Real-time tracking of emoji use across twitter. Click on each emoji to see who is using it.
"To the credit of today's social networks, they've brought in hundreds of millions of new participants [...] but they haven't shown the web itself the respect and care it deserves, as a medium which has enabled them to succeed. And they've now narrowed the possibilites of the web for an entire generation of users who don't realize how much more innovative and meaningful their experience could be." Anil Dash laments The Web We Lost, and offers some suggestions for moving forward.
"It feels strange to be active and highly visible on the Web for 15 years but it was only when I joined Facebook that someone from elementary school or high school ever contacted me." In which on Ev Williams's platform, Mr Haughey compares his experiences of Facebook and Twitter. [more inside]
The Daily Dot delivers news about social media communities such as Reddit, Facebook and Youtube the way a local newspaper might deliver news about a city.
"Developers ask us if they should build client apps that mimic or reproduce the mainstream Twitter consumer client experience. The answer is no." - Not long after saddling it's own iOS client with some unpopular new "features" Twitter is saying no to the development of new competing clients. Existing clients such as Twitterific and Echofon should be unaffected.
It's sometimes argued that people use the internet as an "echo chamber" to reinforce their own views. Scientific American magazine blog editor Bora Zivkovic argues that the web breaks echo chambers in a way unlike offline communities and traditional media.
"A networked, weak-tie world is good at things like helping Wall Streeters get phones back from teen-age girls."
Small Change: Why The Revolution Will Not Be Tweeted. Earlier this summer, Golnaz Esfandiari examined the "Twitter Devolution" in Iran*. Anne Applebaum commented on the Twitter revolution that wasn't in Moldova last spring. [more inside]
Museums build some pretty cool websites. To help people find them, use them, and give them props, the Museums and the Web conference has held an annual Best of the Web contest since 1997. This year's nominees are here. Just a sample: the MOMA on Bauhaus, the Center for New Media's Bracero History Archive, the Textile Museum of Canada's In Touch:Connecting Cloth, Culture, and Art, Perception Deception from The National Science and Technology Center of Australia, The Letters of Vincent Van Gogh from the Van Gogh Museum, the Smithsonian's Prehistoric Climate Change and Why it Matters Today, and more . If that doesn't wash out the remainder of your Friday, you can always dig into the past nominees.
Embrace the web! It’s the same mantra that we hear day in, day out, from various sources; always those who have a vested interest in convincing us that artists are not doing so. These people seem to be the pundits, or people who want music to be free, and artists to make money in other ways - either by touring or by ‘monetising their experiential awareness’. Are these people the only people in the world who don’t receive a thousand spams a day from bands on Myspace, from people on Facebook suggesting that they become a fan, from dullards on twitter?
Google began inviting volunteers to a public preview test of their new Wave web-based collaborative email and document communications platform yesterday, which enables users to "communicate and work together in real time." Initial reviews this past May seemed positive. (Previously) [more inside]
Circuits are flipping on in the nation's attic. A couple of weeks ago, 31 "digerati" -- like Clay Shirky, Chris Anderson, and George Oates -- dropped in to the Smithsonian Institution for the invitation-only conference "Smithsonian 2.0: A Gathering to Re-imagine the Smithsonian in the Digital Age". Dan Cohen of the Center for History and New Media provides a great summary (and continues to pose provocative questions) on his own blog. Those whose invitations were somehow lost in the mail can play fly-on-the-wall by watching the keynotes, paging through the Flickr pool of envymaking glimpses of their behind-the-scenes lab and collections tours, reading the blog (where Bruce Wyman of the Denver Art Museum lays out a succinct road map for museums using social media), and poking around in the SI's website gallery. Want to cheer on the USA's favorite 163-year-old "Establishment for the increase & diffusion of knowledge" without taking the trip to DC? Thanks to their recent efforts, you can now follow the SI on Twitter, listen to its podcasts, watch its YouTube channel, visit the Latino Virtual Museum in Second Life, or use the FaceBook gifts page to send your best friends their very own pair of Dorothy's ruby slippers, Hope diamond, Negro Leagues baseball, or coelocanth.
Newsfilter: 30,000 customers in the San Francisco area lost power today at about 1:50pm PDT, in a series of power failures which knocked out a major datacenter hub: 365 Main. The hub controls servers for many social media sites, including Technorati, Netflix, Yelp, Craigslist and all Six Apart properties, including TypePad, LiveJournal and Vox. (6A's twitter stream has updates.) More here and here. Amusingly enough, 365 Main tempted fate and released a press release today patting themselves on the back for "two years of 100-percent uptime".