Back to the Future by Tony Tulathimutte [The New Republic] For 45 years, Don DeLillo has been our high priest of the American apocalypse, having tackled just about every man-made disaster: nukes in End Zone, nukes and garbage in Underworld, toxic pollution in White Noise, financial busts in Cosmopolis, terrorism in Falling Man, terrorism and the death of the novel in Mao II, war in Point Omega. His latest novel, Zero K, clears out every end-times scenario left in the bag: climate change, droughts, pandemics, volcanoes, biological warfare, even meteor strikes and solar flares. But these only menace in the background as future probabilities, and the novel’s focus is not human extinction but its inverse: immortality through cryonics. [more inside]
Terry Southern, The Art of Screenwriting No. 3 Interviewed by Maggie Paley [The Paris Review] [more inside]
Henning Mankell, Dean of Scandinavian Noir Writers, Dies at 67 [The New York Times]
Henning Mankell, the Swedish novelist and playwright best known for police procedurals that were translated into a score of languages and sold by the millions throughout the world, died Monday morning in Goteborg, Sweden. He was 67. Mr. Mankell was considered the dean of the so-called Scandinavian noir writers who gained global prominence for novels that blended edge-of-your-seat suspense with flawed, compelling protagonists and strong social themes. The genre includes Arnaldur Indridason of Iceland, Jo Nesbo of Norway and Stieg Larsson of Sweden, among others.[more inside]
"Much has been said about the storytelling techniques of 'Serial,' which comes out in weekly installments even as the show’s host, Sarah Koenig, reinvestigates the conviction of a Baltimore-area teenager for the murder of his ex-girlfriend. The serialized approach teases its audience with cliffhangers, prompts its listeners to construct their own theories and invites outsiders to glimpse the tricky winnowing process of reporting. But 'Serial' also testifies to how much the criminal justice system itself is founded on storytelling." (Laura Miller, Salon: The new "In Cold Blood" revisionism: Why it doesn't matter if Capote’s classic wasn't fully true) [more inside]
I had a stroke at 33—On New Year’s Eve 2007, a clot blocked one half of my brain from the other. My reality would never be the same again. [more inside]
The Teen Whisperer by Margaret Talbot [New Yorker] How the author [John Green] of “The Fault in Our Stars” built an ardent army of fans.
Let’s say you’re a writer, working a novel set in Minneapolis. Your protagonist arrives home after a long day of doing whatever it is your protagonist does all day. To this point, you’ve been very specific with local landmarks and a general feeling of the city — your protagonist rides the 21A, eats breakfast at the Grand Cafe, and meets his or her attorney in an office on the 12th floor of the Rand Tower. All good so far. You’ve set the scene very effectively. People are going to say, “This is a great Minneapolis novel" after they read it. However, the time has now come for you to insert a specific street address into the text. You like specifics, and you need a real-sounding mailing address for, say, a situation where the protagonist receives a mysterious letter. How will you accomplish this? Here you have a problem. You only have two options, neither one very good. [more inside]
Alice Munro Puts Down Her Pen to Let the World In: Accepting a literary prize in Toronto last month, Alice Munro, the acclaimed short-story writer — “our Chekhov,” as Cynthia Ozick has called her — winner of the Man Booker International Prize and just about every important North American literary award for which she is eligible, told a newspaper interviewer, “I’m probably not going to write anymore.”
... [Thomas] Ligotti's stories tend to have a profound emotional impact. His vision is exceedingly dark, and it is possible for his stories to infect the reader with a mild-to-severe case of depression. It is even possible for them to effect a change in the reader's self-perception and view of the universe. This warning is not meant to be sensationalistic, nor is it meant to turn new readers away. It is simply a statement of fact based upon the experiences of actual readers. Ligotti writes about the darkest of themes with an amazing power, and he means what he says. Often his stories seem to communicate a message below their surface, a sort of subliminal statement that should not rightly be able to traverse the barrier of verbal language. - Matt Cardin (previously) [more inside]
James Salter's A Sport and a Pastime is one of those very rare novels that seems not so much to have been written as discovered. At its heart is a love story, an encounter, that transforms its relatively ordinary protagonists into beings around whom the entire cosmos shapes itself. The love story is delicate and ephemeral, put together out of bits and pieces, like a bird's nest. The vulnerable lovers tremble, in the most mundane circumstances, on the edge of catastrophe. Simply the way one of them moves across the room to meet the other seems miraculous and hazardous. Were they to become aware of themselves everything would be lost. But there is no danger of that. Oblivious, they tiptoe on a precipice. They do not and cannot know that their innocence cloaks them in a kind of divinity and infallibility. Actions and attitudes we expect to bring them down don't. They do things that seem so perfect, so poignant, without knowing they are doing anything at all. They arc beautifully across our path, and then vanish. - Michael Doliner (previously) [more inside]
Reading Blaise Cendrars is like stepping into another universe. His fiction is unlike anything else I've ever read. His poetry influenced the mighty Guillaume Apollinaire and helped shape the face of modernism. But it is his mockery of biographical detail and the very notion of literature that fascinates me the most. If, like me, you're not a fan of autobiography, then Blaise Cendrars is the memoirist for you.
How do you write crime fiction in the wake of a massacre? The mass slaughter on Utøya in July shook Norway to its core. Now the country's crime writers must come to terms with what happened…
Tight Little Stitches in a Dead Man's Back The tattoo is of a great, blue mushroom cloud, and in the cloud, etched ghost-like, is the face of our daughter, Rae. Her lips are drawn tight, eyes are closed and there are stitches deeply pulled to simulate the lashes. When I move fast and hard they rip slightly and Rae cries bloody tears. That’s one reason for the martial arts. The hard practice of them helps me to tear the stitches so my daughter can cry. Tears are the only thing I can give her. East Texas writer Joe R Lansdale has written horror, science fiction, fantasy, mystery, suspense, westerns, "men's adventure," and just about every other kind of writing you can think of. On his website (see main link) Lansdale makes a story available for free every week to his readers. Lansdale also wrote a novella featuring an aging Elvis Presley who teams up with a delusional, African American John F. Kennedy to battle an ancient Egyptian mummy with a predilection for anal soul-rape. It made it to the big screen, too: Bubba Ho-Tep. With Bruce Campbell and Ossie Davis. More inside.
Isaac Asimov to blame for "al-Qaida"?
"That's it. I'm done. Done writing books." After Stephen King publishes his next five new books, he's ending his career in publishing. Viewing his latest work as mere recycles of older novels that he has written, he's choosing to stop while he's at the top of his game rather than meet a grim end to his career. Are any fans of his work disappointed or do you feel satisfied with the body of work that he has created over his career?