"Nobody would believe how difficult it is to be the mother of a Wunderkind. Everything I do is wrong; everything the child does is “for effect”; everything we say is utterly untrue. If Vivien runs up to me and kisses me, I hear it murmured that she is trained to do so. (“Whipped to be affectionate in public!”) So I tell her never to do it again. Immediately people remark how cold I am to the child; how the poor little creature evidently fears me and prefers Fräulein Muller.
We take her with her hoop and skipping-rope to play in the park? It is said we make her pretend to be infantine, force her to act the “happy child” when people are looking on! So we take her toys from her and conduct her for prim walks between us. “Poor little unnatural creature!” say our friends: “she has no child-life at all.”
The Devourer and the Devoured
is a long essay by Emily Hogstad
about the intertwined lives of the novelist Annie Vivanti and her daughter Vivien Chartres, a world-famous violin prodigy, at the beginning of the twentieth century.
posted by escabeche
on Apr 29, 2014 -
Beethoven's Sonata for Violin and Piano No. 9 in A, Op. 47 (audio
) was originally dedicated
to the black violin virtuoso George Bridgetower
after he gave such a brilliant rendering of the piece that prompted Beethoven to jump from his seat and embrace him. Bridgetower was a musical child prodigy and composer who, despite rampant racial prejudice, reached "unusual heights in the music world of his day". Having lived and performed in major European cities such as London, Paris, and Vienna, he would later die forgotten and in poverty.
A personal disagreement with Bridgetower led Beethoven to dedicate the sonata to the famous violinist Rodolphe Kreutzer instead who, incidentally, never played it in public deeming it “outrageously unintelligible”. [more inside]
posted by lucia__is__dada
on Mar 27, 2009 -