"The basic foundation of this camera was built on the American spirit. This country is amazing, the people in it are amazing, and I believe in one way or another we are all connected. This project was created to tell our story." Ian Ruhter decided to take his life savings to go back to wet plate collodion photography, using his van as a camera and making giant images on metal that cost him roughly $500 an exposure. [more inside]
"The Soldier Portraits Project...consists of portrait photographs of soldiers of the United States Army, primarily of the 3rd Infantry Division...[t]he photographs are made using the 150 year old collodion wet plate process - the same process that was used to document much of the period (and many of the soldiers) of the Civil War." [more inside]
Tintype Rebel. Time stands still for John Coffer. The wet plate and tintype photographer makes his home at Camp Tintype, a farm preserved from the 1860s. With no running water or electricity, Coffer travels the roads with his horse "Brownie" and an ox-drawn wagon to take his photographs. Coffer adopted the lifestyle of a Civil War-era itinerant photographer more than 20 years ago and was among the first to revive the wet plate process. He's created tintype stereoviews (that achieve a 3-D effect when viewed through a stereoviewer), the “world’s first” tintype movie [.mov], and a series of large format, 20” x 24” tintypes which may be the largest ever made. Lincoln would be proud.