"What else could one do to culminate a career than to become a very great international star as the voice of a Muppet?"
You probably didn't know the name or face of New Zealand actor Jonathan Hardy, but you may recognise his voice: he was Dominar Rygel XVI in TV's Farscape. But did you know he was also an Academy Award-nominated scriptwriter? He died at his home in the NSW Southern Highlands on Sunday. [more inside]
Louis C.K. on eating pressure and providing an alternative to The Man - "I ask him to think about what he really needs; when he tells me, I give him a little more. It buys me goodwill with this person; I feel good about what I'm paying them. I like to give people a little more than they want, and I like to ask people for a little less than they're willing to give." [more inside]
On Story is a new series which takes a look at the creative process of filmmaking through the eyes of some of the entertainment industry's most prolific writers, directors and producers. Each episode will also showcase short films from the region's most promising filmmakers.
Arthur Laurents (wiki), writer of the libretti for West Side Story and Gypsy, among many other things, has died at the age of 93. [more inside]
The American Theatre Wing hosts MP3 interviews with actors, directors, playwrights and other artists. e.g. Stephen Sondheim and Anna Deavere Smith and F. Murray Abraham and Eric Bogosian and John Patrick Shanley and Edward Albee and Venessa Redgrave and Alan Ayckbourn and...
The Room: The Movie. Triple-threat (actor/writer/director) Tommy Wiseau made his cinematic debut in 2003 with the The Room (see trailer and various scenes), "a blend between a softcore porn flick and a Tennessee Williams stageplay." Wiseau ("who's not just one of the most unusual looking and sounding-with an unidentifiable Eastern European accent-leading men ever to grace the screen, but a narcissist nonpareil whose movie makes Vincent Gallo's "The Brown Bunny" seem the apotheosis of cinematic self-restraint...may be something of a first: A movie that prompts most of its viewers to ask for their money back-before even 30 minutes have passed." - Variety), allegedly raised $6 million outside Hollywood to cover production and marketing costs of the self-described "black comedy about love, passion, betrayal and lies" (see various rough dress rehersals). Audience members, including comedian David Cross, have been "marveling at the bizarre editing, bad bluescreen, uncomfortably explicit sex scenes and, of course, the enigma of Wiseau himself" as the film played monthly for years in Los Angeles. Available on DVD, diehard "roomies" swear by the theatrical experience, shout out their own commentary, hurl spoons at the screen and singalong to the soundtrack. Some call it "The Rocky Horror of the New Millenium" and stage "Room" parties. If you look at the marketing campaign or survived a screening you might see The Room as "a seminar on how NOT to make a movie." [Inspired by Boing Boing]