"2. Airman Thompson
possesses outstanding talent in writing. He has imagination, good use of English, and can express his thoughts in a manner that makes interesting reading
3. However, in spite of frequent counseling with explanation of the reasons for the conservative policy on an AF base newspaper, Airman Thompson has consistently written controversial material and leans so strongly to critical editorializing that it was necessary to require that all his writing be thoroughly edited before release." - A memo regarding Airman Second-Class Hunter S. Thompson's reporting for the base newspaper. [more inside]
posted by the man of twists and turns
on Oct 13, 2012 -
The current issue of the Village Voice profiled
Fat Admirers, or Dudes who like fat chicks. One of the main guys interviewed was Dan Weiss who runs a blog called ask a guy who likes fat chicks
. He has also written a couple of articles for The Hairpin: I Like Fat Chicks, Questions? 1
posted by Uncle
on May 6, 2011 -
The Village Voice released its Comics Issue on April 6. Its editorial "If Cartoons Are So Big, Why Don't They Pay?
" focused on the financial straits many influential and popular cartoonists find themselves in even in the midst of wide-spread popularity and new respect. Although interesting in itself, the editorial created a splash in comics communities
for a different reason. Its decision to not pay the artists whose work was featured in that issue. The Voice had intended to offer only attribution, but no money. It has since recanted
posted by gilrain
on Apr 8, 2011 -
And just think: When your shitty kid marries someone you violently disapprove of 20 years from now, this song -- with its references to blowjobs and songs that were ground into the ground before the kid was a twinkle in your eye -- will serve as the couple's first dance. As you watch your offspring and new in-law twirl around the dance floor, you will reach for a glass of Champagne Loko (President Kid Rock won't try to ban the stuff until he's up for re-election in 2032) and wonder how everything went so, so wrong.
The Village Voice presents the 20 Worst Songs of 2010. [more inside]
posted by Lutoslawski
on Dec 22, 2010 -
Two years ago, Police Officer Adrian Schoolcraft
, an officer in Brooklyn's 81st Precinct, became gravely concerned about how the public was being served. To document his concerns, he began carrying around a digital sound recorder, secretly recording his colleagues and superiors. Initially he carried the recorder to protect himself from the civilian complaints
that can result from street encounters. But then he began to document things happening in the precinct that bothered him. After he ran afoul of precinct politics, he recorded what he viewed as retaliation by his bosses. The Village Voice
is releasing portions of the tapes in batches and is also publishing several stories to deal with the issues that the recordings present. In this week's installment
, the Voice looks at the roll calls at the Bed-Stuy precinct and the conflicting instructions given to street cops, who must look busy at all times, while actually suppressing crime reports.
posted by anotherpanacea
on May 6, 2010 -
Long before Chelsea Piers was a sporting complex and the South Street Seaport a mall, the city was lined with active piers. The city's residents were amply employed by the shipping trade, but containerization needed more land than would ever be available in the city: Massive ports sprouted in Elizabeth and Newark, and ships disappeared from the city. Efficient cranes replaced longshoremen, and the time in port for ships shrank from about a week to about a day.
"The technology changed the geography," says William Fensterer, a chaplain who has been with SIH almost since its new building opened in 1964. "It doesn't look like On the Waterfront anymore," he adds. When he started out, he says, he would wander on foot from pier to pier in Manhattan and Brooklyn and board ships, with nary a guard in site. But those piers have largely vanished.
And along with them, the seafarer, once ubiquitous in New York, has become invisible.
posted by jason's_planet
on Dec 18, 2009 -
Nabokov, Meet 50 Cent: Zadie Smith's Changing My Mind.
"Those who have been paying attention to Zadie Smith since her White Teeth debut likely already know about her affinities for E.M. Forster, Lil Wayne, George Eliot, Kafka, and Fawlty Towers. She's one of probably three working writers capable of smuggling a riff on the perils of "keeping it real" into The New York Review of Books."
posted by geoff.
on Nov 11, 2009 -
In the grand Village Voice tradition of slagging off musicians for being white
, VV scribe Chris Ott writes an irrationally antagonistic critique
frontman Colin Meloy, in an ostensbile concert review. Oh snap! Meloy's girlfriend Carson Ellis sticks up for him
in the comments section!
posted by Bizurke
on Nov 15, 2006 -
Advice for weary, wandering Democrats
Note to Democrats: "Barack Obama put it exquisitely in his victory speech: "Government can help provide us with the basic tools we need to live out the American dream."
Here's a dirty little secret. The Republicans know this. Nothing scares them more than us returning to our simple answers. ..."
posted by Postroad
on Apr 11, 2006 -
Al Sharpton... Republican stooge?
A Village Voice investigation finds that his presidential campaign is being financed and staffed by Roger Stone,
"the longtime Republican dirty-tricks operative who led the mob
that shut down the Miami-Dade County recount in 2000." Article details some interesting financing arrangements and reveals that Stone has bragged that he gave Sharpton the ax handle
he waved at a NAACP meeting to denounce Democratic racism. Sharpton wants to teach the Democrats a lesson (as he did in helping to elect Republican Mike Bloomberg mayor of New York), and Republicans are anxious to help create a division with black voters. But black voters must have seen through him, refusing to give him the South Carolina victory
he needed to speak for them at the convention.
posted by Slagman
on Feb 4, 2004 -
The Future is Now. "It was terribly dangerous to let your thoughts wander when you were in any public place or within range of a telescreen. The smallest thing could give you away. A nervous tic, an unconscious look of anxiety, a habit of muttering to yourself—anything that carried with it the suggestion of abnormality, of having something to hide. In any case, to wear an improper expression on your face… was itself a punishable offense. There was even a word for it in Newspeak: facecrime…"
posted by the fire you left me
on Jul 9, 2003 -
The Self-Healing Minefield
From the current Village Voice: "Utilizing commercial off-the-shelf computer chips and 'healing' software, the networked minefield detects rude attempts to clear it, deduces which parts of itself have been removed, and signals its remaining munitions to close the hole using best-fit mathematics."
Bonus ubertasteless Flash animation courtesy of DARPA here
. Color me fascinated and repulsed in equal measure.
posted by Armitage Shanks
on Nov 27, 2002 -
Post-War Jazz: An Arbitrary Road Map
In this two-part Village Voice piece, Gary Giddins presents a personal road map to post-war jazz, introducing 57 of his most cherished tracks from 1945 to 2001.
Any glaring ommissions? I'd add Witchitai-To
by Jim Pepper
. In addition to being one of the first jazz-rock fusion proponents, Pepper, a Native American, also blended the music of his people into his compositions.
posted by martk
on Jun 11, 2002 -
One Defining Jazz Track Per Year, From 1945 To 2001? An Impossible Task!
Well, not for Gary Giddins
, arguably our greatest contemporary jazz critic. He's just spent five months going through his record collection to come up with a terrific and deliciously debatable list for The Village Voice
. Yeah, how could
he leave out...*insert your particular obsession here
[Here's a 74-page 1996 interview with him(in pdf format) that's practically a mini-history of jazz.
posted by MiguelCardoso
on Jun 11, 2002 -
If you're anything like me, you like to know something about your gay male escort before you spend your hard earned money... Well, now you can!! That is, thanks to a blurb from Michael Musto
in the Village Voice.
Introducing: Male For Male Escort Reviews!
Musto calls it: "The Zagats of pay-for-gay!" I call it..err...disturbing?
posted by adrober
on Feb 13, 2002 -
White Rap Revisited:
Following up on last month's discussion, here's the reader blowback from "N. Bedford Crouch's" article
, featuring confirmation of the put-on and a tip of the pen to Metafilter.
posted by ryanshepard
on Dec 17, 2001 -
Fighting Words on White Rap:
but not what you'd expect, especially from the Village Voice
Our children—are in crisis, trapped in the grip of a culture that glorifies drug use and debauchery, slovenly dress, and lack of respect for authority. A culture whose worship of antisocial behavior and debasement is rivaled only by its amoral concessions to the dictates of mammon.
This can largely be attributed to the unfortunate dominance of black popular culture, and—more specifically—hip-hop. In the past, mainstream culture refined raw black cultural materials, resulting in musical zeniths such as the recent neo-swing movement, which briefly presented a viable outlet for young dancers unwilling to subject themselves to the degrading influence of rap and rave music. This has got to be a put-on . . .
posted by ryanshepard
on Nov 29, 2001 -
Michael Musto's column
this week features snippets from the upcoming Friar's Club roast of Hugh Hefner. Of course, for the Friar's, no topic is too sacred and the WTC topic was broached with aplomb (as opposed to aplane). Sorry, but if you thought that was tasteless, follow the link...
posted by adrober
on Oct 8, 2001 -