The Art of Conducting: Great Conductors of the Past - The Art of Conducting: Legendary Conductors of a Golden Era - The Art Of Piano: Great Pianists Of The 20th Century - The Art of Violin [more inside]
The Violin Thief by Geoff Edgers Philip Johnson was a promising musical prodigy. Then he stole a teacher’s prized Stradivarius. [more inside]
Gaelynn Lea is the winner of NPR Music's 2016 Tiny Desk Contest for her haunting composition, "Someday We'll Linger in the Sun" [more inside]
Norwegian legends and fairy tales are full of references to subterranean or supernatural beings, many of which have the fiddle as a symbolic attribute.... Even today, some people believe that anyone hoping to become a real fiddler must be apprenticed to Fossegrimen.... The Hardanger fiddle is inextricably linked to such legends, and it is the folk tunes which have kept them alive.And Targjei Augundsson is at the crossroads of legends and folk tunes, whose skill with the fiddle is said to have come at the price of his soul from a deal with Fossegrimen, making him something of the Norwegian predecessor to Robert Johnson. [more inside]
I would love to tell you some bizarre story of the violin's travels through the underworld, but the true story is much more mundane, even pathetic.
If you've encountered delicately uplifting chimes and bells or a singing saw, seen the contributions of a string quartet in a Sigur Rós video, heard the last recording by Lee Hazlewood and noticed the gentle singing and music, or listened to Yukihiro Takahashi consider words, then you've possibly encountered the Icelandic band amiina. [more inside]
"Nobody would believe how difficult it is to be the mother of a Wunderkind. Everything I do is wrong; everything the child does is “for effect”; everything we say is utterly untrue. If Vivien runs up to me and kisses me, I hear it murmured that she is trained to do so. (“Whipped to be affectionate in public!”) So I tell her never to do it again. Immediately people remark how cold I am to the child; how the poor little creature evidently fears me and prefers Fräulein Muller. We take her with her hoop and skipping-rope to play in the park? It is said we make her pretend to be infantine, force her to act the “happy child” when people are looking on! So we take her toys from her and conduct her for prim walks between us. “Poor little unnatural creature!” say our friends: “she has no child-life at all.” The Devourer and the Devoured is a long essay by Emily Hogstad about the intertwined lives of the novelist Annie Vivanti and her daughter Vivien Chartres, a world-famous violin prodigy, at the beginning of the twentieth century.
See string svengali Eddie Peabody drive three count 'em THREE ladies crazy with his smooth-as-silk strumming on three count 'em THREE exotic instruments: Strum Fun, for sure! And not only was ol' Eddie a suave lady's man, he was surely one of the best violinists (when it comes to bird calls, anyway) of his day! And what say we drop in and watch the wild and crazy guy strutting his stuff, doing a bit of crooning, banjo picking, toy-violin sawing and who knows what else, with His College Chums. We'll close it out with Eddie and the Beachcombers, as the irrepressible picker and grinner demonstrates some newfangled *electrified* instruments! Thanks, Eddie, and keep on plucking, baby!
Several members of the Philadelphia Orchestra were on a flight from Bejing to Macao that got stuck on the tarmac for three hours. With nothing better to do, the musicians resorted to doing what they do best...
Hilary Hahn performs Jennifer Higdon's remarkable Violin Concerto, for which Higdon won the Pulitzer Prize: 1726, the first movement, is challenging and prickly; Chacconi, the second, is calmer, slow and colorful; Fly Forward, the brief and exciting finale, is worth listening to even if you're not a fan of contemporary classical music. Here, Hahn talks about having Higdon as a teacher at the age of thirteen, and Higdon talks about writing for Hahn's individual style; after the concerto's world premiere, they recorded themselves talking to each other on what looks like a computer cam, which is both fun as heck and a fascinating look at the relationship between composer and performer.
The best classical performance you've never heard: the remarkable violinist Amandine Beyer plays the Diverse Bizzarrie Sopra La Vecchia Sarabanda Ò Pur Ciaccona, by 17th-century composer Nicola Matteis. Here she discusses trying to recreate Matteis's original violin technique, to understand why the Baroque composer, whose work pre-dates Johann Sebastian Bach, wrote his pieces the way he did. Previously, Beyer and her ensemble Gli Incogniti breathed life into one of classical music's most overplayed masterpieces, Antonio Vivaldi's Four Seasons.
The Boston Symphony Orchestra is one of the handful of orchestras for which musicians the world over will drop everything to scramble for a job, and the audition ranks among the world’s toughest job interviews. Mike Tetreault has spent an entire year preparing obsessively for this moment. He's put in 20-hour workdays, practiced endlessly and shut down his personal life. Now the percussionist has 10 minutes to impress a selection committee and stand out among a lineup of other world-class musicians. A single mistake and it's over. A flawless performance and he could join one of the world's most renowned and financially well-endowed orchestras at a salary of more than $100,000 a year. The Audition. [more inside]
If you were watching the Orioles-A's game from Camden Yards tonight, you saw a guy playing the National Anthem on an electric violin made out of a baseball bat. This is how that looks and sounds. This is the guy talking about and showing off his Louisville Slugger violin. And this is the Washington Post profile of Glenn Donnellan, a violinist with the National Symphony Orchestra and the maker and player of the world's only electric baseball bat violin.
Between April 16th, 2006 and April 15th, 2007, Paleo, also known as David Strackany, wrote a song every day for a year and posted them on his website. These include a weekly 'Sunday Prayer,' featuring new lyrics sung to the same tune on the day of relative rest. At the end of the year, he received a letter of congratulations from Vice President Dick Cheney, who was in the midst of a (failed) campaign to convince the American people that he was not a robot alien overlord. Paleo kept up the site, with all the song-diary entries, and still posts occasional lyrics and a weekly Sunday Prayer. Here's a song I particularly like: The World's Tiniest Violin.
Tricks for getting your violin on a plane, by Lara St. John. How about an upright bass? A cello? A guitar? (previously) A trombone? A tuba (and other horns)? What about lutes, a djembe, a hurdy-gurdy, or bagpipes? (Some general tips. More general tips - part 1, part 2.)
So. While hunting for a live performance of a song from the Beatmania IIDX series, a totally sweet primarily-piano piece known for its near-impossibility to play as a video game, much less on real instruments, I stumbled upon this incredible version, performed by the phenomenal TeppeikunViolin and his lovely pianist assistant. Of course, it turns out that beyond just having RIDICULOUS chops on the violin, he's also a nerd in the best sense. Not only has he done a great violin cover of the internet sensation "Bad Apple!!", he's also done a cover of the music from the original Legend of Zelda that must be seen, a cover of Super Mario Bros. that makes subtle reference in the background, as any good Japanese Nintendo fan should, to "Kintamario," and a little something he calls "Tetris being played on a Game Boy with a dying battery" that absolutely must be seen to be believed.
A Song of Ice and Fire [SLYT] Game of Thrones Violin Cover. An acoustic and electric violin cover of the main theme song from Game of Thrones. Arranged and performed by Jason Yang. Original song and soundtrack by Ramin Djawadi.
Violinist plays the music and sound effects of NES games. Donkey Kong. Dragon Quest III. Super Mario Bros 3. [more inside]
Vanessa Mae Nicholson is one of Britain’s most successful young musicians. A classical violinist and former child prodigy who self-describes her crossover style as "violin techno-acoustic fusion," her fans praise her modern creativity and frenetic, lightning-fast riffs. But is her talent learned or genetic? Documentary from BBC1 in 2008: Vanessa Mae - The Making of Me: 1, 2, 3, 4, 5, 6. [more inside]
Fiddle, accordion, and a singing drummer. Seven minutes and fifty seven seconds of Gypsy music from Ukraine, live in Budapest. The real thing. Totally wailing. Kickass. Técső Banda at Kertem.
Violinist Paul Dateh and turntablist Inka One bring it. Violin and turntables, like peanut butter and chocolate. If there are equivalent examples of where music is headed in the 21st century I'd like to see them. For a bit of a background on this, here's an interview with Paul Dateh the violinist. [more inside]
Alexander "Eck" Robertson (1886 - 1975) was one hell of a fine fiddler, friend. He made, in 1922, what many country music historians consider the first commercial recording of country music. And now some kind soul has made ol' Eck a MySpace page where you can get a taste (five tastes, actually) of some of that bodacious bowing. Then head over to Ragtime Annie's place. What? She's Done Gone? She must've run off with the Arkansaw Traveler. Guess you'll have to make do with that Turkey In The Straw. [more inside]
another beautiful guitarist from louisiana Such a wise cat he even could replace t-bone walker in a minute. Well, so he said with his enthralling voice. He was such a beautiful singer. Unique violin player. He disappeared in the aftermath of hurricane katrina. Peace.
David Juritz a leading violinist left his house with a backpack, fiddle and completely empty wallet at the start of a 60,000-mile, twenty-five-country, round-the-world busk. He is raising money for Musequality (read about some of their support efforts, like the M-Lisada Brass Band). His comment about Berlin being a terrible city for busking put me in mind of this post about Joshua Bell. You can donate here if you feel so inclined.
Have you ever stopped to listen? I do, when it's not bad, always. I've missed trains, I've been late. I've given all the money I had on me. I've been reminded of - X -. I wish I had been there; I fucking love that Chaconne. It's like the perfect prayer.
So these guys built a crazy y-shaped guitar that can produce sounds that sound like a regular guitar or a steal drum[wav]. There are more sound examples on that page. Meanwhile Mari Kimura has figured out a way to produce sub harmonics on a regular violin, extending the range down an octave, producing some [intresting[mp3] results. via]
ViolinMP3 [Violins; MP3s]
Her name was Courage & is written Olga "Olga" (.pdf file in main link) is Olga Rudge, violinist, first promoter of the Vivaldi Renaissance, and longtime companion of the poet Ezra Pound. Pound maintained a complicated and delicate balance between the two most significant women in his life, Olga and his wife Dorothy Shakespear (who, among other things, was the daughter of Yeats's mistress). ‘‘Paris is where EP and OR met, and everything in my life happened,’’ Olga (listen to her voice here) said later of the chance encounter with Ezra at 20, rue Jacob, in the salon of Natalie Barney. They were together for fifty years, through the dark-night years of Pound's madness (arrested in 1945 for treason, deemed unable to stand trial and sent to an American mental institution, he once suggested to the UPI bureau chief in Rome that the United States trade Guam for some sound films of Japanese Noh plays, asked Truman many times to make him Ambadassor to Japan or Moscow; Guy Davenport reports dining with him one evening and all Ez said was "gnocchi"), until the poet's death in 1972. She lived on for another quarter century, turning up at conferences of Pound scholars --as far afield as Hailey, Idaho, Pound's birthplace, where she gave a lecture in the local movie theater. "Write about Pound", she told publishers who asked her to write her autobiography. (more inside, with Cantos)
Musical instruments are pretty good examples of form following function. Over time, they evolve into standard shapes. Occaisionally, some people push the instruments in new directions. Other times, they run at right angles to reality