As time has gone by, though, Touch of Evil has acquired a large cult following, and it now regularly appears on lists of the best films of the century. What is not generally known is that the film never accurately reflected Welles's intentions for it. In July 1957, the studio took over the editing of the film and prevented him from participating in its completion. In an odd turn of events, however, a 58-page memo that Welles wrote in 1957 was recently rediscovered, and a small team on which I was film editor and sound mixer has used that remarkable document to bring Touch of Evil
as close as possible to Welles's original concept. - Walter Murch, 1998
posted by Trurl
on Jun 14, 2011 -
37 comments
The long take, an uncut, uninterrupted shot in film, is
seen by some as the counter to CGI, the last great field for cinematic art. The linked page features six clips from 1990 on, plus
the opening shot from Orson Welles' 1958 film,
Touch of Evil. Alfred Hitchcock's film from a decade earlier,
Rope, took the long cut further, with the whole film shot in eight takes of up to 10 minutes each,
a decision shaped by the limit of the physical recording media. With digital media, the long take could be pushed further, as with
Russian Ark, from 2002. The movie was shot in one long take, with the narrative working through the history of Russia,
set within The State Hermitage Museum, and captured in one day on the 4th take. If the long takes are a tad long for you, try the "short" long takes that are
one-shot music videos [videos inside]
[more inside]
posted by filthy light thief
on Dec 28, 2010 -
74 comments
Master of the hoax finally goes straight. Clifford Irving, author of the now infamous
Autobiography of Howard Hughes, publishes his own autobiography,
Phantom Rosebuds. Irving has already covered the story of that Hughes forgery pretty thoroughly in his earlier book,
The Hoax, and
Lasse Hallstrom retold the story in a
film starring Richard Gere.
Phantom Rosebuds though makes a case for the rest of Irving’s life -
f for fake, the subsequent novels, the jail time and the dramatic consequences of the hoax which draw him into a world of espionage, renegade presidents, and rogue hitmen.
posted by blimp77
on Jul 11, 2008 -
5 comments
Orson Whales, book/video/audio mash of the novel Moby Dick, Orson Welles from an Italian movie, Led Zeppelin and original artwork by Alex Itn. See also
Ulysees.
posted by stbalbach
on May 4, 2007 -
27 comments
The Other Side of the Wind is the
lost last film of Orson Welles, a reputed
unseen masterpiece, that may
finally see the light of day in late 2008. The film tells the story of Jake Hannaford (played by
John Huston), an aging movie director who has to film a low budget sex-and-symbolism flick to avoid getting overtaken by the
Movie Brats of the Spielberg/Coppola generation. After providing voiceovers to two documentaries on the
Persepolis ceremonies of 1971 and an intimate portrait of
the Shah of Iran, Welles obtained
Iranian financing to finish The Other Side of the Wind. Unfortunately, after
the Islamic Revolution of 1979, the bank accounts of his Iranian financier were seized, which led to the negatives for the film getting locked in a French vault. After Orson Welles died in 1985, his lover/collaborator
Oja Kodar had to settle his estate with Orson's estranged (but never divorced) wife
Paola Mori. There the matter might have rested, if not for an unfortunate coincidence. (More inside.)
posted by jonp72
on Apr 15, 2007 -
50 comments
This evening, I entertained myself with these clips from YouTube and Google Video.
Come inside if you like Bette Davis, Charles Laughton, Kubrick, Frankenstein, Shakespeare, and company...
posted by grumblebee
on May 21, 2006 -
46 comments
Magnificent Wellesian Flop to Be Remade as Mini-Series Ok, have I got something for you. Well, I think so. Actually, the title could have read : "Teenagers ruin Orson Welles' carrier", or there are a couple of other ideas, not going to bore you with them.
A&E to remake The Magnificent Ambersons at $14 mil, it will star Madeleine Stowe, Jennifer Tilly, James Cromwell, Jonathan Rhys-Myers and Thora Birch (Talk about a bad cast. Tilly? Each!)
"For those who don't
know, Welles' second film was cut by over 40 minutes (mostly at the end)
by order of his studio while he was away making (or trying to make)
"It's All True" in Brazil. The loss of these 40 minutes is generally
considered one of the great tragedies in film history, as much for the
effect on Welles' subsequent career as for the masterpiece that might
have been. (Not that it isn't a masterpiece of sorts, as it is.)"
Problems with this? Chances are that the original Welles script will be buried under too much new content. Then again, We could see the 40 minutes worth of cut content (Damn Teenagers). A&E claims that they have the technology and the resources to make the script better, stronger, and more agile with better reflexes than befoure. Heh. I'm goofy that way.
posted by tiaka
on Jul 31, 2000 -
3 comments
