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Where is Parsifal? Misplaced film from BFI's 75 Most Wanted

In 1983, the film Where is Parsifal? was screened at Cannes and then it disappeared, more or less. BFI included it on their list of 75 most wanted films. The Telegraph summarized the "lost" title as "a farce loosely based on Molière’s Tartuffe, whose turbocharged cast includes Tony Curtis, Orson Welles and Donald Pleasence," but BFI noted that "the reviews were generally dreadful." In reality, the film wasn't so much lost as it was misplaced and/or over-looked. It has been available in Australia on VHS, and director Henri Helman kindly donated his personal 35mm print, with French subtitles, to be preserved in the BFI archive. But perhaps more interesting than the "lost" status of the movie is the people involved in its creation. [more inside]
posted by filthy light thief on Sep 2, 2013 - 3 comments

The Room: Best/Worst/Best Vanity Project Ever

The Room: The Movie. Triple-threat (actor/writer/director) Tommy Wiseau made his cinematic debut in 2003 with the The Room (see trailer and various scenes), "a blend between a softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual looking and sounding-with an unidentifiable Eastern European accent-leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem the apotheosis of cinematic self-restraint...may be something of a first: A movie that prompts most of its viewers to ask for their money back-before even 30 minutes have passed." - Variety), allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals). Audience members, including comedian David Cross, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit sex scenes and, of course, the enigma of Wiseau himself" as the film played monthly for years in Los Angeles. Available on DVD, diehard "roomies" swear by the theatrical experience, shout out their own commentary, hurl spoons at the screen and singalong to the soundtrack. Some call it "The Rocky Horror of the New Millenium" and stage "Room" parties. If you look at the marketing campaign or survived a screening you might see The Room as "a seminar on how NOT to make a movie." [Inspired by Boing Boing]
posted by boost ventilator on Jun 1, 2006 - 28 comments

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