From activist Palestinian OGs, to Black Hebrew hitmakers from remote desert outposts, to goofy trap about food, rap in Israel and Palestine is a melting pot of voices and perspectives. Mike Skinner of the Streets for Noisey Magazine investigates Hip Hop In The Holy Land. [more inside]
"ICP's intense work ethic and preparation have been essential to their ascension from a second-tier Detroit rap group into the leaders of their own subculture—a feat accomplished by virtually no other group in popular American music, save for maybe the Grateful Dead." Tears of a clown [more inside]
You might know the Monster Mash, but how much do you know about the original artist, Bobby "Boris" Pickett? The article includes a link to the official website of The MoNsTeR mAsH, a revenant from Web 1.0 [more inside]
Dan Ozzi talks to Sheryl Zelikson, Late Show music producer, about how she selects guests, what goes into booking the musical segment, and how to get your band on the show. Tonight's Musical Guest: How Late Show with David Letterman Books Its Acts.
Marc Glasser started making electronic music when he was a teenager, and now produces music under the name Dubbel Dutch and releasing it most often on the eclectic Mixpak label, whose general sound often leans towards weird takes on reggae riddims. But as Glasser mentioned in a 2010 interview, he has been "opening up to music from everywhere. Cumbia, dancehall, kuduro, South African house, Dutch bubbling, Bmore club, Chicago juke and footwork*, old skool jungle and hardcore, garage, UK Funky and all that mingles with, or shares influences with, these sounds." What does this "schizophrenic" collage of musical styles sound like? Start with Self Help Riddims and the title track video, Self Help Riddim, then go from there. [more inside]
Legendary curmudgeonly rockist Athens GA music zine Chunklet is still around, and teaming up with Vice magazine to bring you such new Classics of argument-fomentation as The Wheel Of Punk™ (and the Wheel of Punk™ in action). [more inside]
Closed Frontier: Is rock over? "Rock ’n’ roll is to 21st-century America what the Wild West was to 20th-century America: a closed frontier, ripe for mass mythology....Exciting new music still thrives in the subgenres, but modern musicians draw increasing amounts of inspiration from tradition, not originality. The sexagenarian Rolling Stones do serial victory laps around the world, just as an aging Buffalo Bill toured America and Europe in the 1880s and 90s, performing rope and horse tricks alongside Annie Oakley and Sitting Bull."