"Five years ago I wrote something that became kind of popular.... It was bizarre to see my name in pink fonts, being sold as a commodity when the entirety of my work has been against the commodification of feminist ideas and the misuse, appropriation and subsequent lack of credit of feminism of color." (SL Medium, by Flavia Dzodan)
Rufi Thorpe writes about being an artist and a mother in Vela.
Burlesque as an expression of body positivity [SLYT, TedX Talk]
"More than 38 million American women have experienced intimate partner violence in their lifetimes. Many of these women develop coping mechanisms to placate their abusers and protect themselves." How about we stop policing women's language?
[Mora] Weigel had a revelation: she was always turning to a man to tell her what she was after, and the institution of dating was to blame. It trained women “in how to be if we wanted to be wanted.” Hence “Labor of Love,” an exploration of that training, in which Weigel reaches two main conclusions. The first is that though dating is passed off as a leisure activity, it really is a lot of work, particularly for women. It requires physical effort—all that primping, exercising, shopping, and grooming—as well as sizable investments of time, money, and emotion. In our consumer society, love is perpetually for sale; dating is what it takes to close the deal.
Elisabeth Moss will star in a 10-episode Hulu adaptation of Margaret Atwood’s The Handmaid’s Tale. Atwood is a consulting producer; The 100's Bruce Miller wrote the script and is an executive producer along with Daniel Wilson (The Handmaid's Tale feature film), Fran Sears (The Sophisticated Gents) and Warren Littlefield (Fargo). [more inside]
What it means to be a ‘free hair’ in a predominantly Muslim society This is an edited version of a conference and seminar paper presented at the National University of Singapore in March 2016 and Australian National University in April 2016
How Lifetime Became One Of The Best Places In Hollywood For Women. Since Lifetime’s acquisition by A&E Networks in 2009, the channel has mounted a successful effort to legitimize itself — 12 Emmy nominations in 2013, and 17 in 2014. This new legitimacy has hinged on two strategies: Lifetime’s prioritizing the hiring of women to write and direct their stories, and its witty, postmodern self-awareness of its own tropes. [more inside]
When the sport you love doesn't love you back.
If Gibbons’ “dresses” comment was just one isolated incident, it wouldn’t deserve a second thought, but that’s not the situation we face. We are not talking about one off-color remark or even a handful of off-color remarks. We are talking about a sport-wide culture which permits casual sexism and reinforces over and over and over again to its female fans that their involvement in the sport is not as valid as that of their male counterparts.
"The mix of things presumed to transmit and increase female power is without limit yet still depressingly limiting."
How 'Empowerment' Became Something for Women to Buy, by Jia Tolentino for NYT Magazine [more inside]
How 'Empowerment' Became Something for Women to Buy, by Jia Tolentino for NYT Magazine [more inside]
Science is desperate. It needs to believe itself honorable. It's threatened by the fact that it's not safe for so many of us. Period. It's just not safe.- A. Hope Jahren, in an interview about women in science and advancement in plant biology.
Tabletop Gaming has a White Male Terrorism Problem (TW: nasty stuff)
Feminist economics deserves recognition - "In 2014 only 12% of American economics professors were female, and only one woman (Elinor Ostrom) has won the Nobel prize for economics.[1,2,3] But in terms of focus, economists have embraced some feminist causes. Papers abound on the 'pay gap' (American women earned 21% less than men for full-time work in 2014), and the extra growth that could be unlocked if only women worked and earned more. A recent paper, for instance, claimed that eliminating gender discrimination in Saudi Arabia could bring its GDP per person almost level with America's. (Feminists, of course, consider gender equality a worthy goal irrespective of its impact on GDP.) That raises a question. Does 'Feminist economics', which has its own journal, really bring anything distinctive?" [more inside]
Female friendship was not a consolation prize, some romance also-ran. Women who find affinity with one another are not settling. In fact, they may be doing the opposite, finding something vital that is lacking in their romantic entanglements, and thus setting their standards healthily higher. (SLNYT)
You see them everywhere—exhausted young women pouring all their spare energy into organising, encouraging and taking care of young men who resent them for doing it but resent them even harder when they don’t. You see them cringing for every crumb of affection before someone cracks and it all goes wrong and the grim cycle starts again. You can fritter away the whole of your youth that way. I know women who have. - Laurie Penny, Maybe you should just be single [SL NewStatesman]
It's Payback Time for Women - "Society is getting a free ride on our unrewarded contributions to the perpetuation of the human race." (via) [more inside]
“To the world, I am an attorney who had an abortion, and, to myself, I am an attorney because I had an abortion." The Center for Reproductive Rights and law firm Paul Weiss submitted an amicus brief [pdf] to the U.S. Supreme Court signed by 113 attorneys, detailing the importance of abortion rights in their own lives. [more inside]
At Philosop-her, Meena Krishnamurthy invites women in philosophy to introduce themselves and their work. For example, Elizabeth Barnes, "Confessions of a Bitter Cripple": "I have sat in philosophy seminars where it was asserted that I should be left to die on a desert island ... I have been told that, while it isn't bad for me to exist, it would've been better if my mother could've had a non-disabled child instead ... And these things weren't said as the conclusions of careful, extended argument ... They were the kind of thing you skip over without pause because it's the uncontroversial part of your talk." [more inside]
Throughout our lives, women hear insidious, often-conflicting messages about what it means to be a woman, about how we should act, talk and look. [more inside]
"That night, Soloway sat in the bathtub, while her husband, Bruce Gilbert, a music supervisor for film and television, brushed his teeth. She remembers telling him, “ ‘I don’t want to use the money to pay off our debt. I want to be a director, and I want to make a film with it and get into Sundance. I want to double down on me.’ And Bruce was, like, ‘O.K.’ ” Then, just as Soloway was making the leap to directing her own material, her father called one afternoon and came out as transgender." (SL New Yorker)
Being A Girl: A Brief Personal History of Violence [The Belle Jar]
“The distance between the station and the train was accurately measured ... I was not nervous as it approached and I leaped without hesitation,” she recalled. She landed safely, but the rocking motion of the train rolled her straight toward the end of the car. Just before being pitched off, “I caught hold of an air vent and hung on.” Then, with a sense of the dramatic, silent film actress Helen Gibson let her body “dangle over the edge to increase the effect on the screen.” [more inside]
The Internet is blowing up over this 70's "radical lesbian separatist" shirt. i-D has the story. [more inside]
Caitlin Stasey talks about beauty and sexism in the entertainment industry. (SLYT) (NSFW swearing) [more inside]
When Fiona Ingleby took to Twitter last April to vent about a journal’s peer-review process, she didn’t expect much of a response. With only around 100 followers on the social-media network, Ingleby — an evolutionary geneticist at the University of Sussex near Brighton, UK — guessed that she might receive a few messages of support or commiseration from close colleagues. What she got was an overwhelming wave of reaction. Social media has enabled an increasingly public discussion about the persistent problem of sexism in science.
Why men don't like funny women:
When they would ask men and women what they looked for in their long-term partners, both genders would say they wanted someone “with a good sense of humor.” It was only when researchers pressed their subjects on what they meant, specifically, by “sense of humor,” that the sex difference became clear. Women want men who will tell jokes; men want women who will laugh at theirs.
"Young women could now do more than read about feminist issues and discuss them in class; they could find communities of women on Twitter or Tumblr whose experiences they could relate to—or who could open up new vistas for them on what other women’s lives are like. They could participate in the creation of a new feminism—one that would be a far cry from Friedan’s. By 2011, the writer Flavia Dzodan was famously declaring on her blog: “My feminism will be intersectional or it will be bullshit.” Her words became a rallying cry."
Vankadarath Saritha, Delhi's first female bus driver - "Women have been to space so why can't we drive a bus?"
I had trouble saying more than a few words at a time, my voice croaking and words slurred or over-pronounced. I stuttered and gasped. I started leaving out words that weren’t essential, breaking my sentences down into telegrams, paid by the word or even the letter. Big words were a thing of the past. Or, as I would have said it then: Big. Words. Gone.
The time expert looked through the messy time diaries I'd been keeping (one mysteriously went through the dryer) and found 27 hours of what he called leisure, and I called bits and scraps of garbagey time. Five minutes here. Ten minutes there. Listening to the radio, exhausted, trying to get out of bed. Getting some exercise. Waiting by the side of the road for a tow truck. (Yes, he said that counted as leisure.) The image that came to mind was this: time confetti.
"Whether it is the covering of breasts in Southern India or the wearing of burqas in Afghanistan, women's comportment and clothing have offered an emotionally powerful shorthand for all that is wrong with native culture and all that must be corrected by the empire." Rafia Zakaria for Aeon: Clothes and daggers. [more inside]
Not all comments are created equal: the case for ending online comments - Jessica Valenti for The Guardian. Previously: All of the commenting, none of the comments., What We Comment About When We Comment About Commenting
The Tropes vs Women in Video Games project aims to examine the plot devices and patterns most often associated with female characters in gaming from a systemic, big picture perspective. - Tropes vs Women: Women as Reward. Tropes versus Women creator Anita Sarkeesian on the backlash to the series (Warning: GamerGate), Previously, previously.
‘I’m No Longer Afraid’: 35 Women Tell Their Stories About Being Assaulted by Bill Cosby, and the Culture That Wouldn’t Listen (trigger warning: sexual assault) SL longform New York Magazine. [archive.org saved version here]
Marlene Sanders’ Feminist Legacy [Slate obit] - "She wrote of her accomplishments: 'As I look back on my career, the women's movement provided an exceptional point when time, place and position all came together to give me the power and focus to contribute to the country’s awareness of the status of women.'" [more inside]
Housework is not work. Sex work is not work. Emotional work is not work. Why? Because they don’t take effort? No, because women are supposed to provide them uncompensated, out of the goodness of our hearts.
Em Ford is a filmmaker, beauty blogger, and former model. When Ford, who suffers from acne, began posting pictures of herself without makeup on social media, she received over 100,000 comments. In response, she created the short film, You Look Disgusting [SLYT] "to show how social media can set unrealistic expectations on both women and men." [more inside]
"[I]t is her flipping of masculinist scripts—the reclaiming of chauvinistic language, the cartoonish and flippant treatment of violence, her insistence on getting paid for her labor, and her reenactment of machismo through her hyper-feminine fashionista presentation (replete with an all-girl posse)—that makes the BBHMM video [NSFW] much more layered than a simple woman-hating narrative, as some have labeled it." [more inside]
Magic: the Gathering is a fantastic strategy trading card game, currently in it's 22nd year and more popular than ever. But as it becomes more mainstream, an ugly issue is coming to light: there just aren't many women players. The official company line is that 38% of players are female, although that number is not represented in high level play. Gaby Spartz's article 6 Things You Can do to Get More Women Into Magic puts the percentage of women in tournament play closer to 1-2% of the field. Spartz's article, as well as her followup 7 Counterpoints to My Women in Magic Article, has sparked a debate that has raged over the past few months. [more inside]
Here's what happens when a man eats nothing but food made for women. When I began my exploration of gendered food items, I was hoping for a dramatic payoff.... Instead, I got a pile of cardboard packaging and confirmation of my thesis: marketing something as “for women” -- the pinks and purples, the low-calorie labels, the suggestions that life is just sooooo crazy and women need to take a break with a thumbnail-sized brownie -- is the dumbest gimmick in food marketing.
"So last week, when country radio promoter Keith Hill controversially suggested that stations should stop playing songs by female artists, it’s easy to label his actions another example of misogynistic, conservative politics.The Conversation's Clifford Murphy, on why [country radio promoter] Keith Hill’s comments about women in country music cut far deeper than misogyny [more inside]
However, Hill’s comments are actually indicative of something much bigger and far more troubling: the consolidation of an entire genre of music, and the type of environment this can create. In the case of country, it’s allowed for the repurposing of the genre’s history, and the exclusion of certain individuals."
Feminae: Medieval Women and Gender Index covers journal articles, book reviews, and essays in books about women, sexuality, and gender during the Middle Ages. [some pages may contain medieval nudity] [more inside]
"The record store, the guitar shop, and now social media: when it comes to popular music, these places become stages for the display of male prowess. Female expertise, when it appears, is repeatedly dismissed as fraudulent. Every woman who has ever ventured an opinion on popular music could give you some variation (or a hundred) on my school corridor run-in, and becoming a recognized 'expert' (a musician, a critic) will not save you from accusations of fakery." The World Needs Female Rock Critics, by Anwen Crawford for the New Yorker. Discussed in the piece is Jessica Hopper's new collection of essays, The First Collection of Criticism by a Living Female Rock Critic, which has been greeted with glowing praise. Here's an interview she did with Hazlitt: 'Am I Womansplaining To You?' And here she speaks to Meredith Graves of Perfect Pussy: "Being a fangirl is all the qualification you need. And don't wait for anyone to give you permission. They won't. And you should do it anyways." [more inside]