Circle of an Abstract Ritual is the latest stop motion timelapse from artist Jeff Frost (previously)who creates short films that defy description. This latest work gathers hundreds of thousands of photographs taken over the last two years during wildfires, riots, and inside abandoned houses where he created a series of optical illusion paintings. Frost says the film “began as an exploration of the idea that creation and destruction might be the same thing,” and that it is in part “a way to get an ever so slight edge on the unknowable.” [via]
Incidence of Catastrophe (1987-88) is video artist Gary Hill's adaptation of Maurice Blanchot's short novel Thomas the Obscure (pdf), an "ontological narrative" with being itself as its focus. Why Do Things Get in a Muddle? (Come On Petunia) (1984) is his adaptation of a metalogue from Gregory Bateson's Steps to an Ecology of Mind (pdf).
The 2012 Turner Prize for modern art has been awarded to video artist Elizabeth Price for her work The Woolworths Choir of 1979 (excerpt). Price beat a number of contenders, including visual artist Paul Noble (nominated for a series of pencil drawings of a fantastic metropolis named Nobson Newtown), Luke Fowler (with a film titled All Divided Selves, about the controversial Scottish psychiatrist R. D. Laing) and the splendidly named performance artist Spartacus Chetwynd. Before winning the Turner Prize, Price was best known as a member of 1980s indiepop band Talulah Gosh, though is by no means the only former member to have a notable post-band career.
DocFuture (previously) is a video artist who creates bizarre and insightful (NSFW audio, also previously) Dadaist pastiches of pop-culture. His latest video (NSFW) is a confusing and relentless satire of YouTube culture that is equal parts ambitious and absurd. Yes, even more ambitious than a comprehensive playthrough of a Sonic the Hedgehog game that doesn't technically exist
Gestus is a moving image processing framework that uses computer vision techniques to explore the artistic possibilities of the vector as a symbolic form.
Dead End Thrills uses various cheats and texture packs to make beautiful screenshots. The creation of Duncan Harris, Dead End Thrills uses the techniques of photography - lighting and positioning - and an array of cheats to remove HUDs, arrange elements and polish resolutions to create gorgeous images from video games. [more inside]
Developed by YouTube and the Guggenheim Museum, Youtube Play - A Biennial of Creative Video - aims to discover and showcase the most exceptional talent working in the ever-expanding realm of online video. [more inside]
"[YouTube and Vimeo are] ... still stuck in this broadcast-mode type of mentality where you post something and it’s there, and any sort of interactivity takes place in the form of a list"
River of the Net is a way to view short, tag-related videos without any sort of context. This interview explains things a little more. I've had some NWS content pop up (though not much), just as fair warning. [more inside]
Hojun Song wants to show you how to make a satellite. And then he'll help you build a robo-guitar. [more inside]
Processing the Signal == Part 1 - Bill Viola// Part 2 - Nam June Paik// Part 3 - The Medium// Part 4 - Technology// Part 5 - Audience// [more inside]
A video playlist of the entire 'Feed the Animals' album by Girl Talk, aka mashup wunderkind Greg Gillis. [more inside]
Mortal Engine (highlights; interview) and Glow (interview) combine dancing and projected video to stunning effect. The secret? The dancers aren't following the light — the light is following the dancers. [more inside]
Clayton Cubitt is a video artist. He does video portraits. They are disturbing, warholian, and weird
Dreamies. It's 1972, and affable salaryman and good husband Bill Holt quits his good job at 3M to become a musical pioneer from the comfort of his own basement. The resulting album, Dreamies, is notable for its generous and ahead-of-its-time use of sampling/plunderphonics and became a highly sought-after lost classic until its re-release this year. Bill now has his own website, also called Dreamies, where he releases Eye Candy and Politics in liberal doses. Some are hypnotic, some are, for want of a better term, 'relaxing', others are anything but. And all of them are subtly infused with the slightly unsettling taste of Huh?
The 'demoscene': Have you got the latest UltraforceTitanium10000-equipped desktop computer? The latest PDA? The latest Java Virtual Machine and the latest browser? Or have you got an 18 year old ZX Spectrum? Or a Commodore Amiga? Don't worry, there's always some way to show how powerful you machine of choice is. Demos have been around since the dawn of home computing and the best of them might someday be mistaken for video art.