Behind them on the stage, a giant watermelon. In their hands, little tiny guitars, which they play like mosquitoes on speed. They scat, they dance, they get halfway through the alphabet. Their percussionist has the coolest little drum kit ever, but that doesn't stop him from playing the stage floor and the walls. Who are they? Why, The Five Racketeers, of course! And who's that lady who storms the stage for a little shimmy at the end of the clip? Well, that's Eunice Wilson, and she stuck around to do another number with the fellows. You want more, right? OK! Then let's head down to the All-Colored Vaudeville Show, for some serious oooold-school entertainment.
posted by flapjax at midnite on Jun 16, 2009 - 21 comments

Every trade has a history, a culture and secrets, all most vividly expressed in the special terms used by its workers. The circus is, of course, no different as this handy dictionary of circus slang shows. It contains entries for both American and European circuses, and has a handy list of vaudeville slang words as well. These unique words used on the carnival lot around the world demonstrate a language that defines a world of wonders, and now you can use them to impress your friends and insult your enemies!
posted by Effigy2000 on Sep 25, 2008 - 14 comments

Virtual Vaudeville [shockwave] Watch a 3D simulation of legendary comedian Frank Bush in a vaudeville performance from a variety of perspectives. Switch between any of eight perspectives at any time and read the extensive hypermedia notes to gain a richer understanding of the performance in its historical context.
posted by tellurian on Sep 4, 2008 - 11 comments

Let's pay a little visit, shall we, to everyone's favorite lasso twirlin', geetar strummin' stars of the Vaudeville stage, Otto Gray's Oklahoma Cowboys Then let's head for the South Pacific, for the "Hawaiian" sounds of Witt and Berg. And from the early days of the "talkie", Max Fleischer explains the new-fangled technology for us in the 1929 cartoon, Finding His Voice.
posted by flapjax at midnite on Jan 25, 2008 - 10 comments

Borrah Minevitch & His Harmonica Rascals - Harmonica Specialty and Rascal Bill McBride's vocal turn on Always In My Heart are excerpts from Borrah Minevitch & His Harmonica School--a wmv video file of a Vitaphone Short which with no surprise we find at Vitaphone Shorts, a subsection of Dr. Macro's High Quality Movie Scans--which was first brought to our attention by the noble crunchland, albeit at another and now defunct URL, let it be noted. . [more inside]
posted by y2karl on Jan 24, 2008 - 5 comments

Ben Dova the Drunk Daredevil, contortionist, Hindenburg survivor and one of the 10 most unfortunately named people on the internets.
posted by tellurian on Nov 8, 2007 - 75 comments

I got a gal in Kalamazoo, and a lucky number. Jumpin Jive! Is that the Chatanooga Choo-choo? No, even better! It's the Nicholas Brothers!
posted by louche mustachio on Oct 1, 2007 - 10 comments

In 2003, the Flying Karamazov Brothers workshopped a piece with The Bobs entitled "The Comedy of Eras". In 1992, they performed a show about Le Pétomane billed as "A Comedy of Airs". And in 1983, they started the cycle by creating a vaudeville adaptation of Shakespeare's "The Comedy of Errors". When they brought this adaptation back to the stage in 1987, PBS aired a performance live from Lincoln Center. Tomorrow is the 20th anniversary of that broadcast, and if you enjoy good juggling or bad Shakespeare, you can celebrate by watching it online: part 1, part 2. (Last two links are Google Video, about an hour each.)
posted by hades on Jun 23, 2007 - 18 comments

Joan Rhodes, strong woman. Born ca. 1920 in England, as Josie Terena, ‘Joan Rhodes became famous in the 1950s and 60s as a strong woman,’ sometimes billed as The Mighty Mannequin. ‘She performed in cabaret, variety and vaudeville, stunning audiences with her amazing feats of strength. She could bend heavy steel bars that no man in the audience could even dent, she could break six-inch nails with her hands, and she could tear the 1000 page London phone book not merely in half, but into quarters.’
posted by misteraitch on May 29, 2007 - 9 comments

The Barrison Sisters, a vaudeville act of double entendres, would raise their puffy dresses to their knees and ask the audience, “Would you like to see my pussy?” They would reveal a kitten positioned in a pouch in their underwear. Here is a script from one of their performances. Lona Barrison, the group’s sultry leader, was involved in many affairs in Europe, including such auspices as Kaiser Wilhelm II, and also posed for mild erotica and a Toulouse-Lautrec painting. The Machinson Sisters were imitators from England.
posted by luckypozzo on Oct 23, 2005 - 13 comments

Jump Jim Crow, through the hoops of one Robert Christgau's erudition as he surveys the literature extant in In Search of Jim Crow: Why Postmodern Minstrelsy Studies Matter, through multiple readings of Raising Cain: Blackface Performance from Jim Crow to Hip Hop, Demons of Disorder: Early Blackface Minstrels and Their World and and Love and Theft: Blackface Minstrelsy and the American Working Class. Consider, too, The Minstrel Cycle from Reading The Commitments and other various and sundry attempts to peek inside the minstrel mask—all multiple readings reading blackface minstrels from the pejorative to the explorative, subversive to oppressive, past to future, unfolding tesseractly, if not exactly, with singing, dancing and extraordinary elocutions. Buy your tickets and step within for The Meller Drammer of Minstrelsy in The Minstrel Show 2.0…
posted by y2karl on Mar 31, 2005 - 17 comments

While culling my clippings file for the big move, I came across Ragtime: No Longer a Novelty in Sepia, which led me to the The Rag-Time Ephemeralist, a labor of love by one Chris Ware , whose 'The Acme Novelty Library' and Jimmy Corrigan, Smartest Boy In The World I had long admired. The Ragtime Ephemeralist's mention of Out of Sight - The Rise of African American Popular Music, 1889-1895---here's a review from Musical Traditions--and, its very own links page, as a consequence, led to this post about Ragtime, Cakewalks, Coon Songs and Vaudeville, with a slight nod to Barbershop Quartets. There's more, of course...
posted by y2karl on Jan 21, 2005 - 27 comments

"Your talent is so great that you can expect fruit and vegetables to be thrown at every performance." Long before William Hung haunted the American music scene, there were The Cherry Sisters, a Vaudeville act that people loved to hate. A review that read, in part, "The mouths opened like caverns, and sounds like the wailing of damned souls issued therefrom," so offended the sisters that they launched a lawsuit which resulted in an historic ruling regarding fair comment. Oscar Hammestein II proclaimed them "the worst act in the history of light entertainment." Alas, no recordings exist.
posted by Joey Michaels on Apr 23, 2004 - 12 comments

Vaudeville Slang. A boffo glossary of the language of American Vaudeville. Visit the main site for tons of links to famous performers and theatres. For more hokum, you can visit here to watch and hear some actual Vaudeville acts. No applesauce!
posted by Joey Michaels on Nov 21, 2002 - 5 comments

The Minstrel Show The Minstrel Show presents us with a strange, fascinating and awful phenomenon. Minstrel shows emerged from preindustrial European traditions of masking and carnival. But in the US they began in the 1830s, with working class white men dressing up as plantation slaves. These men imitated black musical and dance forms, combining savage parody of black Americans with genuine fondness for African American cultural forms. By the Civil War the minstrel show had become world famous and respectable. Late in his life Mark Twain fondly remembered the "old time nigger show" with its colorful comic darkies and its rousing songs and dances. By the 1840s, the minstrel show had become one of the central events in the culture of the Democratic party.. The image of white men in blackface, miming black song, dance and speech is considered the last word in racist bigotry for some. And yet, standing at the crossroads of race, class and high and low culture, blackface minstrelsy is one fascinating topic in academic circles. It’s history is intertwined with the rise of abolitionism, the works of Mark Twain and the histories of vaudeville, American vernacular music, radio, television, movies, in fact all of what is called popular culture. Details within.
posted by y2karl on Mar 13, 2002 - 26 comments