. The Bisbee Deportation of 1917 - 'an event specific to Arizona that influenced the labor movement throughout the United States'; early cartography of the southwest; a rural school newspaper; mission churches; folk arts - Easter eggs, murals and so on; War Relocation Authority camps (some photos ; and more.
Stupid URL. Stupid Site. GREAT gfx. and don't look for any content - there isn't any. warning: bandwidth!
Well what did you expect? After years of forcing taxpayers to pay for stuff they hate, the National Endowment for the Arts "has been transformed from a lightning rod and punching bag into a benign institution, averse to controversy and with a significantly different mission than it had a decade ago."