Towards the end of the 1800s, there were three primary American groups competing to invent technology to record and play back audio. Alexander Graham Bell worked with with Charles Sumner Tainter and Chichester Bell
in at their Volta Laboratory
in Georgetown, Washington, D.C., while Thomas A. Edison
worked from his Menlo Park facilities
, and Emile Berliner
worked in his independent laboratory
in his home
. To secure the rights to their inventions, the three groups sent samples of their work to the Smithsonian. These recordings became part of the permanent collections, now consisting of 400 of the earliest audio recordings ever made. But knowledge of their contents was limited to old, short descriptions, as the rubber, beeswax, glass, tin foil and brass recording media are fragile
, and playback devices might damage the recordings, if such working devices are even available. That is, until a collaborative project with the Library of Congress and Lawrence Berkeley National Laboratory came together to make 2D and 3D optical scanners
, capable of visually recording the patterns marked on discs and cylinders
, respectively. [more inside]
posted by filthy light thief
on Feb 10, 2012 -
Will Vinyl Survive?
Is vinyl on its last legs
? Or like Gloria Gaynor, will it survive
? Most home listeners chucked out their turntables years ago, but are DJs finally giving in and following suit? DJs face off in a pair of articles discussing the merits of vinyl vs. digital...
posted by bunglin jones
on Aug 24, 2006 -
The end of Vinyl II?
Stanton ships Final Scratch, which enables a DJ to manipulate (mix, scratch, cut...) any music on their PC with their turntables. Besides not needing to carry all the weight and bulk of crates of records around, DJs can now skip the expensive and complicated step of cutting their own records in order to play original tracks. Is vinyl going to die for real this time?
posted by badstone
on Jan 15, 2003 -