Of course matte art has for a long time played a major part in Hollywood's recreation of the old west, with effects shots ranging from simple top ups of mood enhancing skies right through to entire recreations of frontier settings to often wonderful effect. Todays blog will take a look at some of those marvellous visions - the product of the many often uncredited artists who worked tirelessly in the various studio matte departments.
Mattes Ride The Range: The art of the matte shot in Westerns
posted by timshel
on Dec 18, 2013 -
He invented or popularized
a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.
By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."
Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects
. [more inside]
posted by Paragon
on Feb 3, 2010 -
Maunday, Toosday, Thursday, Saturday...
The special effects of the Godfather. How did they rig Santino's tollbooth demise? How did Moe Greene get shot through the lens of his glasses? Great reading for any movie or special-effects geek.
posted by GriffX
on May 22, 2002 -