Yesterday, the organizers of the Michigan Womyn's Music Festival announced that this summer's festival will be their last. [more inside]
There's somehow a notion out there that women don't make their own electronic music. In a recent interview with Bjork in Pitchfork, she brought up an instance of sexism she's dealt with for decades: journalists hardly ever credit her with composing and producing her own music. Since she's not being photographed in the studio working at her computer, the men she collaborates with end up getting all the credit. She cites MIA and Missy Elliott as other examples of this phenomenon. The tumblr female:pressure attempts to counteract this. "Here we offer a visual catalogue of female producers, DJ’s, media artists and electronic music Performers at work. These are not our press photos. This is a collective effort to demonstrate women and their use of technology in music and media production." It's also just a fantastic collection of electronic musicians, many of whom have been overlooked. Further discussion from Create Digital Music.
Nicki Minaj (autoplaying video) is a singer, rapper, songwriter and actress who is known for her outlandish outfits, makeup, and wigs, and gutsy, lyrically skilled rapping. She creates personas or "masks" in her music and videos to communicate her message. Recently, she released an album cover online to promote her new release, Anaconda, and to create buzz. Boy did it. (All links NSFW.) [more inside]
Without You I'm Nothing: The Believer looks at the memoirs of the wives and girlfriends of rock stars.
A Think-piece About Female Pioneerism in Electronic Music, Post-post Feminism and Some Sassy Statements On Sexism ’Woman’ is not a genre. Stop acting like we’re a passing fad. Delia Derbyshire (previously), Daphne Oram (previously), Wendy Carlos, Doris Norton, Suzanne Ciani, Cynthia Webster… even Goldfrapp and Add N To (X)’s Ann Shenton. These women weren’t on the periphery of electronic music…they pioneered it”, says Mollie Wells of dark pop band Funerals in an Electronic Beats feature on women in electronic music. And she is right. Females have, since the post-war inception of electronically produced music, played a crucial role in its development and presentation. [more inside]
"But something happened. Once industrial music had fully transitioned from avant-garde venues into nightclubs, the stench of Axe body spray began to dominate the subculture as a certain douchey, bro-tastic vibe emerged. Where the goth/industrial scene had once existed as a safe haven for artists, weirdos, outcasts, geeks, dreamers and rebels, a disturbing trend of sexism, racism and anti-intellectualism is driving people out."
Women of Punk 30 shows containing almost 400 video clips exploring the role women have played in Punk music from the 70's to today, with rare interviews and concerts, videos, documentaries and feature films.
"I don't want to have to compromise my morals in order to make a living" - Claire Boucher, a.k.a. Grimes, has apparently canceled her 2013 tour via Tumblr. (previously)
Kathryn Bigelow's striking bin Laden manhunt thriller Zero Dark Thirty arrives in wide release tonight on the heels of a final artful trailer -- one with oddly familiar musical accompaniment. The funereal hymn, a cover of Metallica's "Nothing Else Matters" (lyrics), deftly recasts the 90s power ballad as a haunting dirge of quiet grief, shattered ideals, and a singleminded focus on revenge, a perfect distillation of the film's profoundly grim thesis. But while the song may be fitting, it wasn't composed for the project -- it's just the latest success story from Belgian women's choir Scala & Kolacny Brothers, whose mournful reinterpretations of classic and modern rock -- catapulted by their rendition of "Creep" in The Social Network -- have made them famous around the world, with star turns in the likes of Homeland ("Every Breath You Take") and Downton Abbey ("With or Without You"). Cover comparison site WhoSampled offers a list of YouTube comparisons between the covers and the originals; look inside for more of their work in movies and television. [more inside]
Democracy Distilled: A History of America's Voting Rights. Remember to vote this November. Women in America, let's rise up. [more inside]
"Daphne Oram was the first woman to direct an electronic music studio, the first woman to set up a personal studio and the first woman to design and construct an electronic musical instrument." [previously: 1, 2, 3] [more inside]
Geoff Barrow of Portishead calls "Top Post-Punk Artists as Determined by RYM Ratings" an "amazing musical journey." But that's far from the most interesting list Rate Your Music user Goregirl has created. [more inside]
Popular punk band Screeching Weasel has dis-banded after front man Ben Weasel punched two women at SXSW last week. Weasel offered an apology (kind of). Last night, the other four members of the band resigned. [more inside]
Pink releases music video for the song Fuckin' Perfect: Explicit Version (Youtube, possibly NSFW) / Radio Edit: Youtube / MTVMusic. Background: Pink's Website / Wikipedia. Note: Both versions of the video depict anorexia, cutting and suicide.
Female-Fronted Punk Rock 1977-1989. A huge, 12 (!) disc, mix of punk rock sung by women.
Elvis rode to fame on one of her covers and Janis got rich on her signature song, but you haven't truly heard Hound Dog or Ball & Chain until you've experienced Big Mama Thornton belting them out. A seminal blues figure who could play the harp with the best of them, she was true original. In her heyday, Willie Mae was a 6-foot tall, 350-pound, gun-toting crossdresser who led a rough and colorful life and took no guff whatsoever. Emaciated but still powerful, she gives a final raw and expressive performance of Ball & Chain and Hound Dog shortly before her death in 1984. [more inside]
Sounds of America is a new monthly streaming audio program, a collaboration between the National Museum of American History and Smithsonian Global Sound. Up now are 3 episodes: African-American music in New Orleans, Women in American Music, and Freedom Songs of the U.S. Civil Rights Movement.
HERSTORY is a YouTube playlist that details the history of women in Rock and Soul music over the course of 50 songs from 1958 to 1981.
The Rhythm & Blues Review is a one+ hour Google video clip of a 1955 Apollo show featuring Lionel Hampton, Sarah Vaughn, Count Basie, Nat King Cole, Cab Calloway -- and at 1.05, Miss Rhythm herself, blues diva Ruth Brown singing her signature song, Teardrops From My Eyes. Ruth Brown sadly passed away on Friday. [More on Ruth Brown]
Hormone rock "Rock with the cock taken out and it's what a lot of women want to listen to right now"
In 1975, over 4 million people attended the funeral of Um Khaltoum who was the dignified voice of female Arabic music. Flash forward thirty years, and the times, they are a-changin'. Unsurprisingly, some consider Nancy an unsuitable role model. Meanwhile, Arab youth are being asked the crucial question, Coke or Pepsi? (Comments more serious than mine appreciated)
Women I grew up worshipping: Penelope Houston, Poly Styrene, Exene, Tina Weymouth. (God knows I'm forgetting a few.) The distaff side of punk and, uh, new wave, at their most lyrical, outraged, and articulate.
Women Rockin' 4 Women 2002 Festival. THIS IS BIG. Over twenty talented women. Eight female fronted bands. Nine solo female artists. Third annual event. Two sound stages. One venue. One night. Benefitting shelters for victims of domestic violence. More estrogen in one place than you can shake a stick at. You're not busy on September 28th, are ya? Granted, it might be a bit of a commute for some, but... Heaven's gonna touch Earth.
Women Rockin' 4 Women 2001 Festival - If you don't live in Dallas Texas USA, you have two days to get here. If you do live in the Lone Star state, you don't want to miss this. Five Clubs. Over 25 beautiful, talented, guitar-carrying women. One night. Proceeds for this benefit go towards helping the victims of domestic violence. We have great music every weekend in Deep Ellum, but this event's gonna be heaven.