"Prehistoric Beast" (1984), a film by Phil Tippett [more inside]
posted by brundlefly on Apr 18, 2011 - 8 comments

He invented or popularized a startling array of the fundamental elements of film: the dissolve, the fade-in and fade-out, slow motion, fast motion, stop motion, double exposures and multiple exposures, miniatures, the in-camera matte, time-lapse photography, color film (albeit hand-painted), artificial film lighting, production sketches and storyboards, and the whole idea of narrative film.

By 1897, in a studio of his own design and construction – the first complete movie studio – his hand forged virtually everything on his screen. Norman McLaren writes, "He was not only his own producer, ideas man, script writer, but he was his own set-builder, scene painter, choreographer, deviser of mechanical contrivances, special effects man, costume designer, model maker, actor, multiple actor, editor and distributor." Also, his own cinematographer, and the inventor of cameras to suit his special conceptions. Not even auteur directors such as Charles Chaplin, Orson Welles, John Cassavetes, and Stanley Kubrick would personally author so many aspects of their films."

Inside: 57 films by Georges Méliès, the Grandfather of Visual Effects. [more inside]
posted by Paragon on Feb 3, 2010 - 31 comments

Sneaky Pete Kleinow, [Wikipedia | Allmusic] passed away Saturday, January 6 at the age of 72. In addition to being an incredible pedal steel guitar player, most notably with the Byrds and the Flying Burrito Brothers, he was also an accomplished visual effects artist who worked on films such as The Empire Strikes Back, Terminator I & II, and Army of Darkness.
posted by keswick on Jan 8, 2007 - 17 comments

Maunday, Toosday, Thursday, Saturday... The special effects of the Godfather. How did they rig Santino's tollbooth demise? How did Moe Greene get shot through the lens of his glasses? Great reading for any movie or special-effects geek.
posted by GriffX on May 22, 2002 - 3 comments