Act 1, scene 1.
"The stage directions read, “Vienna. The Ringstrasse promenade at Sirk Corner. Flags wave from the buildings. Soldiers marching by are cheered by the onlookers. General excitement. The crowd breaks up into small groups.” The newsboys with their “Extra Extra,” announcing the outbreak of war, are interrupted by a drunk demonstrator who shouts “Down with Serbia! Hurrah for the Hapsburgs! Hurrah! For S-e-r-bia!” and is immediately kicked in the pants for his mistake (LTM, p. 69). A crook and a prostitute exchange insults, even as two army contractors, talking of possible bribes the rich will use to avoid the draft, cite Bismarck’s words, in Neue Freie Presse (Vienna’s major newspaper at the time of the assassination of the archduke in Serbia), to the effect that the Austrians deserve kissing. One officer tells another that war is “unanwendbar” (of no use) when he really means, as his friend points out, “unabwendbar” (unavoidable) (LTM, pp. 70–71). A patriotic citizen praises the coming conflict as a holy war of defense against “encirclement” by hostile forces, and the crowd responds by making up rhymes (in Viennese dialect) denigrating the enemy (LTM, p. 72)." [more inside]
posted by whyareyouatriangle
on Jun 10, 2014 -
In 1999, officials in Vienna, Austria, asked residents of the city's ninth district how often and why they used public transportation. "Most of the men filled out the questionnaire in less than five minutes," says Ursula Bauer, one of the city administrators tasked with carrying out the survey. "But the women couldn't stop writing.
posted by cthuljew
on Sep 21, 2013 -
Tom Waits - A Day in Vienna.
"In 1978 or 1979 (we’ll get to that in a minute), Tom Waits was touring Europe. He had a concert in Vienna the day after a show in Amsterdam. He showed up in Vienna and was greeted by two young men named Rudi Dolezal and Hannes Rossacher, employees of ORF (Österreichischer Rundfunk, i.e. Austrian television) with the proposal of shooting an interview while he was in town. Waits countered with a better idea.
posted by homunculus
on Aug 29, 2013 -
There are Real Fake Buildings
, Real Fake Watches
, real fake books
, and of course, "The Internet's LARGEST Selection of Real Fake Rocks!
But for truly high-end fakes -- the "realest" of the fakes -- there's the Museum of Fakes
in Southern Italy
, or even better, the Museum of Art Fakes
in Vienna, which includes etchings from "last living master forger from Germany."
"The Museum of Art Fakes, almost directly opposite the Hundertwasserhaus, is unique in Europe. It is filled with paintings from not only world famous forgers (such as van Meegeren, Tom Keating, David Stein, Konrad Kujau, Edgar Mrugalla, Lothar Malskat), but also so-called ‘identical-forgeries’ of Schiele, Klimt, Monet, Raffael and many more."
posted by not_the_water
on Jun 4, 2010 -
Designed by Austrian architect and artist Friedensreich Hundertwasser
for free because "it was worth it" and owned by the city of Vienna, the Hundertwasser House is a tourist site, social and political gathering place, and a piece of art
. With no straight lines or flat surfaces, bright colors, and organic low rent apartments, the Hundertwasserhaus is a truly unique version of public housing.
posted by dios
on Oct 11, 2005 -
Ursula Plaichinger, a 27 year-old viola player, is the first woman
to be (partially) admitted
into the Vienna Philharmonic since the orchestra's creation 161 years ago. Except for hiring temporary, underpaid, unmentioned and unseen
harpists ("Cameramen were instructed to show only her hands, never her face or figure"), the Viennese Phil not only tried to ignore several pleads for gender equality but took seven years to comply to the Austrian government's injunctions. Does this kind of resistance reflect a general trend
? Is Ursula's case merely an example of "Rent-a-Frau"
? On the other hand, since the Viennese orchestra is a private association
, could this be just a modified version of the Battle
posted by 111
on Jan 17, 2003 -