Let’s say you’re a writer, working a novel set in Minneapolis. Your protagonist arrives home after a long day of doing whatever it is your protagonist does all day. To this point, you’ve been very specific with local landmarks and a general feeling of the city — your protagonist rides the 21A, eats breakfast at the Grand Cafe, and meets his or her attorney in an office on the 12th floor of the Rand Tower. All good so far. You’ve set the scene very effectively. People are going to say, “This is a great Minneapolis novel" after they read it. However, the time has now come for you to insert a specific street address into the text. You like specifics, and you need a real-sounding mailing address for, say, a situation where the protagonist receives a mysterious letter. How will you accomplish this? Here you have a problem. You only have two options, neither one very good. [more inside]
posted by cthuljew
on Jul 31, 2013 -
... [Thomas] Ligotti's stories tend to have a profound emotional impact. His vision is exceedingly dark, and it is possible for his stories to infect the reader with a mild-to-severe case of depression. It is even possible for them to effect a change in the reader's self-perception and view of the universe. This warning is not meant to be sensationalistic, nor is it meant to turn new readers away. It is simply a statement of fact based upon the experiences of actual readers. Ligotti writes about the darkest of themes with an amazing power, and he means what he says. Often his stories seem to communicate a message below their surface, a sort of subliminal statement that should not rightly be able to traverse the barrier of verbal language. - Matt Cardin (previously) [more inside]
posted by Egg Shen
on Nov 15, 2012 -
James Salter's A Sport and a Pastimeis one of those very rare novels that seems not so much to have been written as discovered. At its heart is a love story, an encounter, that transforms its relatively ordinary protagonists into beings around whom the entire cosmos shapes itself. The love story is delicate and ephemeral, put together out of bits and pieces, like a bird's nest. The vulnerable lovers tremble, in the most mundane circumstances, on the edge of catastrophe. Simply the way one of them moves across the room to meet the other seems miraculous and hazardous. Were they to become aware of themselves everything would be lost. But there is no danger of that. Oblivious, they tiptoe on a precipice. They do not and cannot know that their innocence cloaks them in a kind of divinity and infallibility. Actions and attitudes we expect to bring them down don't. They do things that seem so perfect, so poignant, without knowing they are doing anything at all. They arc beautifully across our path, and then vanish. - Michael Doliner (previously) [more inside]
posted by Egg Shen
on Jul 31, 2012 -
Reading Blaise Cendrars is like stepping into another universe. His fiction is unlike anything else I've ever read. His poetry influenced the mighty Guillaume Apollinaire and helped shape the face of modernism. But it is his mockery of biographical detail and the very notion of literature that fascinates me the most. If, like me, you're not a fan of autobiography, then Blaise Cendrars is the memoirist for you.
posted by Trurl
on Nov 30, 2011 -
"That's it. I'm done. Done writing books." After Stephen King publishes his next five new books, he's ending his career in publishing. Viewing his latest work as mere recycles of older novels that he has written, he's choosing to stop while he's at the top of his game rather than meet a grim end to his career. Are any fans of his work disappointed or do you feel satisfied with the body of work that he has created over his career?
posted by crog
on Jan 30, 2002 -